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The cell rings twice, and then his old partner in his ear… ‘I’m at the scene of what appears to be a murder-suicide. I’d like you to come and take a look. Bring your sidekick with you, if she’s available…’Retired Detective Bill Hodges now runs a two-person firm called Finders Keepers with his partner Holly Gibney. They met in the wake of the ‘Mercedes Massacre’ when a queue of people was run down by the diabolical killer Brady Hartsfield.Brady is now confined to Room 217 of the Lakes Region Traumatic Brain Injury Clinic, in an unresponsive state. But all is not what it seems: the evidence suggests that Brady is somehow awake, and in possession of deadly new powers that allow him to wreak unimaginable havoc without ever leaving his hospital room.When Bill and Holly are called to a suicide scene with ties to the Mercedes Massacre, they find themselves pulled into their most dangerous case yet, one that will put their lives at risk, as well as those of Bill’s heroic young friend Jerome Robinson and his teenage sister, Barbara. Brady Hartsfield is back, and planning revenge not just on Hodges and his friends, but on an entire city.The clock is ticking in unexpected ways…Both a stand-alone novel of heart-pounding suspense and a sublimely terrifying final episode in the Hodges trilogy, End of Watch takes the series into a powerful new dimension.The extract above is abridged from End of Watch.Amazon.com ReviewAn Amazon Best Book of June 2016: It has been seven years since the Mercedes Killer, Brady Hartsfield, was knocked on the head and put into a catatonic state. But now he’s awake, even if people haven’t quite been clued into that fact, and he’s got a score to settle. His ultimate quarry is the detective Bill Hodges, and as Brady gains his faculties—as well as some new paranormal skills (telekinesis anyone?)—people start committing suicide at a mysterious and alarming rate. King hits his sweet spot in this final episode of the Bill Hodges Trilogy, introducing his talent for horror into a storyline that already has featured some great detective writing. The result is a book that mixes revenge, crime, and otherworldly powers, bringing the trilogy to a thrilling, satisfying close.— Chris Schluep, The Amazon Book ReviewReviewTHE BEST THRILLER OF THE YEAR… recommended to crime buffs and King fans alike.— Sunday Express on MR MERCEDESI challenge you not to read this book in one breathless sitting.— Guardian on MR MERCEDESKing continues to tweak the hard-boiled genre in spectacular ways.— USA Today on FINDERS KEEPERSA classic cat-and-mouse tale, this is King at his rip-roaring best.— Mail on Sunday on FINDERS KEEPERSFantastic… In part a love letter to literature, this is vintage King… Roll on the last in the trilogy.— Sunday Mirror on FINDERS KEEPERS

In diesem atmosphärisch ungeheuer dichten Roman schildert Stephen King, der weltweit als "Edgar Allan Poe der Gegenwart" gefeiert wird, den uralten mythischen Kampf zwischen Gut und Böse. Die Gemeinschaft der Freunde kann "es" töten, weil ihre Freundschaft und Liebe zueinander stärker ist als die Gewalt des Bösen.Titel der englischen Originalausgabe: »It«

Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.Amazon.com ReviewFans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending.—Tom NissleyFrom Publishers WeeklyOf all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Early in 2004, two writers and Red Sox fans, Stewart O’Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan’s notes for the ages.Amazon.com ReviewFans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox’s unprecedented comeback against their most hated rivals to their ace pitcher’s bleeding, stitched-together ankle--not to mention the Sox’s first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.What he was writing, though, along with his friend and fellow novelist Stewart O’Nan, was Faithful, a diary of the 2004 Red Sox season. Faithful is written not from inside the clubhouse or the press room, but from the outside, from the stands and the sofa in front of the TV, by two fans who, like the rest of New England, have lived and died (mostly died) with the Sox for decades. From opposite ends of Red Sox Nation, King in Maine and O’Nan at the border of Yankees country in Connecticut, they would meet in the middle at Fenway Park or trade emails from home about the games they’d both stayed up past midnight to watch. King (or, rather, “Steve”) is emotional, O’Nan (or “Stew”) is obsessively analytical. Steve, as the most famous Sox fan who didn’t star in Gigli, is a folk hero of sorts, trading high fives with doormen and enjoying box seats better than John Kerry’s, while Stew is an anonymous nomad, roving all over the park. (Although he’s such a shameless ballhound that he gains some minor celebrity as "Netman" when he brings a giant fishing net to hawk batting-practice flies from the top of the Green Monster.)You won’t find any of the Roger Angell-style lyricism here that baseball, and the Sox in particular, seem to bring out in people. (King wouldn’t stand for it.) Instead, this is the voice of sports talk radio: two fans by turns hopeful, distraught, and elated, who assess every inside pitch and every waiver move as a personal affront or vindication. Full of daily play-by-play and a season’s rises and falls, Faithful isn’t self-reflective or flat-out funny enough to become a sports classic like Fever Pitch, Ball Four, or A Fan’s Notes, but like everything else associated with the Red Sox 2004 season, from the signing of Curt Schilling to Dave Roberts’s outstretched fingers, it carries the golden glow of destiny. And, of course, it’s got a heck of an ending.—Tom NissleyFrom Publishers WeeklyOf all the books that will examine the Boston Red Sox’s stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book’s warmth, personality or depth. Beginning with an e-mail exchange in the summer of 2003, novelists King and O’Nan started keeping diaries chronicling the Red Sox’s season, from spring training to the Series’ final game. Although they attended some games together, the two did most of their conversing in electronic missives about the team’s players, the highs and lows of their performance on the field and the hated Yankees (“limousine longballers”). O’Nan acts as a play-by-play announcer, calling the details of every game (sometimes quite tediously), while King provides colorful commentary, making the games come alive by proffering his intense emotional reactions to them. When the Red Sox find themselves three games down during the ALCS, King reflects on the possibilities of a win in game four: “Yet still we are the faithful… we tell ourselves it’s just one game at a time. We tell ourselves the impossible can start tonight.” After the Sox win the Series, O’Nan delivers a fan’s thanks: “You believed in yourselves even more than we did. That’s why you’re World Champions, and why we’ll never forget you or this season. Wherever you go, any of you, you’ll always have a home here, in the heart of the Nation.” (At times, the authors’ language borders on the maudlin.) But King and O’Nan are, admittedly, more eloquent than average baseball fans (or average sportswriters, for that matter), and their book will provide Red Sox readers an opportunity to relive every nail-biting moment of a memorable season.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Dans la chambre 217 de l’hôpital Kiner Memorial, Brady Hartsfield, alias Mr Mercedes, gît dans un état végétatif depuis sept ans, soumis aux expérimentations du docteur Babineau.Mais derrière son rictus douloureux et son regard fixe, Brady est bien vivant. Et capable de commettre un nouveau carnage sans même quitter son lit. Sa première pensée est pour Bill Hodges, son plus vieil ennemi…« Après Mr Mercedes et Carnets noirs, les fans de Stephen King trouveront dans ce mélange de suspense et d’horreur la conclusion parfaite à la trilogie de l’inspecteur Hodges. »Publishers WeeklySTEPHEN KING a écrit plus de 50 romans, autant de best-sellers, et plus de 200 nouvelles. Couronné de nombreux prix littéraires, il est devenu un mythe vivant de la littérature américaine (médaille de la National Book Foundation en 2003 pour sa contribution aux lettres américaines, Grand Master Award en 2007 pour l’ensemble de son œuvre).

In a pulls-no-punches essay intended to provoke rational discussion, Stephen King sets down his thoughts about gun violence in America. Anger and grief in the wake of the shootings at Sandy Hook Elementary School are palpable in this urgent piece of writing, but no less remarkable are King’s keen thoughtfulness and composure as he explores the contours of the gun-control issue and constructs his argument for what can and should be done.King’s earnings from the sale of this essay will go the Brady Campaign to Prevent Gun Violence.

The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told… until now.There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974 twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zig-zag up the cliffside.At the top of the stairs, Gwendy catches her breath and listens to the shouts of the kids on the playground. From a bit farther away comes the chink of an aluminum bat hitting a baseball as the Senior League kids practice for the Labor Day charity game.One day, a stranger calls to Gwendy: “Hey, girl. Come on over here for a bit. We ought to palaver, you and me.”On a bench in the shade sits a man in black jeans, a black coat like for a suit, and a white shirt unbuttoned at the top. On his head is a small neat black hat. The time will come when Gwendy has nightmares about that hat…Journey back to Castle Rock again in this chilling new novella by Stephen King, bestselling author of The Bazaar of Bad Dreams, and Richard Chizmar, award-winning author of A Long December. This book will be a Cemetery Dance Publications exclusive with no other editions currently planned anywhere in the world!

Luisas ir Reičelė Kridai. Ideali jauna šeima, kurioje auga du žavūs vaikučiai. Nusipirkę namą tikisi laimingai sulaukti senatvės ir...mirties.

Tad giltinė nelaukia, netrukus ji jau šiepia savo aštrius grasius dantis. Deja, paaiškėja, kad yra dalykų kur kas baisesnių nei pati Mirtis.

New fiction 6,500-word story from Stephen King.Brenda should be happy. The kids are quiet, the road stretches ahead of her like an airport runway, she's behind the wheel of a brand-new van. The speedometer reads 70. Nonetheless, that grayness has begun to creep over her again. The van isn't hers, after all. She'll have to give it back. A foolish expense, really, because what's at the far end of this trip, up in Mars Hill? She looks at her old friend. Jasmine is looking back at her. The van, now doing almost a hundred miles an hour, begins to drift. Jasmine gives a small nod. Brenda nods back. Then she pushes down harder with her foot, trying to find the van's carpeted floor.

Holly Gibney, one of Stephen King’s most compelling and ingeniously resourceful characters, returns in this thrilling novel to solve the gruesome truth behind multiple disappearances in a midwestern town.“Sometimes the universe throws you a rope.” —BILL HODGESStephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.“I could never let Holly Gibney go. She was supposed to be a walk-on character in Mr. Mercedes and she just kind of stole the book and stole my heart. Holly is all her.” —STEPHEN KINGReview“A deadly folie a deux…[Holly] pursues this case to the gates of hell, figuratively—there’s no supernatural element in this powerful exploration of grief and delusion, just pure, undistilled evil.” —New York Magazine“Deliciously, darkly comical. I’m all in on Holly.” —Neil McRobert, Talking Scared“Holly Gibney steps into the spotlight [and] takes center stage at last…Holly’s complexity and relatability make her an endlessly fascinating protagonist.” —BookPage“King eschews the supernatural here but finds all the horror possible in the evil that ‘normal’ people may do…readers will find much to love.” —Library Journal“Chilling.” —AARP“In her new leading role, Holly shines. She’s tough, relentless, and compassionate while at the same time being vulnerable and prone to lapses of confidence. The story is the kind of thing King excels at, too—dark, mysterious, and deeply unsettling. This is the novel Holly deserves.” —Booklist“A tour de force. Creepy as hell but full of heart, too.” —Linwood Barclay, #1 internationally bestselling author of Take Your Breath Away and Look Both Ways

This anthology was edited by Michael Connelly. His essay is called "Once Upon a Midnight Dreary."A collection of stories by thriller master Edgar Allan Poe with essays by beloved and bestselling writers, to commemorate the 200th anniversary of Poe's birth. Authors involved include Michael Connelly, Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, Lisa Scottoline, Laura Lippman, and twelve others.***Few have crafted stories as haunting as those by Edgar Allan Poe. Collected here to commemorate the 200th anniversary of Poe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block, Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas… or maybe he just thought of them first.Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.The Mystery Writers of America, founded in 1945, is the foremost organization for mystery writers and other professionals dedicated to the field of crime writing.

Das Grauen kehrt nach Derry, Maine, zurück. Acht Jahre nach den in "Es" geschilderten Ereignissen, geschehen dort wieder seltsame Dinge. Ralph Roberts leidet zunehmend an Schlaflosigkeit und sieht plötzlich die Köpfe seiner Mitmenschen von einer bunten Aura umgeben.