В Нью-Йорке начал орудовать серийный убийца, и у него очевидные планы на будущее. Он одержим точным подсчетом времени и называет себя Часовщиком. Последние минуты жизни его жертв отсчитывают старинные часы с изображенной на циферблате луной, которые он оставляет на месте преступления, и это единственная зацепка. Гениальный криминалист Линкольн Райм, прикованный к инвалидному креслу, вместе со своей ученицей и помощницей Амелией Сакс берется за расследование этого необычного дела. На сей раз в команде детективов появляется новый сильный игрок, Кэтрин Дэнс, полицейский психолог, специалист по кинесике — языку тела, ведь «самыми опасными преступниками, как правило, бывают те, чьи мотивы сложно понять». Но логика преступника неуловима, как и он сам, непредсказуемый, просчитывающий каждый свой шаг и каждую секунду в жутких сценариях убийств…

Given its extraordinary span, its international scope, and its variant styles and groundbreaking stylists, A Century of Great Suspense Stories is a singular achievement. A bestselling master of suspense himself Jeffery Deaver had the enviable task of selecting from the thousands of stories written over the past one hundred years those which best represented the classic form, as well as the justly celebrated authors whose ironic twists and stunning payoffs left a lasting, vivid, and unnerving impression. The result is a triumph.

In this ambitious anthology you’ll revel in the sardonic, overtly amoral plotting of Patricia Highsmith. You’ll rediscover the strangely poignant and surprising turns of Stanley Ellin, and the profoundly underrated Margaret Millar, a genius who mixed savage social satire with brooding horror. You’ll be treated to Stephen King at his chilling best. You’ll find yourself on the violent urban streets of Ross Macdonald and Mickey Spillane, and seeped in the ominous regional flavor of Sharyn McCrumb and Tony Hillerman. You’ll marvel at the cunning webs spun by Lawrence Block, Ruth Rendell, Anthony Boucher, and Sara Paretsky, all of whom defy expectations as they reinvent the genre. And you’ll understand the awesome reputations of those authors who set the standard, such as the legendary Harlan Ellison, Fredric Brown, the master of the twist ending, and James M. Cain, uncannily skilled at knowing what went on between men and women behind closed doors. (The darker the room the better.)

Delivering everything from the one-two punch of the detective story to the ingeniously precise trappings of the police procedural, from the disquieting corners of the criminal mind to sheer dread-inducing horror, A Century of Great Suspense Stories is a rich anthology of this popular literary genre, a stunning tribute to the art of storytelling, and to the men and women who have done it best.

When the FBI comes to Lincoln Rhyme with the news that a mysterious assassin is targeting him, the detective is not particularly concerned. With his long career putting away criminals, he is accustomed to threats on his life, and has designed his Upper West Side townhome to be secure against nearly any threat. But when the assassin gets too close for comfort, shadowing Rhyme and his wife Amelia Sachs as they go about their daily life, Rhyme determines to find out why this person is after him. He must put himself inside the mind of a killer in order to save his own life, and possibly the lives of those he loves most.

When a young woman is found brutally murdered in a parking garage, with a veritable mountain of potential evidence to sift through, it may be the most challenging case former NYPD detective Lincoln Rhyme has ever taken on.

An old-school reporter discovers that the search for the truth is still full of surprises in a twisty short thriller from bestselling master of suspense Jeffery Deaver.

After a long run as a respected journalist, Edward “Fitz” Fitzhugh is on his way out when he stumbles across the story of a lifetime. The Gravedigger is a serial kidnapper who taunts the police with riddles. The other puzzle is his motive, which Fitz is determined to piece together. When an eyewitness to the latest abduction leads Fitz closer to the facts, he realizes that the last great story of his career is not at all what it appears to be.

Colter Shaw is a career “reward-seeker,” making his living traveling the country and locating missing persons, collecting reward money in return. So it is not unusual when a wealthy entrepreneur hires him to track down his wife, an enigmatic artist who vanished one month before. As Shaw begins to investigate, he suspects that she was fleeing a bad marriage, and he follows her trail to an artists’ retreat in Indiana. The case takes one surprising turn after another, and soon Shaw begins to wonder if this mysterious woman is more of a captor than a captive.

The first retrospective of the CWA’s Dagger Award winners, brings together some of the greatest names in crime fiction to deliver a cutthroat collection of serial killers, grizzled detectives, drug dealers and master forgers.

Observe as a Senior Curator at the Tate Gallery constructs the perfect crime in Ian Rankin’s “Herbert in Motion”. Watch an unlikely romance sour into a deadly obsession in Stella Duffy’s “Martha Grace”. Face parents who discover their child has committed the unthinkable in Denise Mina’s “Nemo Me Impune Lacessit”. And in Jeffery Deaver’s “The Weekender” an intense hostage situation hits its peak in the most unlikely conclusion.

Keep your secrets close, and your daggers drawn.

THERE ARE TWO FUNDAMENTAL RULES OF SURVIVAL.

#1: NEVER BE WITHOUT A MEANS OF ESCAPE.

Allison Parker is on the run with her teenage daughter, Hannah, and Colter Shaw has been hired by her eccentric boss, entrepreneur Marty Harmon, to find and protect her. Though he’s an expert at tracking missing persons — even those who don’t wish to be found — Shaw has met his match in Allison, who brings all her skills as a brilliant engineer designing revolutionary technology to the game of evading detection.

#2: NEVER BE WITHOUT ACCESS TO A WEAPON.

The reason for Allison’s panicked flight is soon apparent. She’s being stalked by her ex-husband, Jon Merritt. Newly released from prison and fueled by blinding rage, Jon is a man whose former profession as a police detective makes him uniquely suited for the hunt. And he’s not alone. Two hitmen are also hot on her heels — an eerie pair of thugs who take delight not only in murder but in the sport of devising clever ways to make bodies disappear forever. Even if Shaw manages to catch up with Allison and her daughter, his troubles will just be beginning.

SHAW IS ABOUT TO DISCOVER RULE #3:

NEVER BELIEVE ANYTHING.

As Shaw ventures further into the wilderness, the truth becomes as hard to decipher as the forest’s unmarked trails... and peril awaits at every turn.

What does it mean to be a father?

What does it mean to be a son?

What does it mean to be a man?

In Men From Boys seventeen masters of crime fiction answer these questions in a multitude of ways. Here are worlds that are instantly recognisable and believable, yet set widely apart. From a deprived London housing estate to the trenches of the First World War, from the claustrophobic confines of a late-night back room poker game to a rundown jazz joint in Manhattan, the writers address just what it means to be a man.

The characters who inhabit these stories strive to determine what is right, what will give them dignity, what will earn them self-respect. Some succeed, some fail: little is perfect.

Gathered together in this anthology are some of the very best names in contemporary crime writing, introduced and edited by John Harvey.

In this electrifying short story by New York Times bestselling suspense master Jeffery Deaver, the destinies of seven strangers intersect in ways no one sees coming. It looks like just another gray March morning in the tough urban district nicknamed Nowhere when seven lives converge: a young man intent on buying a gun; the gangbanger who cuts him a deal; a by-the-book police officer on a last patrol; an advertising executive keeping secrets from her husband; a veteran haunted by a combat death; a single dad in a bitter custody battle; and a sharp-looking businessman en route to a new job he desperately needs. Any one of them could have a dark motive. Any one of them could be walking into a trap. When the fog lifts, it will all be much clearer — that a single, shattering act of violence has marked each of them forever.

The sun sets. The moon takes its place, illuminating the most evil corners of the planet. What twisted fear dwells in that blackness? What legends attach to those of sound mind and make them go crazy in the bright light of day? Only Suspense Magazine knows...

Teaming up with New York Times bestselling author Jeffery Deaver, Suspense Magazine offers up a nail-biting anthology titled: “Nothing Good Happens After Midnight.” This thrilling collection consists of thirteen original short stories representing the genres of suspense/thriller, mystery, sci-fi/fantasy, and more.

Take their hands... walk into their worlds... but be prepared to leave the light on when you’re through. After all, this incredible gathering of authors, who will delight fans of all genres, not only utilized their award-winning imaginations to answer that age-old question of why “Nothing Good Happens After Midnight” — they also made sure to pen stories that will leave you... speechless.

Best-selling author Scott Turow takes the helm for the tenth edition of this annual, featuring twenty-one of the past year’s most distinguished tales of mystery, crime, and suspense.

Elmore Leonard tells the tale of a young woman who’s fled home with a convicted bank robber. Walter Mosley describes an over-the-hill private detective and his new client, a woman named Karma. C. J. Box explores the fate of two Czech immigrants stranded by the side of the road in Yellowstone Park. Ed McBain begins his story on role-playing with the line “ ‘Why don’t we kill somebody?’ she suggested.” Wendy Hornsby tells of a wild motorcycle chase through the canyons outside Las Vegas. Laura Lippman describes the “Crack Cocaine Diet.” And James Lee Burke writes of a young boy who may have been a close friend of Bugsy Siegel.

As Scott Turow notes in his introduction, these stories are “about crime — its commission, its aftermath, its anxieties, its effect on character.” The Best American Mystery Stories 2006 is a powerful collection for all readers who enjoy fiction that deals with the extremes of human passion and its dark consequences.

“Some people might tell you that crime short stories, unlike the more precious kind, are a kind of fictional ghetto, full of cardboard characters and clichéd situations. Not true. These stories are remarkably free of bullshit — although there’s always a little, just to grease the wheels,” writes guest editor John Sandford in his introduction. From an isolated Wyoming ranch to the Detroit boxing underworld, and from kidnapping and adultery in the Hollywood Hills to a serial killer loose in a nursing home, The Best American Mystery Stories 2017 hosts an entertaining abundance of crime, psychological suspense, and bad intentions.

A collection of the year’s best mystery short fiction selected by New York Times best-selling and Edgar Award — winning author C. J. Box.

Lincoln Rhyme and Amelia Sachs return to New York City to confront a killer terrorizing couples at their happiest — and most vulnerable.

In the early hours of a quiet, weekend morning in Manhattan’s Diamond District, a brutal triple murder shocks the city. Lincoln Rhyme and Amelia Sachs quickly take the case. Curiously, the killer has left behind a half-million dollars’ worth of gems at the murder scene, a jewelry store on 47th street. As more crimes follow, it becomes clear that the killer’s target is not gems, but engaged couples themselves.

The Promisor vows to take the lives of men and women during their most precious moments — midway through the purchase of an engagement ring, after a meeting with a wedding planner, trying on the perfect gown for a day that will never come. The Promisor arrives silently, armed with knife or gun, and a time of bliss is transformed, in an instant, to one of horror.Soon the Promiser makes a dangerous mistake: leaving behind an innocent witness, Vimal Lahori, a talented young diamond cutter, who can help Rhyme and Sachs blow the lid off the case. They must track down Vimal before the killer can correct his fatal error. Then disaster strikes, threatening to tear apart the very fabric of the city — and providing the perfect cover for the killer to slip through the cracks.

Just hours after the harrowing events of The Never Game and The Goodbye Man, Colter Shaw finds himself in San Francisco, where he has taken on the mission his father began years ago: finding a missing courier bag containing evidence that will bring down a corporate espionage firm responsible for hundreds, perhaps thousands, of deaths.

Following the enigmatic clues his father left behind, Shaw plays cat and mouse with the company’s sadistic enforcers, as he speeds from one gritty neighborhood in the City by the Bay to another. Suddenly, the job takes on a frightening urgency: Only by finding the courier bag can he expose the company and stop the murder of an entire family — slated to die in forty-eight hours.

With the help of an unexpected figure from his past, and with the enforcers closing the net, Shaw narrows in on the truth — and learns that the courier bag contains something unexpected: a secret that could only be described as catastrophic.

In this twisty thriller from the New York Times bestselling master of suspense, reward-seeker Colter Shaw infiltrates a sinister cult after learning that the only way to get somebody out... is to go in.

In the wilderness of Washington State, expert tracker Colter Shaw has located two young men accused of a terrible hate crime. But when his pursuit takes a shocking and tragic turn, Shaw becomes desperate to discover what went so horribly wrong and if he is to blame. Shaw’s search for answers leads him to a shadowy organization that bills itself as a grief support group. But is it truly it a community that consoles the bereaved? Or a dangerous cult with a growing body count? Undercover, Shaw joins the mysterious group, risking everything despite the fact that no reward is on offer. He soon finds that some people will stop at nothing to keep their secrets hidden... and to make sure that he or those close to him say “goodbye” forever.

A killer without limits

He comes into your home at night. He watches you as you sleep. He waits.

A city in turmoil

He calls himself ‘The Locksmith’. No door can keep him out. No security system can catch him. And now he’s about to kill.

A race against time to stop him

Nobody in New York is safe. Now it’s up to Lincoln Rhyme to untangle the web of evidence and catch him.

But with Lincoln under investigation himself, and tension in the city at boiling point, time is running out...

Gabriela waits desperately for news of her abducted daughter.

At last, the door opens.

But it’s not the negotiators. It’s not the FBI.

It’s the kidnapper.

And he has a gun.

How did it come to this?

Two days ago, Gabriela’s life was normal. Then, out of the blue, she gets word that her six-year-old daughter has been taken. She’s given an ultimatum: pay half a million dollars and find a mysterious document known as the “October List” within 30 hours, or she’ll never see her child again.

A mind-bending novel with twists and turns that unfold from its dramatic climax back to its surprising beginning, THE OCTOBER LIST is Jeffery Deaver at his masterful, inventive best.