Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also — and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town — some quick and brutal… and some agonizingly slow.

Lawrence Block's novels win awards, grace bestseller lists, and get made into films. His short fiction is every bit as outstanding, and this complete collection of his short stories establishes the extraordinary skill, power, and versatility of this contemporary Grand Master.Block's beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf, who takes criminal cases on a contingency basis and whose clients always turn out to be innocent.Keeping them company are dozens of other refugees from Block's dazzling imagination — all caught up in more ingenious plots than you can shake a blunt instrument at.Half a dozen of Block's stories have been shortlisted for the Edgar Award, and three have won it outright. Other stories have been read aloud on BBC Radio, dramatized on American and British television, and adapted for the stage and screen. All the tales in Block's three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. And more than a few of them will give you something to think about. Enough Rope is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of... Block magic!

New York’s a tough town. Hard to impress. Shrugs off hype, casts a cold eye on glitz. But once in a blue moon a killer with street smarts and a sense of theater will reach out and take the city by the throat. Maybe he’ll write letters to a popular tabloid columnist, proclaiming himself the answer to a failed criminal justice system. Maybe he’ll point a finger at the kind of villain the law can’t touch. A child killer who got off on a technicality, say. A top mobster with decades of blood on his hands. A rabble-rouser who incites others to murder. Maybe he’ll sign himself “Will,” as in “The Will of the People.” Then suppose he takes aim at a respectable lawyer, a defense attorney with a roster of unpopular clients. Suppose the lawyer’s a friend of Matt Scudder. Scudder is New York to the bone. He’s as tough as the big town itself, as hard to impress. And now he’s up against the self-styled Will of the People in a city with eight million ways to die, a city where not just the good guys but even the wicked get worse than they deserve.

Matthew Scudder is finally leading a comfortable life. He's sober, he's married, and the state just gave him a private investigator's license. He's growing older, and he's even getting respectable. Then Scudder signs on to help his closest and most unlikely friend, the larger-than-life Hell's Kitchen hoodlum Mick Ballou. And all hell breaks loose. Scudder finds out he's not so respectable after all. He learns the spruced-up sidewalks of New York are as mean as they ever were, dark and gritty and stained with blood. And he discovers he's living in a world where the past is a minefield, the present is a war zone, and the future's an open question.

SO THIS GIRL WALKS INTO A BAR……and when she walks out there's a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list…

Keller’s a hit man. For years now he’s had places to go and people to kill.But enough is enough. He’s got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what?One more job. Paid in advance, so what’s he going to do? Give the money back? In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And one fine morning he’s picking out stamps for his collection (Sweden 1–5, the official reprints) at a shop in Urbandale when somebody guns down the charismatic governor of Ohio.Back at his motel, Keller’s watching TV when they show the killer’s face. And there’s something all too familiar about that face…Keller calls his associate Dot in White Plains, but there is no answer. He’s stranded halfway across the country, every cop in America’s just seen his picture, his ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.Now what?

Keller is a regular guy, a solid citizen. He goes to the movies, watches the tube, browses the art galleries, and works diligently on his stamp collection. But every now and then a call from the breezily efficient Dot sends him off to kill a total stranger. He takes a plane, rents a car, finds a hotel room, and gets back before the body is cold.He's a real pro, cool and dispassionate and very good at what he does. Until one day when Dot breaks her own rule and books him for a hit in New York, his home base. She sends him to an art gallery opening, and the girl he gets lucky with steers him to an astrologer.Then the jobs start to go wrong. Targets die before he can draw a bead on them. The realization is slow in coming, but there's no getting around it: Somebody out there is trying to hit the hit man. Keller, God help him has found his way onto somebody else's hit list.

Amazon.com ReviewA man known only as Keller is thinking about Samuel Johnson's famous quote that "'patriotism is the last refuge of a scoundrel'… If you looked at it objectively, he had to admit, then he was probably a scoundrel himself. He didn't feel much like a scoundrel. He felt like your basic New York single guy, living alone, eating out or bringing home takeout, schlepping his wash to the Laundromat, doing the Times crossword with his morning coffee… There were eight million stories in the naked city, most of them not very interesting, and his was one of them. Except that every once in a while he got a phone call from a man in White Plains. And packed a bag and caught a plane and killed somebody. Hard to argue the point. Man behaves like that, he's a scoundrel. Case closed." But Lawrence Block is such a delightfully subtle writer, one of the true masters of the mystery genre, that the case is far from closed. In this beautifully linked collection of short stories, we gradually put together such a complete picture of Keller that we don't so much forgive him his occupation as consider it just one more part of his humanity. After watching Keller take on cases that baffle and anger him into actions that fellow members of his hit-man union might well call unprofessional, we're eager to join him as he goes through a spectacularly unsuccessful analysis and gets fooled by a devious intelligence agent. We miss the dog he acquires and loses, along with its attractive walker. Like Richard Stark's Parker, Keller makes us think the unthinkable about criminals: that they might be the guys next door-or even us, under different pressures.

The New York Times bestselling author and master of the modern mystery returns with a fierce and poignant new novel featuring his acclaimed killer-for-hire, KellerJohn Keller is everyone's favorite hit man: a new kind of hero for a new, uncertain age. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the aging sports star, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently.Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. "What happens is you wind up thinking of each subject not as a person to be killed but as a problem to be solved. Now there are guys doing this who cope with it by making it personal. They find a reason to hate the guy they have to kill. I don't know what's a sin and what isn't, or if one person deserves to go on living and another deserves to have his life ended. Sometimes I think about stuff like that, but as far as working it all out in my mind, well, I never seem to get anywhere."But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. There was a psychotherapist once. A dog. Even a woman. And though he's got Dot, his wisecracking contact and sometimes confidante, and his precious stamp collection, these days, it doesn't seem to be enough.Keller's been at this business a long while. Just maybe it's time to pack it in and find a nice little house in the desert. Only problem is, retirement takes money. And to get money, he's got to go to work…Hit Parade, the third novel featuring the fascinating Keller, displays the hallmarks that distinguish Lawrence Block's award-winning fiction: the intelligence, the clever plotting, the humor, the tricky twists and ironic turns, the darkness and emotional complexity – and, above all else, the humanity.

Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.)Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour.

Bad cop Jerry Broadfield didn't make any friends on the force when he volunteered to squeal to an ambitious d.a. about police corruption. Now he's accused of murdering a call girl. Matthew Scudder doesn't think Broadfield's a killer, but the cops aren't about to help the unlicensed p.i. prove it — and they may do a lot worse than just get in his way.

This anthology was edited by Michael Connelly. His essay is called "Once Upon a Midnight Dreary."A collection of stories by thriller master Edgar Allan Poe with essays by beloved and bestselling writers, to commemorate the 200th anniversary of Poe's birth. Authors involved include Michael Connelly, Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, Lisa Scottoline, Laura Lippman, and twelve others.***Few have crafted stories as haunting as those by Edgar Allan Poe. Collected here to commemorate the 200th anniversary of Poe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block, Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas… or maybe he just thought of them first.Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.The Mystery Writers of America, founded in 1945, is the foremost organization for mystery writers and other professionals dedicated to the field of crime writing.

The sharpest, most stylized, and ambitious anthology of Native American literature ever published. Readers enter into a welter of troubled history throughout the Americans where the heritage of violence meets the ferocity of intent.