In his first book in almost nine years, Mickey Spillane proves conclusively that he is still the unequalled master of the style he invented. The Deep has all the elements that made Spillane the bestselling mystery writer of all time: dramatic scenes, splashed with color; a masterful new protagonist; a beautiful and desirable girl; and all the action and violence Spillane’s most ardent fan could ask.Deep was back in town after a twenty-five year exile — to inherit an empire and avenge a death. He and Bennett had made the inheritance pact when they were kids — blood brothers in crime. They had known then that even New York was too small for them both to share, and so they had tossed a coin to determine who would stay and who would build his organization in another town. Deep had lost and gone.But now Bennett has lost — been murdered in his own home — and Deep is ready to prove lie is strong enough to take over. Deep wants Bennett’s killer; the others want Bennett’s job. And all too many of them — including the beautiful Irish — want Deep dead.The Deep is the mastermind in one of the most exciting stories Spillane has ever written — a breathtaking tale of violence in action.

In this book Hammer's secretary, Velda, has been missing for seven years, but she's still alive if Hammer can reach in time.

"I rammed my elbow back and felt teeth go under it and the back of my head mashed the guy's nose who was holding me." Mike Hammer is back, and after almost 20 years, he's as psychotically hard-boiled as ever. Here, there's a dead man in Hammer's office chair. He has been horribly tortured; a note on the desk reads "You die for killing me," signed "Penta." Hammer's longtime secretary and sometime love interest, Velda, has been knocked unconscious and Hammer (no mellower despite the years), goes a-hunting. Gorgeous assistant DA Candace Amory warns Hammer off the case; he changes her mind. Penta turns up on government files as an assassin for hire, a billion dollars in drug money is missing and renegade CIA agents and mobsters are looking for Penta, while gunning for Hammer. Spillane's ( Kiss Me, Deadly ) dirty rain, mean streets, leggy broads, etc. have made him one of the all time best-selling authors--but many things, including present-day New York city, have changed since the '50s and Spillane has, for the most part, failed to notice. Readers will catch the bad guy 50 pages before Hammer does. $100,000 ad/promo.

In this first novel in a bold new Western series, crooked Sheriff Harry Gauge rules the town of Trinidad, New Mexico, with an iron fist. His latest scheme is to force rancher George Cullen into selling his spread and to take Cullen’s beautiful daughter Willa for his bride — whether she’s willing or not.The old man isn’t about to go down without a fight. He sends out a telegram to hire the west’s toughest gunslinger to kill the sheriff. But when a stranger rides into Trinidad, no one’s sure who he is. Wherever he came from, wherever he’s going, it’s deadly clear he’s a man who won’t be pushed — and that he’s a damn good shot...With stirring authenticity and heart-racing drama, Spillane and Collins add Caleb York to the roster of unforgettable western heroes.

In touristy Peachtree Heights, Georgia, a string of presumably accidental deaths of area physicians rouses the suspicions of Police Chief Blake Cutter. But the former big-city cop’s attempts to warn Dr. Roy Ryan are viewed by his estranged wife as an attempt to muddy the waters of a custody battle over the couple’s young son, Richie.Too late to do anything more, a small, incredibly powerful creature emerges from the night to brave the walls of the doctor’s compound, terrorizing the family and any and all police guarding them. The menace is suddenly real, and those physicians’ deaths are anything but accidental.And when young Richie’s archeologist uncle gives the boy a grisly birthday present — an actual Aztec mummy! — the child begins to think the long-dead corpse is his friend, one who is still-breathing...

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America: Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors...

A tough-guy mystery to please even the most bloodthirsty of fans!

“The Tough Guys” contain three Spillane short stories that came out in men’s magazines in the early sixties. All are solid Spillane high caliber yarns , with a guy ready to tackle injustice with violence, always with a clip in the gun and a broad by his side.

A kidnapping case links Hammer to a fourteen year-old mystery and the most venomous killer the private eye has ever faced.

He was a nice guy. Now he's dead. That's all Hammer knows about the stiff in the hotel room. But that isn't enough because Hammer suspects murder while the cops are calling it a suicide. Without a license or a gun, Hammer is pushing his way through a swirl of sex-and-game clubs, high priced models and not just a little blackmail. Someone is working hard to frame Hammer and he's working hard to find out why. Everywhere he turns, he keeps coming up against a blonde beauty named Juno. She holds the key to the crime wave that could unlock the mystery behind the nice guy's murder.