Mirror of My Youth
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Off Limits (Alien Sex[2])
This second volume of the Alien Sex anthology series brings together authors Neil Gaiman, Robert Silverberg, Samuel R. Delany, Joyce Carol Oates, Elizabeth Hand, and many others to explore the mysteries of sex, alien and human alike.From an alien spy who falls in love with one of the earthlings he’s monitoring, to a woman whose souvenir dream-catcher calls to her bedroom more than she bargained for, to a genetically engineered sex object aboard a space station, these thought-provoking tales of alien sex open up new worlds for fantastical exploration.
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Teeth: Vampire Tales
The first bite is only the beginning.Twenty of today's favorite writers explore the intersections between the living, dead, and undead. Their vampire tales range from romantic to chilling to gleeful — and touch on nearly every emotion in between.Neil Gaiman's vampire-poet in "Bloody Sunrise" is brooding, remorseful, and lonely. Melissa Marr's vampires make a high-stakes game of possession and seduction in "Transition." And in "Why Light?" Tanith Lee's lovelorn vampires yearn most of all for the one thing they cannot have — daylight. Drawn from folk traditions around the world, popular culture, and original interpretations, the vampires in this collection are enticingly diverse.But reader beware: The one thing they have in common is their desire for blood.
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Teeth: Vampire Tales
The first bite is only the beginning.Twenty of today's favorite writers explore the intersections between the living, dead, and undead. Their vampire tales range from romantic to chilling to gleeful — and touch on nearly every emotion in between.Neil Gaiman's vampire-poet in "Bloody Sunrise" is brooding, remorseful, and lonely. Melissa Marr's vampires make a high-stakes game of possession and seduction in "Transition." And in "Why Light?" Tanith Lee's lovelorn vampires yearn most of all for the one thing they cannot have — daylight. Drawn from folk traditions around the world, popular culture, and original interpretations, the vampires in this collection are enticingly diverse.But reader beware: The one thing they have in common is their desire for blood.
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The Cipher
Nicholas is a would-be poet and video-store clerk with a weeping hole in his hand—weeping not blood, but a plasma of tears—“IT WANTS ME, NAKOTA. IT WANTS ME.”It began with Nakota and her crooked grin. She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse…“REACH IN, NICHOLAS. REACH IN…”Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession—through its soothing, blank darkness into the blinding core of terror…
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The Mammoth Book of Best New Horror. Volume 10 (The Mammoth Book of Best New Horror[10])
Going ten years strong, the acclaimed collection of contemporary horror fiction again showcases the talents of the finest writers working the field of fear. Along with his annual review of the year in horror, award-winning editor Stephen Jones has chosen the year's best stories by the old masters and new voices alike. — The Mammoth Book of Best New Horror 10 includes bloodcurdlers and flesh-crawlers from Ramsey Campbell, Neil Gaiman, Dennis Etchison, Thomas Ligotti, Michael Marshall Smith, Peter Straub, Kim Newman, Harlan Ellison, and many others.
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