A Redhead for Mike Shayne (Michael Shayne[48])
|
A Taste for Violence (Michael Shayne[17])
|
Armed… Dangerous… (Michael Shayne[54])
|
At the Point of a. 38 (Michael Shayne[67])
|
Black Mask Magazine (Vol. 27, No. 2 — September 1945)
|
Blood on Biscayne Bay (Michael Shayne[13])
|
Blood on the Stars (Michael Shayne[15])
|
Blue Murder (Michael Shayne[66])
|
Bodies Are Where You Find Them (Michael Shayne[5])
Shayne isn't one to say no to a gorgeous, rich young doll who gets absolutely everything she wants — and what she wants is him. But he changes his tune when he finds her cold and lifeless body on his bed. The dead girl's stepfather is a slippery politician who'd be happy to watch Shayne fry — for a crime he didn't commit. Mike Shayne knows it's a frame-up. But what exactly is the game… and who's calling the plays?
|
Call for Michael Shayne (Michael Shayne[18])
A young Miami insurance executive can’t remember whether or not he’s a killer. He remembers a red-headed man who once said, “Murder is my business.” That’s how Mike Shayne gets into the case of amnesia, alibis, and anguish in Miami Beach and the Florida Keys.
|
Caught Dead (Michael Shayne[64])
|
Counterfeit Wife (Michael Shayne[14])
|
Date with a Dead Man (Michael Shayne[33])
|
Die Like a Dog (Michael Shayne[35])
|
Dividend on Death (Michael Shayne[1])
|
Dolls Are Deadly (Michael Shayne[37])
|
Framed in Blood (Michael Shayne[20])
|
Guilty as Hell (Michael Shayne[56])
|
Heads You Lose (Michael Shayne[8])
|
I Come to Kill You (Michael Shayne[63])
|