Ниро Вулф, страстный коллекционер орхидей, большой гурман, любитель пива и великий сыщик, практически никогда не выходит из дому. Все преступления он распутывает на основе тех фактов, которые собирает Арчи Гудвин, его обаятельный, ироничный помощник с отличной памятью.

Два дела Ниро Вулфа связаны с черными орхидеями. В первом он готов доказать невиновность цветовода, но в качестве гонорара просит все выращенные тем черные орхидеи, а во втором посылает их на похороны женщины, чье убийство расследует…

В сборник включены произведения трех англоязычных мастеров детективного жанра. Крутой боевик Алистера Маклина "Страх открывает двери" сменяется "умственным" детективом Рекса Стаута "Черные орхидеи". И завершает книгу "Блондинка" Картера Брауна — игристый коктейль из изящной эротики, легкого юмора и нешуточной стрельбы.

Ниро Вулф, страстный коллекционер орхидей, большой гурман, любитель пива и великий сыщик, практически никогда не выходит из дому. Все преступления он распутывает на основе тех фактов, которые собирает Арчи Гудвин, его обаятельный, ироничный помощник с отличной памятью.

В сборник вошли четыре повести об очередных делах знаменитого сыщика.

Преступник, совершающий ошибки, может невероятно запутать следствие и одновременно сделать его необыкновенно увлекательным. Именно так и случается с загадочными убийствами женщин, желающих развестись, из романа П. Квентина "Шесть дней в Рено", необъяснимой смертью директора университета из произведения Р. Стаута "Гремучая змея", и удивительной гибелью глухого симпатичного старика путешествующего вокруг света, в романе Э. Биггерса "Чарли Чан ведет следствие".Содержание:Патрик Квентин. Шесть дней в РеноРекс Стаут. Гремучая змеяЭрл Биггерс. Чарли Чан ведет следствие

Перед началом важного матча несколько игроков бейсбольной команды «Гиганты» опоены наркотиком, а один из них обнаружен мертвым с проломленной головой. Для расследования этого вопиющего дела приглашен гениальный частный детектив Ниро Вулф.

Перед началом важного матча несколько игроков бейсбольной команды «Гиганты» опоены наркотиком, а один из них обнаружен мертвым с проломленной головой. Для расследования этого вопиющего дела приглашен гениальный частный детектив Ниро Вулф.

По-разному сражаются с «рыцарями чистогана» лейтенант полиции Эл Виллер из романа Картера Брауна «Неортодоксальный труп», расследующий загадочные убийства в женском пансионе; агент ФБР Лемми Кошен — главный герой романа Питера Чейни «Ядовитый Плющ», вступающий в единоборство с международной организацией гангстеров; и, наконец,— блистательная пара нью-йоркских частных детективов Ниро Вульф и Арчи Гудвин, в который раз сумевших в романе Рекса Стаута «Больше одной смерти» вычислить и обезвредить преступника.

По-разному сражаются с «рыцарями чистогана» лейтенант полиции Эл Виллер из романа Картера Брауна «Неортодоксальный труп», расследующий загадочные убийства в женском пансионе, агент ФБР Лемми Кошен – главный герой романа Питера Чейни «Ядовитый Плющ», вступающий в единоборство с международной организацией гангстеров, и, наконец, – блистательная пара нью-йоркских частных детективов Ниро Вульф и Арчи Гудвин, в который раз сумевших в романе Рекса Стаута «Больше одной смерти» вычислить и обезвредить преступника.

Given its extraordinary span, its international scope, and its variant styles and groundbreaking stylists, A Century of Great Suspense Stories is a singular achievement. A bestselling master of suspense himself Jeffery Deaver had the enviable task of selecting from the thousands of stories written over the past one hundred years those which best represented the classic form, as well as the justly celebrated authors whose ironic twists and stunning payoffs left a lasting, vivid, and unnerving impression. The result is a triumph.

In this ambitious anthology you’ll revel in the sardonic, overtly amoral plotting of Patricia Highsmith. You’ll rediscover the strangely poignant and surprising turns of Stanley Ellin, and the profoundly underrated Margaret Millar, a genius who mixed savage social satire with brooding horror. You’ll be treated to Stephen King at his chilling best. You’ll find yourself on the violent urban streets of Ross Macdonald and Mickey Spillane, and seeped in the ominous regional flavor of Sharyn McCrumb and Tony Hillerman. You’ll marvel at the cunning webs spun by Lawrence Block, Ruth Rendell, Anthony Boucher, and Sara Paretsky, all of whom defy expectations as they reinvent the genre. And you’ll understand the awesome reputations of those authors who set the standard, such as the legendary Harlan Ellison, Fredric Brown, the master of the twist ending, and James M. Cain, uncannily skilled at knowing what went on between men and women behind closed doors. (The darker the room the better.)

Delivering everything from the one-two punch of the detective story to the ingeniously precise trappings of the police procedural, from the disquieting corners of the criminal mind to sheer dread-inducing horror, A Century of Great Suspense Stories is a rich anthology of this popular literary genre, a stunning tribute to the art of storytelling, and to the men and women who have done it best.

What could make Nero Wolfe so determined to solve a crime that he would be willing to work entirely without fee or client? What would it take to put him, for the first time, at a loss for words? What would make him so angry about a case that he would refuse to speak to the police, even if he has to spend fifty-one hours in jail as a result? Never before in the Nero Wolfe books has Rex Stout shown us the extremes to which the greatest detective in the world can be pushed, but never before has a bomb blown up in the old brownstone on West 35th Street, murdering someone right under Wolfe's nose. When in October 1974 Pierre Ducos, one of Wolfe's favorite waiters at Rusterman's, Wolfe's favorite restaurant, dies just down the hall from Archie's bedroom, Wolfe is understandably eager to find the perpetrator, but when that murder somehow becomes connected with tape recorders, Washington lawyers, and maybe even a conspiracy to obstruct justice, his fury becomes so intense that even Archie is puzzled. Not only is this a great chapter in the Nero Wolfe legend; A Family Affair is a splendid mystery novel that should capture many new fans and will delight (and amaze) the longstanding admirers of Wolfe and Archie.

Twenty-five years ago, in one of Rex Stout’s most famous mystery novels, Too Many Cooks, Nero Wolfe was aided in the solution of a murder by a twenty- year-old Negro.

Now, in A Right to Die, Stout’s latest full-length novel, this same Negro is a man of forty-five and a professor of anthropology. He comes to Nero and to Archie Goodwin with a pressing problem concerning his son and a young, beautiful, and wealthy white girl. Both the son and the girl are active in a civil-rights group. Their entanglements with each other and with the group lead to two murders, and Nero and Archie, in their search for the murderer, become fascinatingly involved in America’s most immediate domestic problem. They unearth a murder motive unique in mystery fiction, and encounter some of the most interesting people ever invented by the master of the modern mystery, Rex Stout.

In Blood Will Tell:

In which Archie mysteriously receives a tie in the mail and Nero finally receives a fee for solving the murder of the too curious Greenwich Village wife.

The only man who has ever given Nero Wolfe and Archie Goodwin any real trouble is Rex Stout himself. In this, his latest full-length novel, Stout sets before his famous detecting pair a seemingly insoluble problem.

Orrie Cather, one of Nero Wolfe’s occasional employees, is in jail, suspected of murdering a lovely young thing. The lovely young thing has been the well-kept possession of a certain wealthy and influential man who has reasons for not wishing his name dragged into the case.

The wealthy man offers to share his wealth with Nero — providing Nero will keep his name from ever being connected with the murder. Nero, at the same time, must get Orrie out of jail. He could easily do this by using his client’s name. It seems impossible to do it otherwise.

Problem: How does Nero get Orrie out of jail? How does he keep his client’s name out of the press? And how does he find the true murderer?

He does it with the avid and skilled assistance of one Julie Jacquette, a swinging songstress from the Ten Little Indians.

That, at least, is partly how he does it...

So you think you know Nero Wolfe, do you. So you’re reasonably sure that only the most dire emergency will induce Nero to heave his home on West Thirty-fifth Street, and that no case since his early days could make him budge from Manhattan Island or miss a meal cooked by his own precious Fritz?

Well, brace yourself! In this latest full-length Nero Wolfe adventure, Nero not only leaves house, cook, and orchid planes, but also flies nearly cross-continent to Montana to join Archie Goodwin on a lavish but very private dude ranch. Here he settles down to solve murder by rifle shot, resigned to the necessity of performing such unWolfean activities as tramping through underbrush, wading in an icy trout stream, eating canned soup, and attending a rowdy Saturday night hoedown in a cattle town. He also has to deal with a young unmarried mother, some uncooperative cowhands, a highly belligerent sheriff, an off-Broadway actress, and any number of chairs which don’t begin to fit his bulk. Yet, throughout, he remains the same inimitable Nero Wolfe.

How does Rex Stout know enough about the Far West to write this novel? Every summer, for a large part of his life, he spent his time riding pack trains, fishing mile-high streams, and enjoying night after night around campfires, yarning with genuine cowpunchers. So there isn’t a misplaced piece of harness or an unauthentic Western Vista in this, one of the funniest, most engaging, and most out-of-doors of all Nero Wolfe adventures.