Heribert Juliá and Humbert Herrera are opposites: the one can no longer paint, and doesn't much care, the other wants to create the sculpture to end all sculptures, the film of all films, the exhibit of all exhibitions. One couldn't care less about his mistress, the other swoops in. A fun-house mirror through which Monzó examines the creative process.

All the heroes of this collection—Ulysses and his minions trapped in the Trojan horse; the man who cannot escape his house; Gregor the cockroach, who wakes one day to discover he has become a human teenager—are faced with a world that is always changing, where time and space move in circles, where language has become meaningless.