Есть в Африке развалины, которые называются Зимбое, или Зимбабве. По предположению ученых, здесь некогда находился процветающий финикийский город. Эта гипотеза и легла в основу увлекательнейшего исторического повествования Г.Р. Хаггарда «Элисса, или Гибель Зимбое». Много, казалось бы, непреодолимых преград разделяют принца Азиэля, внука царя Соломона, и верховную жрицу Баалтис Элиссу. И все же, после калейдоскопически сменяющих друг друга событий, они соединяются чтобы тут же разлучиться, уже навсегда: Элисса жертвует собой ради спасения возлюбленного.В сборник вошла также повесть «Месть Майвы» из цикла романов и повестей об охотнике Аллане Квотермейне, герое «Копей царя Соломона».Обе повести впервые переводятся на русский язык.

Ramose is the offspring of an Egyptian Pharaoh and a Greek woman. Brought up in a life of luxury he is catapulted into a life of adventure which leads him to the fall of Babylon at the hand of the Persian Empire under Cyrus. The last novel written by Haggard; finished just before his death and published posthumously.

Haggard tells the story of Cleopatra from the viewpoint of an Ancient Egyptian priest who is given the responsibility of overthrowing the supposed impostor Cleopatra. Haggard, who often employed hints of adventure and exoticism, portrayed Cleopatra as witty and devious, and she has an overwhelming presence that all can feel. Cleopatra, like the other characters, is both good and evil at the same time; forcing readers to both empathize and despise her. Thought provoking and beautifully illustrated, this classic tale captures the imagination of readers of all ages and inspires a love of literature and reading.

An extraordinarily beautiful Indian princess and a white Englishman fall in love but suffer deeply because of their feelings. Set mostly in Central America in the 1870s, this is one of Haggard’s more interesting romantic adventure novels in which the protagonists ultimately journey to an inhabited ancient city hidden in the mountains (perhaps in Guatemala). “…crypto-metaphysical work, which is much removed from Haggard’s usual simple adventure stories… Rich in detail, ingenious and well plotted, but weak in characterization at times. The moral message is powerfully conveyed, as is the sense of tragedy. There are occasional minor supernatural elements, but the major prophecy turns out to be false.”

To return to old Magepa. I had known him for many years. The first time we met was in the battle of the Tugela. I was fighting for the king’s son, Umbelazi the Handsome, in the ranks of the Tulwana regiment–I mean to write all that story, for it should not be lost. Well, as I have told you before, the Tulwana were wiped out; of the three thousand or so of them I think only about fifty remained alive after they had annihilated the three of Cetewayo’s regiments that set upon them. But as it chanced Magepa was one who survived.

Haggard’s penultimate novel! His cousin Algernon was different indeed. To begin with, his attire was faultless, made by the best tailor in London and apparently put on new that moment. Within this perfect outer casing was a short, pale-eyed, lack-lustre young man with straight, sandy hair and no eyebrows, one whose hectic flush and moist hands betrayed the mortal ailment with which he was stricken, a poor, commonplace lad who, loving the world and thirsting for its pleasures, was yet doomed to bid it and them an early farewell.

Nada the Lily is the thrilling story of the brave Zulu warrior Umslopogaas and his love for the most beautiful of Zulu women, Nada the Lily. Young Umslopogaas, son of the bloodthirsty Zulu king Chaka, is forced to flee when Chaka orders his death. In the adventures that ensue, Umslopogaas is carried away by a lion and then rescued by Galazi, king of an army of ghost-wolves. Together, Umslopogaas and Galazi fight for glory and honour and to avenge their wrongs. With their fabled weapons, an axe called Groan-Maker and the club Watcher of the Woods, the two men become legendary warriors. But even these two unstoppable heroes may finally have met their match when the Zulu king sends his army of slayers to destroy them! Although he is more famous for his romances King Solomon’s Mines and She, the unjustly neglected Nada the Lily is one of Haggard’s finest achievements. Nada the Lily is a dazzling blend of adventure, romance, fantasy, and the Gothic, brilliantly weaving fiction and history into an unforgettable tale.

The last book published in Haggard’s lifetime is a standalone ancient-Egyptian fantasy. It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh’s daughter, and she meets and falls in love with the usurper’s disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

Leonard Outram, a young Englishman who’s just lost his fortune along with and his fiancee’s hand, makes an oath: he’ll win back his home and live happily ever after. Really! Well, sort of. Leonard ends up in Africa, which, at that point in history, was the place to win your fortune back for the gods of fate. Leonard rescues a maid from a slave-dealer – for a fee, of course! – and then falls in love with her, complicating the heck out of his situation. Oh well: a great adventure ensues, taking them to places no one has ever heard of, then or now – leading to narrow escapes, love, intrigue, and of course, high adventure.

Three Englishmen, marooned on a mysterious South Sea island, learn of the islanders’ powerful god Oro, who has been sleeping for 250,000 years. They manage to wake him, along with his beautiful daughter, who is the spitting image of the hero’s dead wife, while he is a ringer for her lost love. Other residents of an ancient Atlantean civilization are also returned to life in this tale of spirit travel, reincarnation, occult powers, teleportation, a subterranean city, the elixir of life, and considerable mythic depth. One of the last novels from the author of King Solomon’s Mines.