"More than anyone else in the field, Mr. Dick really puts you inside people's minds."– Wall Street JournalMany thousands of readers worldwide consider Philip K. Dick to have been the greatest science fiction writer on any planet. Since his untimely death in 1982, interest in Dick's work has continued to mount and his reputation has been enhanced by a growing body of critical attention. The Philip K. Dick Award is now presented annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.This collection includes all of the writer's earliest short and medium-length fiction (including several previously unpublished stories) covering the years 1954-1964, and featuring such fascinating tales as The Minority Report (the inspiration for Steven Spielberg's film), Service Call, Stand By, The Days of Perky Pat, and many others. Here, readers will find Dick's initial explorations of the themes he so brilliantly brought to life in his later work.Dick won the prestigious Hugo Award for best novel of 1963 for The Man in the High Castle and in the last year of his life, the now-classic film Blade Runner was made from his novel Do Androids Dream Electric Sheep?The classic stories of Philip K. Dick offer an intriguing glimpse into the early imagination of one of science fiction's most enduring and respected names."A useful acquisition for any serious SF library or collection." – Kirkus Reviews"Awe-inspiring." – The Washington Post

First published, in paperback, in 1967, this is one of two novels Dick wrote in collaboration. Stylistically, it is typical Dick, but it lacks the gravity and conviction of most of his other novels. It's set in the 21st century when the Earth has been conquered by a race of alien, telepathic, wormlike creatures, one of whom, Mekkis, is attracted to the theories of the psychologist Rudolph Balkani. Although ostensibly a "wik" or worm-kisser (i.e., one who freely serves the Ganymedians), Balkani is a complex man whose allegiances and motives are not easily discerned; indeed, Mekkis's attraction to his ideas leads to the worms' undoing. Other characters include the musicologist Joan Hiashi, whom Balkani unsuccessfully pursues, and Percy X, the black revolutionary who represents the ony overt resistance to the worms. Characterizations are unusually weak for Dick, and the ultimate instrument of the alien downfall--Dr. Balkani's "hell-machine," which distorts reality--cannot summon up in the reader the ontological confusion and terror that drives Dick's best work. Copyright 1989 Reed Business Information, Inc.

A ten-year-old boy grows up fast when history catches up with the human race.

Glen Runciter is dead. Or is everybody else? Someone died in an explosion orchestrated by Runciter’s business competitors. And, indeed, it’s the kingly Runciter whose funeral is scheduled in Des Moines. But in the meantime, his mourning employees are receiving bewildering — and sometimes scatological — messages from their boss. And the world around them is warping in ways that suggest that their own time is running out. Or already has.Philip K. Dick’s searing metaphysical comedy of death and salvation (the latter available in a convenient aerosol spray) is tour de force of paranoiac menace and unfettered slapstick, in which the departed give business advice, shop for their next incarnation, and run the continual risk of dying yet again.

By offering up the blood of a lamb, Silvia, the protagonist of Upon the Dull Earth, is able to summon creatures she identifies as angels. She thinks that the creatures are her ancestors and she is sure that one day she will join them. At the same time, though, it is not clear whether the creatures are really good, as Silvia thinks, or wicked. Their behavior and their relation with Silvia scare the girl's relatives and Rick, her boyfriend. Rick thinks that Silvia's behavior is very dangerous, as “the white-winged giants . . . can sear [her] to ash”. During a quarrel with Rick, the girl accidentally cuts herself. Independently from her will, Silvia's blood summons the creatures. Unable to control their power, the angel-like giants burn Silvia's body and leave only “a brittle burned-out husk”.