In his spirited Introduction to a topnotch collection of Great American Detective Stories, Anthony Boucher says: “The detective short story belongs to us. It started in America and it started off magnificently. In five stories, Edgar Allan Poe created the form and almost all its possible variants... There are as many kinds of detective short stories as there are of detective novels — and you’ll find most of them here, from the ethical poetry of Melville Davisson Post to the brash foolery of Frank Gruber.”A glance at some of the titles of the stories included confirms Boucher’s modest words and guarantees that you’ll find plenty of good reading here.

From the very beginning, the Khalkis case struck a somber note. It began, as was peculiarly harmonious in the light of what was to come, with the death of an old man. Georg Khalkis, internationally famous art dealer and collector, died of heart failure. After his funeral, his attorney found that the will was missing and immediately called in the district attorney.When Inspector Queen and his son, Ellery, are brought in to solve the mystery of the missing will, Ellery mentions the one place they have not searched for the will... the coffin! Upon exhumation of the Khalkis coffin they find that it contained not one body — but two!

Ellery Queen, il famoso giallista-detective, decide di trasferirsi nella pacifica cittadina di Wrightsville in cerca di tranquillità e colore locale per il suo prossimo romanzo; il posto sembra ideale, quieto fino alla noia, e gli abitanti sono una splendida fonte di ispirazione, con i loro tic e i piccoli vizi da provincia americana. Ellery passa il tempo leggendo e passeggiando, ma ama anche ascoltare le chiacchiere dei cittadini del piccolo centro. I pettegolezzi più gustosi ruotano intorno al matrimonio, improvviso quanto imprevedibile, tra la ricca Nora Wright e Jim, il giovane che anni prima l’aveva abbandonata a due passi dall’altare. Quando Nora inizia a soffrire di un male misterioso, l’intera città si trasforma in un covo di vipere e tutti sono pronti ad accusare l’uomo di avere avvelenato la moglie. Ma è possibile che Jim abbia sposato il suo antico amore solo per ucciderla? Naturalmente Ellery non riuscirà a scrivere una sola riga, impegnato come sarà a scoprire l’insospettabile verità nascosta dietro il primo delitto che la sonnacchiosa Wrightsville abbia conosciuto da molto tempo.

A quarter of a century’s requests from many thousands of Ellery Queen fans all over the world have finally borne fruit. At long last, here is a full-fledged murder mystery investigated and solved by Inspector Richard Queen without so much as a single deduction’s help from his celebrated son.But Inspector Queen’s Own Case is far more than a baffling murder mystery. It is also a tender, understanding story of middle-aged people everywhere who find themselves put out to pasture on a pension to face an empty old age.Ellery’s father was spending the summer with friends at their beach house on the Connecticut shore. It should have been a golden summer, but all the Inspector could think about was his enforced uselessness. The old pro had been retired — the Administrative Code made no exceptions when a New York police officer reached the age of 63. How was he to occupy the endless days? He was still vigorous, still useful. A man needed more than security. He needed something to do.Richard Queen found one man’s answer on Nair Island, and he was soon plunged into the most challenging and dangerous case of his long career. And he found something else, too — that life can even be sweet at 63. Her name was Jessie Sherwood, a registered nurse in her late 40s, lonely, still pretty, and all woman. Jessie had been hired by the blueblood Humffreys to take charge of their newborn infant. When queer, frightening things began to happen in that multimillionaire home...A helpless baby, a unique romance, and a tensely plotted tale of multiple murder mounting to a shocking climax make Inspector Queen’s Own Case one of the most superb novels to come from Ellery Queen’s typewriter.

The Roman Hat Mystery has been chosen from more than 100 selected manuscripts to represent the Stokes contribution to the mysterio-detective literature of 1929. Because we believe it to be in a class by itself we are publishing no other detective novel this season.Following no hackneyed formula, conveying to the public an entirely new experience in this popular type of fiction, The Roman Hat Mystery offers a foolproof plot of fascinating complexity, a theatrically romantic setting and a most ingenious deductive pattern that is plausible, gripping throughout and wholly original in weave.The essential clue is a missing silk tophat. On the surface it appears to be of minor significance, yet about this elusive thread the entire amazing tale revolves. The reader is given every fact necessary to the solution; and yet we challenge your most ardent amateur criminologists to deduce the startling dénouement.Not only in plot but in protagonist does this novel offer something “different.” You will like the old snuff-taking Inspector, Richard Queen, a shrewd and human manhunter; you will more than like his son Ellery, whose keen intellect dominates every situation. A brilliant analyst, a convincing maker of miracles, Ellery Queen bids fair to join that immortal group to which Sherlock Holmes, Lupin and few others belong.

On the twenty-fifth anniversary of the publication of his first book, Ellery Queen takes a long step forward. He has written a novel expressed only incidentally in terms of mystery, a novel whose theme is uppermost in the minds of all thoughtful Americans today.For thirty years old Judge Shinn has delivered the Fourth of July oration on the little village green. He has said again and again: “There is no liberty without justice,” and “Let one man be deprived of his liberty, or his property, or his life without due process of law, and the liberty and property and lives of all of us are in danger.” When mere accusation takes the place of evidence, freedom is in peril.To Shinn Corners, the “outside” has always been suspect. Only a few years back, a “furriner” killed a Shinn Corners man and “got away with it,” thanks to a jury over in Cudbury who, with fancy talk about Justice and A Fair Trial, let him off on a plea of self-defense. Shinn Corners has never gotten over that; resentment lies in the streets like dynamite, ready to explode at a touch. And now murder strikes, claiming as its victim the best-loved citizen of the village.For Johnny Shinn, late of Army Intelligence, veteran of two wars, the grim events that follow are profoundly disturbing. Johnny, “all scattered to hell and gone,” has been through too much to worry about “ideals of justice.” Like so many young Americans today, Johnny is hung up between the recent past and the dark future. He can only say in response to Judge Shinn’s attempts to revitalize him, “Oh, I believe, I believe it all — but what can I do about it?”What happens after the murder is the story of what Johnny, in spite of himself, does about it. The tense lynch trial that is the focus of the action is really the trial of Johnny Shinn as an American. Against an atmosphere of frightening contemporary reality, THE GLASS VILLAGE raises pointed problems that all the Johnny Shinns of the free democracies, and their uncles and their aunts, must wrestle with and solve if our way of life is to survive.

Ellery Queen is asked by a lawyer friend to help protect the interests of a pretty young heiress. They meet her, along with an unpleasant physician who is a friend of her family, as she disembarks in New York from an ocean liner arriving from England. She learns that her father, from whom she has been separated since her toddler years, has died just as she is to be reunited with her eccentric family and inherit her father’s fabled hoard of gold. The group drives for hours to reach an ugly and sinister Victorian house called the Black House at nightfall.The Black House, where her father died, is uninhabitable — the group meets the family and beds down in a small stone house next door. When they awake, the Black House has vanished as though it never existed. Ellery must shake off the Gothic trappings and the suggestions of black magic in order to figure out what has happened to the Black House and the gold.

Ellery Queen’s arrival in Hollywood did not pass unnoticed. It Brought a pretty, nineteen-year-old girl to his apartment with a tale of murder so strange as to be irresistible to that connoisseur of bizarre crime. the story of a man who scared to death... murdered by a dead dog!..This Ellery Queen’s 25th Detective Mystery, unfolds with a mounting tension as a dead fish, strangled frogs and the skin of an alligator become fantastic components in a grand design for murder.

Hillerman, author of the Joe Leaphorn mysteries, and Herbert, editor of The Oxford Companion to Crime and Mystery Writing, trace this short-story genre from its beginnings in the hands of Edgar Allen Poe through its development by the likes of Erle Stanley Gardner, Mary Roberts Rinehart and Anthony Boucher to its current practice by such masters as Marcia Muller. Poe's "The Murders in the Rue Morgue," which established a great many of the whodunit conventions, is indispensable to such an overview. Raymond Chandler's "I'll be Waiting" emits a doom-laden atmosphere right from the first line; William Faulkner shows unexpected economy of language?and a transparent plot?in "An Error in Chemistry." Ed McBain scores high marks in "Small Homicide," in which the tiny details of a baby's untimely death resonate uncomfortably. As represented in this competent, unstartling collection, Linda Barnes ("Lucky Penny") easily outsasses Sue Grafton ("The Parker Shotgun"). Hillerman makes a solid appearance with "Chee's Witch," and in "Benny's Space" Muller captures the full subtle force of her novel-length vision.

Before the last echo of the shot had trailed down Riverside Drive, Ellery Queen realized that he had just witnessed a murder. Robert Potts lay shot through the heart. Not only had Ellery Queen been a witness but also Inspector Queen and Sergeant Velie. Yet not one of them knew who committed the murder.This is the story of the Old Woman (Cornelia Potts), who lived with all her children (six) in the incredible Potts “palace” on Riverside Drive — on its front lawn a great, bronze Oxford complete with trailing bronze shoelaces. Over the household hovers a ruthless killer who fits his cold-blooded crimes into the pattern of a Mother Goose rhyme.There are amusing and queer characters galore Thurlow, who spent his life bringing fruitless lawsuits; Louella, the would-be inventor; Horatio, the Philosopher of Escapism. And in addition there is the lovely, red-haired Sheila, revolted by the actions of her family.Here is murder as weird and baffling as Ellery Queen has yet encountered — a stiff dose of murder in the best Queen fashion.