A play written in 1787 and originally with music composed by Beethoven. Egmont is a Flemish warrior whose nemesis is the Duke of Alba. Heeventully ends up in prison, sentenced to death. In his final speech, Egmont calls to his people for freedom and to never give up the fight against their oppressors.

Based on the fable of the man who traded his soul for superhuman powers and knowledge, it became the life’s work of Germany’s greatest poet, Goethe. Beginning with an intriguing wager between God and Satan, it charts the life of a deeply flawed individual, his struggle against the nihilism of his diabolical companion Mephistopheles. Part One presents Faust’s pact with the Devil and the harrowing tragedy of his love affair with the young Gretchen. Part Two shows Faust’s experience in the world of public affairs, including his encounter with Helen of Troy, the emblem of classical beauty and culture. The whole is a symbolic and panoramic commentary on the human condition and on modern European history and civilisation.

There are few modern poems of any country so perfect in their kind as the Hermann and Dorothea of Goethe. In clearness of characterization, in unity of tone, in the adjustment of background and foreground, in the conduct of the narrative, it conforms admirably to the strict canons of art; yet it preserves a freshness and spontaneity in its emotional appeal that are rare in works of so classical a perfection in form.

In King Thaos’s kingdom, Iphigenia is the priestess of Artemis who takes the lives of strangers in sacrifice for the gods. Until the day two special strangers are brought to her – strangers who she recognizes: Orestes, her brother, and Pylades, their cousin. To keep the king from sacrificing her family, the three begin to devise a plan of escape. But when the fateful day comes, will they manage to escape or will their plans be discovered resulting in the forfeiture of all their lives?