Two centuries ago, shortly after the U.S. was formed, a Russian expedition set its sights on the Pacific Northwest. It could have changed history.At the dawn of the nineteenth century two empires met on the far side of North America. Spain was the tired and hidebound colonial master of much of the Americas. Russia was the upstart, hungry for America's Pacific Northwest coast, a prize left unclaimed after the golden age of exploration.The dream of a Russian America became the goal of the Russian America Company, championed and led by Nikolai Rezanov, aristocratic adventurer and diplomat and courtier to Tsar Alexander I. At a time when John Jacob Astor was amassing his own fortune in the fur trade, Rezanov envisioned transforming fur-hunting stations on the Alaskan coast into the hub of a Pacific empire stretching from Siberia to California. The distances were vast—thousands of miles overland across the endless Russian steppes, thousands more by sea to Alaska and down to San Francisco bay. His men were unreliable—disorderly, dissolute, disease-ridden—and the dangers ever-present. Yet Rezanov persisted, and in 1806—just as Lewis and Clark were discovering the Columbia River to the north—he came close to realizing his dream. Had he done so, the history of the United States might have been very different.Owen Matthews brilliantly chronicles a hitherto untold story of adventure and colonial ambition, brought to life by vivid first-hand accounts and his own travels across Russia, recalling a time when dreams of glory pushed men to the limits of human endurance.

An engineer battles a small town to see his sister released from prisonIt takes Reno three days to get from Peru to the Gulf Coast, and when he gets to Waynesport he has only one stop to make: the city jail, where his sister is being held on a murder rap. The way Vickie tells it, she saw her husband having a drink with another woman, they quarreled, and she went to the bathroom. When she came out, he was shot through the back of the skull. The police believe every word of her story—except the part about who pulled the trigger. Her husband was in Waynesport looking for a crook named Rupert Conway, whom the local police do not seem to want found. To save his sister’s neck, Reno must wade through corruption as fetid as the swamps that surround this hellish southern town, where the alligators aren’t the only ones who are eager to kill.

The story of how Alexander the Great conquered the world - first crushing Greek resistance to Macedonian rule, then destroying the Persian Empire in three monumental battles, before marching into the unknown and final victory in India - is a truly epic tale that has mesmerised countless generations of listeners. He crammed more adventure into his thirty-three years than any other human being before or since, and now for the first time a novelist will tell the tale in a single suitably epic volume. The combination of Alexander's life story and Christian Cameron's unrivalled skills as an historian and storyteller will ensure that this will not only be the definitive version for many years to come, but also one of the most exciting historical epics ever written.

God's War offers a sweeping new vision of one of history's most astounding events: the Crusades.From 1096 to 1500, European Christians fought to recreate the Middle East, Muslim Spain, and the pagan Baltic in the image of their God. The Crusades are perhaps both the most familiar and most misunderstood phenomena of the medieval world, and here Christopher Tyerman seeks to recreate, from the ground up, the centuries of violence committed as an act of religious devotion.The result is a stunning reinterpretation of the Crusades, revealed as both bloody political acts and a manifestation of a growing Christian communal identity. Tyerman uncovers a system of belief bound by aggression, paranoia, and wishful thinking, and a culture founded on war as an expression of worship, social discipline, and Christian charity.This astonishing historical narrative is imbued with figures that have become legends--Saladin, Richard the Lionheart, Philip Augustus. But Tyerman also delves beyond these leaders to examine the thousands and thousands of Christian men--from Knights Templars to mercenaries to peasants--who, in the name of their Savior, abandoned their homes to conquer distant and alien lands, as well as the countless people who defended their soil and eventually turned these invaders back. With bold analysis, Tyerman explicates the contradictory mix of genuine piety, military ferocity, and plain greed that motivated generations of Crusaders. He also offers unique insight into the maturation of a militant Christianity that defined Europe's identity and that has forever influenced the cyclical antagonisms between the Christian and Muslim worlds.Drawing on all of the most recent scholarship, and told with great verve and authority,God's War is the definitive account of a fascinating and horrifying story that continues to haunt our contemporary world.From Publishers WeeklyThis is likely to replace Steven Runciman's 50-year-old History of the Crusades as the standard work. Tyerman (England and the Crusades), lecturer in medieval history at Oxford University, demolishes our simplistic misconceptions about that series of ferocious campaigns in the Middle East, Muslim Spain and the pagan Baltic between 1096 and 1500. Abjuring sentimentality and avoiding clichés about a rapacious West and an innocent East, Tyerman focuses on the crusades' very human paradoxes: "the inspirational idealism; utopianism armed with myopia; the elaborate, sincere intolerance; the diversity and complexity of motive and performance." The reader marvels at the crusaders' inextinguishable devotion to Christ even while shuddering at their delight in massacring those who did not share that devotion. In the end, Tyerman says, what killed crusading was neither a lack of soldierly enthusiasm nor its failure to retain control of Jerusalem, but the loss of Church control over civil societies at home and secular authorities who felt that religion was not sufficient cause for war and that diplomacy was a more rational method of deciding international relations.God's War is that very rare thing: a readable and vivid history written with the support of a formidable scholarly background, and it deserves to reach a wide audience. 16 color illus.ReviewChristopher Tyerman has crafted a superb book whose majestic architecture compares with Runciman's classic study of the Crusades…He is an entertaining as well as reliable guide to the bizarre centuries-long episode in which Western Christianity willfully ignored its Master's principles of love and forgiveness.--Diarmaid MacCulloch, author of Thomas Cranmer: a LifeThis is a magisterial work. In God's War, the Crusades are not just emblematic episodes in a troubled history of Europe's encounter with Islam. Tyerman shows that they are, with all their contradictions—tragedy and tomfoolery, idealism and cynicism, piety and savagery—fundamentally and inescapably human.--Paul M. Cobb, Associate Professor of Islamic History, Fellow of the Medieval Institute, University of Notre DameTyerman's wonderful book is contemporary medieval history-writing at the top of its game. It is also the finest history of the Crusades that anyone has ever written, fully informed by its predecessors and by the excellent scholarship of the past half century. Trenchantly written on the grand scale and full of vivid detail, clear argument, and sharp judgment,God's Warshows how the entire apparatus of crusade became tightly woven into European institutional and social life and consciousness, offering a highly original perspective on all of early European history and on European relations with non-Europeans. It shows no patience with ignorant mythologizing, modern condescension, or cultural instrumentalism.. In short, it constitutes a crusade history for the twenty-first century—and just in time.--Edward M. Peters, Henry Charles Lea Professor of History, University of PennsylvaniaAt a time when interest in the Middle East and the Crusades has reached a new height, Christopher Tyerman has made a significant contribution to the ever-growing shelves of books devoted to this subject. Tyerman's well-written book focuses heavily on the development of ideas about holy war from antiquity onward and on the crusade to the East from the eleventh to the sixteenth century. It is based on a careful reading of both primary and secondary sources and will prove an important resource for a broad audience of scholars, students, and general readers. The comparison with Runciman's history leaps out from the pages of this large volume and the temptation to address it will no doubt seduce others, but this volume is Tyerman through and through.--James M. Powell, Professor Emeritus of Medieval History, Syracuse UniversityThis is likely to replace Steven Runciman's 50-year-old History of the Crusades as the standard work. Tyerman, lecturer in medieval history at Oxford University, demolishes our simplistic misconceptions about that series of ferocious campaigns in the Middle East, Muslim Spain and the pagan Baltic between 1096 and 1500...God's War is that very rare thing: a readable and vivid history written with the support of a formidable scholarly background, and it deserves to reach a wide audience. Challenging traditional conceptions of the Crusades, e.g., the failure to retain Jerusalem, Tyerman believes that it was the weakening of papal power and the rise of secular governments in Europe that finally doomed the crusading impulse. This is a marvelously conceived, written, and supported book.--Robert J. Andrews

Marriage can be a real killer.

One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?

As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?

With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

### Amazon.com Review

Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson*

#### From Author Gillian Flynn

You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ...

But it's my narrators who are the real challenge.

In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster.

Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins.

In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic.

*Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel.

They complete each other--in a very dangerous way.

### Review

"Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times

""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly

"

"An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars)

"[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

Becca slogged through a deep drift and stumbled toward the front of the shanty. A padlock hung from the hasp, but it wasn't engaged. Shaking with cold, she shoved open the door. The interior was dark and hushed. The air smelled of kerosene and fish. Out of the wind, it was so quiet she could hear the ice creaking beneath her feet. Her breath puffing out in clouds of white vapour, she pulled out the candle and matches she'd brought from home and lit the wick. The light revealed a small interior with plywood walls and a shelf covered with fish blood and a smattering of silver scales. A lantern sat on the shelf. A coil of rope hung on the wall . . .' Three teenagers have vanished from Ohio's Amish country. The only thing they have in common, other than their religion, is they are keen to leave the Plain Life. Chief of Police Kate Burkholder is called in to consult by Agent John Tomasetti as her Amish roots will be invaluable in an investigation involving this sectarian society. They travel to the small town of Monongahela Falls to investigate the latest disappearance – that of seventeen-year-old Annie King. The only evidence left behind is a satchel – and a pool of blood. The case moves closer to home for Kate when a young relative, Sadie Miller, vanishes. With her own past resonating, Kate delves into the lives of the missing teens. Soon, a sinister pattern emerges along with a vital clue that changes everything. While following up on a lead, Kate makes an appalling discovery and unearths a secret no one could have imagined—thrusting her into a fight to the death with a merciless killer. Praise for Linda Castillo 'Think the movie Witness and add just a touch of the Coen brothers' Fargo and you have the feel for this brilliant, nail-biting thriller . . .' Daily Mail

Letty Dobesh: thief, junkie, pick-pocket, felon. But now, for the first time in ages, she's also clean and sober, just out of rehab, and on a cross-country trip to reunite with her estranged little boy.Enter psychotic mercenary Isaiah Brown with a proposal that scratches at her oldest itch, something Letty has dreamed of all her life—the ultimate Vegas score. An ingenious plan to take down a casino that might actually work.All that's standing between Letty and an inconceivable pile of money is the pick-pocket of a lifetime. One risky, impossible grab. Pull it off, and retire. But mess things up, and Letty Dobesh will lose everything she holds dear, including her life.