25 chilling short stories by outstanding female writers.Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow.From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .

The Mammoth Book of New Terror is a revised and expanded new edition of the touchstone collection of modern horror fiction, selected by the acknowledged master of the genre - the award-winning godfather of grisly literature, Stephen Jones. Here are over 20 stories and short novels by the masters of gore, including Ramsey Campbell, Dennis Etchison, F. Paul Wilson, Brian Lumle, Graham Masterton, Ramsay Campbell, R. Chetwyn-Hayes and Neil Gaiman. This sequel to the classic Mammoth horror anthology features five new and unpublished stories from some of the biggest and brightest names on both sides of the Atlantic, as well as gems from acknowledged masters. All veins of the genre are represented including suspense, visceral horror and sheer razor-slashing terror. From Brian Lumley's disturbing 'Fruiting Bodies' and Basil Copper's 'The Candle in the Skull' to Christopher Fowler's 'Turbo-Satan' and Kim Newman's 'Amerikanski Bed at the Moscow Morgue', this is a spine-chilling collection guaranteed to make the hair stand up on the back of your neck!

When the Apache surrounded the settlement of Alma, New Mexico, the 'respectable' townsfolk began hanging those who weren't. Town drunk Eddie Oates was lucky to be banished from the town, left for the Apaches to kill. Oates never thought he was a survivor. But now, he's discovered a reason to go on--and he's about to unleash a raging fury upon those who would prey on the helpless, the hopeless, and those who others think aren't worth fighting for.

A youth is lying dead in Gray Square, Bloomsbury. Constable Wiseman is at the scene, as is the handsome Frank Merril, nephew of rich John Martin. Also there is May Nuttall, whose father was the best friend Martin ever had. A small, shabby man in an ill-fitting frock coat and large gold-rimmed spectacles pulls a newspaper advertisement from the deceased's waistcoat pocket. “At the Yard,” whispers the constable to Frank, “we call him The Man Who Knows.”

In the tradition of The Orchid Thief, a compelling narrative set within the strange and genteel world of rare-book collecting: the true story of an infamous book thief, his victims, and the man determined to catch him.Rare-book theft is even more widespread than fine-art theft. Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be.Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars? worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed ?bibliodick? (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure. With a mixture of suspense, insight, and humor, she has woven this entertaining cat-and-mouse chase into a narrative that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Immersing the reader in a rich, wide world of literary obsession, Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love.From Publishers WeeklyBartlett delves into the world of rare books and those who collect—and steal—them with mixed results. On one end of the spectrum is Salt Lake City book dealer Ken Sanders, whose friends refer to him as a book detective, or Bibliodick. On the other end is John Gilkey, who has stolen over $100,000 worth of rare volumes, mostly in California. A lifelong book lover, Gilkey's passion for rare texts always exceeded his income, and he began using stolen credit card numbers to purchase, among others, first editions of Beatrix Potter and Mark Twain from reputable dealers. Sanders, the Antiquarian Booksellers' Association's security chair, began compiling complaints from ripped-off dealers and became obsessed with bringing Gilkey to justice. Bartlett's journalistic position is enviable: both men provided her almost unfettered access to their respective worlds. Gilkey recounted his past triumphs in great detail, while Bartlett's interactions with the unrepentant, selfish but oddly charming Gilkey are revealing (her original article about himself appeared in The Best Crime Reporting 2007). Here, however, she struggles to weave it all into a cohesive narrative.(Sept. 17)From Bookmarks MagazineBibliophiles themselves, reviewers clearly wanted to like The Man Who Loved Books Too Much. The degree to which they actually did depended on how they viewed Bartlett's authorial choices. Several critics were drawn in by Bartlett's own involvement in the story, as in the scene where she follows Gilkey through a bookstore he once robbed. But others found this style lazy, boring, or overly "literary," and wished Bartlett would just get out of the way. A few also thought that Bartlett ascribed unbelievable motives to Gilkey. But reviewers' critiques reveal that even those unimpressed with Bartlett's style found the book an entertaining true-crime story.

During the Great Depression, outlaw rivals of Bonnie and Clyde battle for their lives in a bullet-riddled cornfield that holds the secret of love and death.In a suburban American ghost town, a frightened boy armed with a BB gun stands alone against a soul-stealing stranger.In the Old West, a legendary gunslinger follows a trail of severed heads as he delivers a mail-order bride to a madman.Hard-boiled thrillers. Gonzo suspense. Grisly horror. Tough yet tender character studies. Norman Partridge gives readers all this and more in his biggest and best collection of short fiction.Known for a vivid, exuberant writing style that goes straight for the throat, Partridge's resolutely eccentric fiction is powered by an obvious affinity--and affection--for the outrageous and grotesque. But don't try to put a label on him-- Partridge is a writer who fits no category but his own.Herein you'll find an original introduction by the author himself, twenty-plus stories, and two brand new tales from a talent The Washington Times calls "... as crazy as a scorpion on a red-hot skillet--and twice as dangerous."Gentle reader, you're in for a ride and a half.Winner of the 2001 Bram Stoker Award for fiction collection!

Set in the gasslit streets of 1888 London and the wild moors of the countryside beyond, The Master of Rampling Gate tells the story of Julie, a young woman who becomes obsessed with the house her father swore her and her brother to tear down upon his death. Julie can't imagine what lies in wait at Rampling Gate, a spirit that haunted her father for years and now yearns for her flesh. The Master of Rampling Gate is a sublime love story in which Julie struggles to choose between the world of reason and rationality and the dark promises of a creature she is almost helpless to resist.

**#1** New York Times **bestselling author Lee Child returns with a gripping new powerhouse thriller featuring Jack Reacher, “one of this century’s most original, tantalizing pop-fiction heroes” (** The Washington Post **).**

Reacher takes a stroll through a small Wisconsin town and sees a class ring in a pawn shop window: West Point 2005. A tough year to graduate: Iraq, then Afghanistan. The ring is tiny, for a woman, and it has her initials engraved on the inside. Reacher wonders what unlucky circumstance made her give up something she earned over four hard years. He decides to find out. And find the woman. And return her ring. Why not?

So begins a harrowing journey that takes Reacher through the upper Midwest, from a lowlife bar on the sad side of small town to a dirt-blown crossroads in the middle of nowhere, encountering bikers, cops, crooks, muscle, and a missing persons PI who wears a suit and a tie in the Wyoming wilderness.

The deeper Reacher digs, and the more he learns, the more dangerous the terrain becomes. Turns out the ring was just a small link in a far darker chain. Powerful forces are guarding a vast criminal enterprise. Some lines should never be crossed. But then, neither should Reacher.

**Advance praise for** The Midnight Line

“Compulsively readable.” **—** Publishers Weekly **(starred review)**

“[A] multifaceted novel about dealing with the unthinkable . . . It’s automatic: Reacher gets off a bus, and Child lands on the *New York Times* bestseller list.” **—** Booklist

“I just read the new Jack Reacher novel by Lee Child. . . . It is as good as they always are. I read every single one.”— **Malcolm Gladwell**

“The book is very smart . . . [and] suggests something that has not been visible in the series’ previous entries: a creeping sadness in Reacher’s wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero. This return to form is also a hint of new ground to be covered.” **—**

**Advance praise for** The Midnight Line **

**“Compulsively readable.” **—** Publishers Weekly **(starred review)**

“[A] multifaceted novel about dealing with the unthinkable . . . It’s automatic: Reacher gets off a bus, and Child lands on the  *New York Times*  bestseller list.” **—** Booklist

“I just read the new Jack Reacher novel by Lee Child. . . . It is as good as they always are. I read every single one.”— **Malcolm Gladwell**

“The book is very smart . . . [and] suggests something that has not been visible in the series’ previous entries: a creeping sadness in Reacher’s wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero. This return to form is also a hint of new ground to be covered.” **—*Kirkus Reviews** *

### About the Author

**Lee Child** is the author of twenty-one *New York Times* bestselling Jack Reacher thrillers, twelve of which have reached the #1 position, as well as *No Middle Name: The Complete Collected Jack Reacher Short Stories*. All his novels have been optioned for major motion pictures—including *Jack Reacher* (based on *One Shot* ) ** and *Jack Reacher: Never Go Back*. Foreign rights in the Reacher series have sold in one hundred territories. A native of England and a former television director, Lee Child lives in New York City.

HELL'S BITCH IN HEAT... Seething, slavering, and insane, it cringes, not wanting to slip forth from the noxious, bloated belly of its abyssal mother until the most hideous sexual atrocities beckon it from Hell's hot bowels: the dread monstrosity of unfathomable beauty and the most vile horror--revulsion and desire incarnated into one...PREGNANT TO BURSTING WITH ABOMINATIONS UNTOLD...Atop the moon-drenched hillock sits the leaning manse, surrounded by ancient graves rich with the bones of witches, and amid the dense cricket-choruses of these ghastly twilight deeps, it stalks, thrashes and prowls, its nipples gorged with evil, its loins a frenzy of Luciferic lust... RITES OF REDNECK PASSAGE...Behold Balls and Dicky (of THE BIGHEAD fame) as they embark on their first sociopathic epiphany teeming with down and dirty redneck whores, occult science, corpse-sex, and scatological gross-out the likes of which would make the BTK Killer faint. These boys think they're bad...but are they bad enough to face-- THE MINOTAURESS Edward Lee's latest novel of irredeemable harder-than-hardcore horror...

Ex-Navy SEAL Stone Pressfield has a bad feeling about the proposed church missions trip to Manila, Philippines. The college-age church group plans to go to Manila and help victims of the sex-trafficking industry. Stone's lingering nightmare memories about the sex-trafficking industry have him warning church leaders that the trip is a bad idea. He knows all too well that it could end in violence, and those involved aren't to be trifled with.When beautiful Wren Morgan goes missing, he has a sick feeling that he knows exactly who took her, and for what purpose. The problem is, Wren isn't just any other student. She's someone he's close to, someone he cares about. Now she's in the hands of cruel, evil men, and Stone is the only one who can rescue her before the unthinkable happens.

Kirkus' ReviewAgent Craig is one hunk of a killing machine, smooth, professional, amoral, unquestioning. And the real drama comes after his masculinity has been almost severed. Will he turn on his manipulating department head Loomis? In the meantime he's successfully kidnapped a Russian agent and subsequently teamed up with other Russian agents to stop an anti-Soviet organization planning to flood the market with phoney money. But the slapdash action turns out to be equally counterfeit and the psychodrama Just so much spy schmaltz.

As the novel begins, the position of CEO of one of America's largest banks, First Mercantile American (very loosely based on the Bank of America, although it is located in an unnamed Midwestern city) is about to become vacant due to the terminal illness of Ben Roselli, the incumbent chief, whose grandfather founded the bank. Two high-ranking executives groomed for the succession begin their personal combat for the position. One, Alex Vandervoort, is honest, hard-charging, and focused on growing FMA through retail banking and embracing emerging technology; the other, Roscoe Heyward, is suave, hypocritical, and skilled in boardroom politics, and favors catering more to business than to consumers.As readers increasingly appreciate Vandervoort, the protagonist, they learn of his troubled personal life. His advancement in banking circles has come as his marriage is failing; his wife is confined to a psychiatric facility. Vandervoort is shown as having developed a relationship with Margot Bracken, who is depicted as a radical attorney and political activist many years his junior; her attitudes sometime conflicts with Vandervoort's role at FMA. Meanwhile, Vandervoort's antagonist, Hayward, is depicted as a devout Episcopalian who strives to maintain an air of personal integrity and morality, only to slowly sacrifice them both in his pursuit of the presidency of FMA.As these men pursue their battle for the soon-to-be-vacant position of CEO, various issues involving the banking industry, such as credit card fraud, embezzlement, inflation, subprime lending, and insider trading are discussed. First Mercantile American is eventually revealed to have a doppelganger in the form of an organized crime family.The fight for control of the bank continues under the darkening clouds of an approaching economic recession. One of the two CEO contenders is brought down for his role in making a large loan to a dishonest multinational conglomerate (loosely based on International Telephone and Telegraph) that goes into default. The ensuing scandal causes panic among depositors, shareholders, and employees, with the perpetrator committing suicide rather than face the consequences of his actions. The other candidate assumes the position of CEO of the half-ruined bank.