From the acclaimed author of This Side of Brightness, the epic life and times of Rudolf Nureyev, reimagined in a dazzlingly inventive masterpiece-published to coincide with the tenth anniversary of Nureyev’s death.A Russian peasant who became an international legend, a Cold War exile who inspired millions, an artist whose name stood for genius, sex, and excess-the magnificence of Rudolf Nureyev’s life and work are known, but now Colum McCann, in his most daring novel yet, reinvents this erotically charged figure through the light he cast on those who knew him.Taking his inspiration from the biographical facts, McCann tells the story through a chorus of voices: there is Anna Vasileva, Rudi’s first ballet teacher, who rescues her protégé from the stunted life of his town; Yulia, whose sexual and artistic ambitions are thwarted by her Soviet-sanctioned marriage; and Victor, the Venezuelan hustler, who reveals the lurid underside of the gay…

Kashua's nameless anti-hero has grown up under the shadow of a grandfather who died fighting the Zionists in 1948 and a father jailed for blowing up a school cafeteria in the name of freedom. When he is granted a scholarship to an elite Jewish boarding school, his family rejoices, dreaming that he will become the first Arab to build an atom bomb. But he turns out to be a coward devoid of any national pride. In scenes of heartbreaking hilarity, he changes his accent, his clothes, his eating habits, and becomes an expert at faking identities, sliding between two cultures, two languages, and, eventually, a Jewish lover and an Arab wife. In a land where personal and national identities are synonymous, Dancing Arabs maps one man's struggle to disentangle the two, only to forfeit both.

This splendid volume of short fiction testifies to Margaret Atwood’s startlingly original voice, full of a rare intensity and exceptional intelligence. Each of the fourteen stories shimmers with feelings, each illuminates the interior landscape of a woman’s mind. Here men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition—and dramatically demonstrate why Margaret Atwood is one on the most important writers in English today.

18 years old and fresh out of high school, Karl Ove Knausgaard moves to a tiny fisherman’s village far north of the polar circle to work as a school teacher. He has no interest in the job itself — or in any other job for that matter. His intention is to save up enough money to travel while finding the space and time to start his writing career. Initially everything looks fine: He writes his first few short stories, finds himself accepted by the hospitable locals and receives flattering attention from several beautiful local girls.But then, as the darkness of the long polar nights start to cover the beautiful landscape, Karl Ove’s life also takes a darker turn. The stories he writes tend to repeat themselves, his drinking escalates and causes some disturbing blackouts, his repeated attempts at losing his virginity end in humiliation and shame, and to his own distress he also develops romantic feelings towards one of his 13-year-old students. Along the way, there are flashbacks to his high school years and the roots of his current problems. And then there is the shadow of his father, whose sharply increasing alcohol consumption serves as an ominous backdrop to Karl Ove’s own lifestyle.The fourth part of a sensational literary cycle that has been hailed as ‘perhaps the most important literary enterprise of our times’ (Guardian)

In this searing novel, Caryl Phillips reimagines the life of the first black entertainer in the U.S. to reach the highest levels of fame and fortune.After years of struggling for success on the stage, Bert Williams (1874–1922), the child of recent immigrants from the Bahamas, made the radical decision to don blackface makeup and play the “coon.” Behind this mask he became a Broadway headliner — as influential a comedian as Chaplin, Laurel and Hardy, and W. C. Fields, who called him “the funniest man I ever saw, and the saddest man I ever knew.” It is this dichotomy at Williams’ core that Phillips explores in this richly nuanced, brilliantly written novel, unblinking in its attention to the sinister compromises that make up an identity.

In celebration of the bicentenary of Jane Austen’s arrival at Chawton in Hampshire, the Jane Austen Short Story Award 2009 Competition was sponsored by the Jane Austen House Museum and Chawton House Library. Dancing with Mr. Darcy is a collection of winning entries from the competition. Comprising twenty stories inspired by Jane Austen and or Chawton Cottage, they include the grand prize winner Jane Austen over the Styx, by Victoria Owens, two runners up Jayne, by Kristy Mitchell and Second Thoughts, by Elsa A. Solender, and seventeen short listed stories chosen by a panel of judges and edited by author and Chair of Judges Sarah Waters.

From the Pulitzer Prize — winning author hailed by The New Yorker as “a virtuoso of waking dreams” comes a dazzling new collection of darkly comic stories united by their obsession with obsession. In Dangerous Laughter, Steven Millhauser transports us to unknown universes that uncannily resemble our own.The collection is divided into three parts that fit seamlessly together as a whole. It opens with a bang, as “Cat ’n’ Mouse” reimagines the deadly ritual between cartoon rivals in a comedy of dynamite and anvils — a masterly prologue that sets the stage for the alluring, very grown-up twists that follow.Part one, “Vanishing Acts,” features stories of risk and escape: a lonely woman disappears without a trace; a high school boy becomes entangled with his best friend’s troubled sister; and a group of teenagers play a treacherous game that pushes them deep into “the kingdom of forbidden things.”Excess reigns in the vivid, haunting places of Part two’s “Impossible Architectures,” where domes enclose whole cities, and a king’s master miniaturist creates objects so tiny that soon his entire world is invisible.Finally, “Heretical Histories” presents startling alternatives to the remembered past. “A Precursor of the Cinema” proposes a new, enigmatic form of illusion. And in the astonishing “The Wizard of West Orange” a famous inventor sets out to simulate the sense of touch — but success brings disturbing consequences.Sensual, mysterious, Dangerous Laughter is a mesmerizing journey through brilliantly realized labyrinths of mortal pleasures that stretch the boundaries of the ordinary world to their limits — and occasionally beyond.

« Une semaine qu'elle tient. Une semaine qu'elle n'a pas cédé. Adèle a été sage. En quatre jours, elle a couru trente-deux kilomètres. Elle est allée de Pigalle aux Champs-Élysées, du musée d'Orsay à Bercy. Elle a couru le matin sur les quais déserts. La nuit, sur le boulevard Rochechouart et la place de Clichy. Elle n'a pas bu d'alcool et elle s'est couchée tôt.Mais cette nuit, elle en a rêvé et n'a pas pu se rendormir. Un rêve moite, interminable, qui s'est introduit en elle comme un souffle d'air chaud. Adèle ne peut plus penser qu'à ça. Elle se lève, boit un café très fort dans la maison endormie. Debout dans la cuisine, elle se balance d'un pied sur l'autre. Elle fume une cigarette. Sous la douche, elle a envie de se griffer, de se déchirer le corps en deux. Elle cogne son front contre le mur. Elle veut qu'on la saisisse, qu'on lui brise le crâne contre la vitre. Dès qu'elle ferme les yeux, elle entend les bruits, les soupirs, les hurlements, les coups. Un homme nu qui halète, une femme qui jouit. Elle voudrait n'être qu'un objet au milieu d'une horde, être dévorée, sucée, avalée tout entière. Qu'on lui pince les seins, qu'on lui morde le ventre. Elle veut être une poupée dans le jardin de l'ogre. »Leïla Slimani est née en 1981, elle vit à Paris. Dans le jardin de l’ogre est son premier roman.

Alaric Darconville is a young professor at a southern woman's college. He falls in love with one of his students, is deserted, and the consequences are almost beyond the telling. But not quite. This novel is an astonishing wire-walking exhibition of wit, knowledge, and linguistic mastery.Darconville's Cat is a novel about love and hate. Among other matters, it deals with delicate tensions between Life and Art, the Ideal and the Real, God and Satan, and, above all, with the crises and conflicts between Man and Woman, the tragic implications of which reach all the way back to the Primal Fall.Its chapters embody a multiplicity of narrative forms, including a diary, a formal oration, an abecedarium, a sermon, a litany, a blank-verse play, poems, essays, parodies, and fables. It is an explosion of vocabulary, rich with comic invention and dark with infernal imagination.Alexander Theroux restores words to life, invents others, liberates a language too long polluted by mutters and mumbles, anti-logic, and the inexact lunacies of the modern world where the possibility of communication itself is in question. An elegantly executed jailbreak from the ordinary, Darconville's Cat is excessive; funny; uncompromising; a powerful epic, coming out of a tradition, yet contemporary, of both the sacred and the profane.

From the winner of 2014’s PEN Robert W. Bingham Prize, an unforgettable debut novel about Loretta, a teenager married off as a “sister wife,” who makes a break for freedom.At the heart of this exciting debut novel, set in Arizona and Idaho in the mid-1970s, is fifteen-year-old Loretta, who slips out of her bedroom every evening to meet her so-called gentile boyfriend. Her strict Mormon parents catch her returning one night, and promptly marry her off to Dean Harder, a devout yet materialistic fundamentalist who already has a wife and a brood of kids. The Harders relocate to his native Idaho, where Dean’s teenage nephew Jason falls hard for Loretta. A Zeppelin and Tolkien fan, Jason worships Evel Knievel and longs to leave his close-minded community. He and Loretta make a break for it. They drive all night, stay in hotels, and relish their dizzying burst of teenage freedom as they seek to recover Dean’s cache of “Mormon gold.” But someone Loretta left behind is on their trail…A riveting story of desire and escape, Daredevils boasts memorable set pieces and a rich cast of secondary characters. There’s Dean’s other wife, Ruth, who as a child in the 1950s was separated from her parents during the notorious Short Creek raid, when federal agents descended on a Mormon fundamentalist community. There’s Jason’s best friend, Boyd, part Native American and caught up in the activist spirit of the time, who comes along for the ride, with disastrous results. And Vestal’s ultimate creation is a superbly sleazy chatterbox — a man who might or might not be Evel Knievel himself — who works his charms on Loretta at a casino in Elko, Nevada.A lifelong journalist whose Spokesman column is a fixture in Spokane, WA, Shawn has honed his fiction over many years, publishing in journals like McSweeney's and Tin House. His stunning first collection, Godforsaken Idaho, burrowed into history as it engaged with masculinity and crime, faith and apostasy, and the West that he knows so well. Daredevils shows what he can do on a broader canvas-a fascinating, wide-angle portrait of a time and place that's both a classic coming of age tale and a plunge into the myths of America, sacred and profane.

From the author of the acclaimed Green on Blue, a timely new novel of stunning humanity and tension: a contemporary love story set on the Turkish border with Syria.Haris Abadi is a man in search of a cause. An Arab American with a conflicted past, he is now in Turkey, attempting to cross into Syria and join the fight against Bashar al-Assad’s regime. But he is robbed before he can make it, and is taken in by Amir, a charismatic Syrian refugee and former revolutionary, and Amir’s wife, Daphne, a sophisticated beauty haunted by grief. As it becomes clear that Daphne is also desperate to return to Syria, Haris’s choices become ever more wrenching: Whose side is he really on? Is he a true radical or simply an idealist? And will he be able to bring meaning to a life of increasing frustration and helplessness? Told with compassion and a deft hand, Dark at the Crossing is an exploration of loss, of second chances, and of why we choose to believe — a trenchantly observed novel of raw urgency and power.

Called by its author a false novel, Dark Back of Time begins with the tale of the odd effects of publishing All Souls, his witty and sardonic 1989 Oxford novel. All Souls is a book Marias swears to be fiction, but which its characters-the real-life dons and professors and bookshop owners who have recognized themselves-fiercely maintain to be a roman a clef. With the sleepy world of Oxford set into fretful motion by a world that never existed, Dark Back of Time begins an odyssey into the nature of identity (we do not know anyone entirely, not even ourselves) and of time. Marias weaves together autobiography (the brother who died as a child; the loss of his mother), a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed pilot, a curse in Havana, and a bullet lost in Mexico. Dark Back of Time has been acclaimed here as superb (Review of Contemporary Fiction), fantastically original (Talk), brilliant (Virginia Quarterly Review), and a rare gift (The New York Times Book Review). In the best manner of Borges, The Hudson Review commented that this hybrid is lush and mysterious.

The New York Times bestselling author's Carpathian classic goes Manga!Christine Feehan has reinvented the vampire novel with her New York Times bestselling Carpathian series. Now she and Berkley take her "out-of-the-ordinary" (Booklist) in a thrilling new direction-and this time it's more graphic than ever.Riordan is an immortal Carpathian male, trapped and caged, his honor compromised by his captors. They're in his mind. They're in his blood. And not one can withstand his desire for revenge.Juliette is an activist devoted to liberating animals from a secret jungle lab. What she stumbles upon is a prisoner like no other. She will release him from his bonds. He will release her from her inhibitions.

A kiss that just won't happen. A disco at the end of the world. A teenage goth on a terror mission. And OAP kiddie-snatchers, and scouse real-ale enthusiasts, and occult weirdness in the backwoods…Dark Lies the Island is a collection of unpredictable stories about love and cruelty, crimes, desperation, and hope from the man Irvine Welsh has described as 'the most arresting and original writer to emerge from these islands in years'. Every page is shot through with the riotous humour, sympathy and blistering language that mark Kevin Barry as a pure entertainer and a unique teller of tales.

SynopsisSet in present day Caldwell, New York ‘Dark Lover’ is the first in a series of novels about the Black Dagger Brotherhood. The Black Dagger Brotherhood is an ancient order of warrior vampires who defend their race against the lessers, vampire slayers who have been recruited by the Omega (an evil supernatural being who wants all vampires destroyed.) There are six warriors in the Brotherhood and these warriors are all that stand between the civilian vampires and the extinction of the vampire species at the hands of the lessers.In the Black Dagger novels the vampires are a separate species to humans, to be a vampire you have to have been born carrying vampire blood. At the start of their lives vampires seem like humans, they have no special strengths and can go out in daylight but they go through a dangerous transition to vampire hood in their mid twenties. Although vampires can drink the blood of humans it has little nutritional value for them and they need to drink the blood of other vampires (of the opposite sex) to survive. A human bitten or drained by a vampire doesn’t rise as a vampire – they are just dead.The vampires are few in number due to the legions of slayers hunting them down over the centuries, high infant mortality and the rigors of the transition to vampire hood that not all vampires survive.The story focuses on the romance between Wrath, the only pure blooded vampire left on the planet, and Beth a human/vampire half breed who is about to undergo the transition from human to vampire but isn’t aware of her vampire heritage.There are a lot of obstacles in their path. Wrath hates humans and doesn’t want a mate. Beth finds it hard to believe in her vampire heritage and doesn’t want to need Wrath. That would make their relationship difficult enough without them being the prime target for the lessers who are hatching a new strategy for wiping the vampires off the face of the earth.The ReviewThis is the first novel of the Black Dagger Brotherhood, a series paranormal romance books written under the pen name of J. R. Ward. It is not the author’s first novel because she has already written several romance novels under the name of Jessica Bird but I believe it is her first paranormal novel. Either way it’s a great book!To help the reader understand the vampire words and terms there is a helpful glossary at the start of the book, which is great to fill the reader in on the background, but the book is so well written that you don’t need to keep looking things up in the glossary.The action in the book is fast and exhilarating making the story a real page turner. The brothers like rap music, fast cars, black leather, knives, guns and martial arts and have this whole alpha male macho thing going on, yet as characters they are all intriguingly flawed and have weaknesses as well as strengths.Dark Lover has some wonderfully erotic scenes between Wrath and Beth. Unlike some romance (and vampire) novels the sex scenes are not used to prop the story up when poor plotting means that there isn’t much else going on. In Dark Lover the erotic parts are blended seamlessly with the romance, the vampire fantasy world and the action parts of the story making it a book that will satisfy a wide female audience.I particularly liked Dark Lover because it is the start of a new vampire romance series. It is an exciting, original and well written book. I always get excited when the first book of a new series is this good because it makes me hopefully optimistic that further books on this series will be equally good. I am intrigued to find out whether the vampires win their battle against the Omega and his lessers and how the lives of the other brothers play out. More please!

An amnesiac writer’s life of lies and false memories reaches a breaking point in this stunning English-language debut from an award-winning Croatian author.

As a novelist, Matija makes things up for a living. Not yet thirty, he’s written two well-received books. It’s his third that is as big a failure as his private life. Unable to confine his fabrications to fiction, he’s been abandoned by his girlfriend over his lies. But all Matija has is invention. Especially when it comes to his childhood and the death of his father. Whatever happened to Matija as a young boy, he can’t remember. He feels frightened, angry, and responsible…

Now, after years of burying and reinventing his past, Matija must confront it. Longing for connection, he might even win back the love of his life. But discovering the profound fears he has suppressed has its risks. Finally seeing the real world he emerged from could upend it all over again.

Christine Feehan has thrilled legions of fans with her seductive, sensual Carpathian tales. Now, she presents the enthralling story of Rafael, a savage hunter from the darkest jungles, and the beautiful prey he would never let escape.

Shortlisted for the Man Booker Prize, Darkmans is an exhilarating, extraordinary examination of the ways in which history can play jokes on us all… If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV's infamous court jester, whose favorite pastime was to burn people alive — for a laugh? Or could it be Andrew Boarde, Henry VIII's physician, who kindly wrote John Scogin's biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of — uh — salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier?Darkmans is a very modern book, set in Ashford [a ridiculously modern town], about two very old-fashioned subjects: love and jealousy. It's also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark — quite unspeakable — into its ear.The third of Nicola Barker's narratives of the Thames Gateway, Darkmans is an epic novel of startling originality.

Der Ich-Erzähler Thomas Glavinic in Thomas Glavinics Roman Das bin doch ich hat es nicht leicht. Zwei Frauen und eine Leidenschaft machen ihm das Dasein zum Problem. Auf der einen Seite steht Else, die pragmatische und etwas quengelige Partnerin, der der Autor aus Wien nicht nur seinen schlafraubenden Sohn verdankt, sondern die ihn auch bereits im November damit nervt, dass er noch nicht daran gedacht hat, die Winterreifen zu montieren. Auf der anderen Seite steht die ebenfalls etwas quengelige Mutter, die ihrem Sohn das große Vorbild Daniel Kehlmann und dessen Überraschungsbestseller Die Vermessung der Welt immer wieder mal unter die Nase reibt („Warum schreibst du nicht mal so was?“). Und da wären wir auch schon beim dritten Problem, der großen Leidenschaft von Thomas Glavinic, dem Schreiben. Denn der Ich-Erzähler von Das bin doch ich hat ein Buch geschrieben. Und dieses Buch, soll, ja: muss nach seiner Meinung den Deutschen Buchpreis bekommen.Man darf es schon verraten: Das Buch bekommt den Deutschen Buchpreis nicht. Anders als Das bin doch ich im wahren Leben schafft es das Werk von Glavinics Alter Ego Glavinic im Roman nicht auf die Longlist der Jury. Die Gründe hierfür weiß Daniel Kehlmann, dessen fiktive (oder vielleicht doch gar nicht so fiktive?) Gestalt in Das bin doch ich ebenso Gastauftritte hat wie namentlich genannte wankelmütige Romankritiker, Autorenagenten und Lektoren darin vertreten sind. Denn Das bin doch ich ist eine Satire, die witzig und eloquent, aber niemals verletzend vom Innenleben des Literaturbetriebs zu berichten weiß.Die sanfte Milde, mit der Rezensenten wie Denis Scheck ihr Fett weg kriegen, mag manchem Leser vielleicht nicht reichen. Und trotzdem: Das bin doch ich ist gute Unterhaltungsliteratur über das Innenleben eines gar nicht mal schlechten — und dabei noch ebenso sanft selbstironischen — Schriftstellers. Und das ist doch schon eine ganze Menge. - Thomas Köster, Literaturanzeiger.de