A Mark lo asesinaron alrededor de las doce de la noche, mientras trabajaba en un acuerdo, un contrato para la liquidación del bufete que había fundado con Bennie Rosato, horas después de anunciar a su socia y ex amante su determinación de constituir su propia empresa. A medianoche Bennie remaba sola en la oscuridad, en la quietud del río, tratando de recobrar la calma, ajena a cuanto sucedía en el despacho y a la sórdida trampa que le habían tendido.«Una novela trepidante que dejará sin aliento al lector más valiente.»

Considered by many to be Elkin's magnum opus, George Mills is, an ambitious, digressive and endlessly entertaining account of the 1,000 year history of the George Millses. From toiling as a stable boy during the crusades to working as a furniture mover, there has always been a George Mills whose lot in life is to serve important personages. But the latest in the line of true blue-collar workers may also be the last, as he obsesses about his family's history and decides to break the cycle of doomed George Millses. An inventive, unique family saga, George Mills is Elkin at his most manic, most comic and most poignant.

Georg wächst in einer der schönsten Wohngegenden Prags in einem summenden Frauenhaushalt auf. Leider zur Zeit des politischen Terrors, der überirdischen Atomtest und später des brutal unterdrückten Reformversuchs von '68. Umstellt von seinen vielen Tanten mit Kriegstraumata, dem tyrannischen Onkel ONKEL und der überstrahlend-schönen Mutter hält er an seiner Überzeugung fest, unter der Schirmherrschaft eines gewissen Heiligen eine helle Zukunft zu finden — trotz der totalitären Verhältnisse, der zerfallenden Prager Bausubstanz und der familiären Zwänge.

Robert Coover's wicked and surreally comic novel takes place at a chilling, ribald, and absolutely fascinating party. Amid the drunken guests, a woman turns up murdered on the living room floor. Around the corpse, one of several the evening produces, Gerald's party goes on — a chatter of voices, names, faces, overheard gags, rounds of storytelling, and a mounting curve of desire. What Coover has in store for his guests (besides an evening gone mad) is part murder mystery, part British parlor drama, and part sly and dazzling meditation on time, theater, and love.

Geronimo Rex, Barry Hannah's brilliant first novel, which was nominated for the National Book Award, is full of the rare verve and flawless turns of phrase that have defined his status as an American master. Roiling with love and torment, lunacy and desire, hilarity and tenderness, Geronimo Rex is the bildungsroman of an unlikely hero. Reared in gloomy Dream of Pines, Louisiana, whose pines have long since yielded to paper mills, Harry Monroe is ready to take on the world. Inspired by the great Geronimo's heroic rampage through the Old West, Harry puts on knee boots and a scarf and voyages out into the swamp of adolescence in the South of the 1950s and '60s. Along the way he is attacked by an unruly peacock; discovers women, rock 'n' roll, and jazz; and stalks a pervert white supremacist who fancies himself the next Henry Miller.

Esta novela, quinta del autor, nos introduce en el infamante mudo de la tan famosa organización policíaca. Una anciana, ajena a toda actividad política, es detenida y ahorcada. Para lograr su imposible declaración los miembros de la gestapo muestran con ella toda una gama de su estudiada amabilidad. El viejo, Porta, Hermanito y el Legionario – de la 5º Compañía – vengan a la anciana y el Bello paul – jefe del grupo de la Gestapo – se enfrenta con tortuosa habilidad a las dificultades que se le crean.

Über dieses Buch»Ich habe täglich mit toten Menschen zu tun, aber auch mit deren sehr lebendigen Hinterbliebenen. Tote sind friedlich und machen keine Probleme. Mit den Lebenden ist das oft anders – und genau davon möchte ich erzählen.«Der tote Weihnachtsmann auf der Firmenfeier, die steinreiche, aber furchtbar geizige Witwe oder der traurigste Abschied aller Zeiten – es gibt kaum etwas zwischen Leben und Tod, das Peter Wilhelm in seiner jahrzehntelangen Erfahrung im Bestattungsgewerbe noch nicht erlebt hat. Anrührend und urkomisch nimmt er uns mit in die verborgene Welt von Schaufel, Sarg und Trauerflor.Über Peter Wilhelm Peter Wilhelm ist seit 30 Jahren im Bestattungswesen tätig. Schon Ende der 70er Jahre arbeitete er das erste Mal in einem Betrieb des Bestattungsgewerbes. Seither war er außerdem als Sachbearbeiter und Bestatter in einem Bestattungskonzern, als Inhaber eines Bestattungshauses mit mehreren Filialen und als freier Berater in der Bestattungsindustrie tätig. Seit dem Jahr 2007 bloggt er regelmäßig als Tom, der Undertaker bei www.bestatterweblog.de.

Get a Life begins with Paul Bannerman, a South African ecologist, being treated for thyroid cancer with radioactive iodine. To spare his wife and child any peril from the radioactivity, he returns to his parents' home to recuperate. He's returned to his childhood state, being cared for by his mother, a civil rights lawyer, and the black housekeeper who's been with the family his whole life. Paul's wife, an advertising executive, realizes that her clients are facilitating the foreign corporations who want to take advantage of liberal land use laws for their own interests. Paul's illness forces them all the re-evaluate both their lives and the new challenges facing their country. Nadine Gordimer's has received mostly positive reviews with the Philadelphia Inquirer saying, "At first whiff, Get a Life feels an odd title for this novel. But as the action progresses, and Gordimer masterfully grinds her yarn to a quivering conclusion, no answers have been provided, and the moniker she has given this provocative book seems perfect."

She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection — her first for adult readers in a decade — proves indelibly that this bewitchingly original writer is among the finest we have.Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids. . These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty — and the hidden strengths — of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.

After three decades of prodigious film work (and some unfortunate tabloid adventures as well), it's easy to forget that Woody Allen began his career as one heck of a great comedy writer. Getting Even, a collection of his late '60s magazine pieces, offers a look into Allen's bag of shtick, back when it was new. From the supposed memoirs of Hitler's barber: "Then, in January of 1945, a plot by several generals to shave Hitler's moustache in his sleep failed when von Stauffenberg, in the darkness of Hitler's bedroom, shaved off one of the Führer's eyebrows instead…"Even though the idea of writing jokes about old Adolf-or addled rabbis, or Maatjes herring-isn't nearly as fresh as it used to be, Getting Even still delivers plenty of laughs. At his best, Woody can achieve a level of transcendent craziness that no other writer can match. If you're looking for a book to dip into at random, or a gift for someone who's seen Sleeper 13 times, Getting Even is a dead lock.

Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered — until, in Ghana, a new way forward, a new family, begins to emerge.Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

Ghost Dance is the first book in a line of relentlessly experimental and highly esteemed works by Carole Maso. Like the poetry-mother in this debut novel, Maso works to ensure her readers understand and come to accept sorrow as a knowable and tactile presence. Narrating a family story through the voice of a young writer whose mother has recently been killed, Maso invites readers to experience firsthand both women's love and courage, capabilties of imagination, their persistence of memory, and generosity of spirit.It is this same generosity that allows readers the transformative intimacy Ghost Dance has to offer. Like her artist-protagonists, Maso's subject as well as medium is language, and she is brave and dangerous in her command of it. She abandons traditional narrative forms in favor of a shaped communication resembling Beckett and rivalling his evocative skill. Immersed in dilated and intense prose, the readers view is a privilege one, riding the crest of clear expression as it navigates the tangled terrain of loss and desperate sorrow.

Ghost Lights stars an IRS bureaucrat named Hal — a man baffled by his wife’s obsession with her young employer, T., and haunted by the accident that paralyzed his daughter, Casey. In a moment of drunken heroism, Hal embarks on a quest to find T. — the protagonist of Lydia Millet’s much-lauded novel How the Dead Dream—who has vanished in a jungle. On his trip to Central America, Hal embroils himself in a surreal tropical adventure, descending into strange and unpredictable terrain (and an unexpected affair with a beguiling German woman).Ghost Lights is Millet at her best — beautifully written, engaging, full of dead-on insights into the heartbreaking devotion of parenthood and the charismatic oddity of human behavior. The book draws us into a darkly humorous, sometimes off-kilter world where bonds of affection remain a reliable magnetic north. Ghost Lights is a startling, comic, and surprisingly philosophical story.

GHOST MOTH will transport you to two hot summers, 20 years apart.Northern Ireland, 1949. Katherine must choose between George Bedford — solid, reliable, devoted George — and Tom McKinley, who makes her feel alive.The reverberations of that summer — of the passions that were spilled, the lies that were told and the bargains that were made — still clamour to be heard in 1969. Northern Ireland has become a tinderbox but tragedy also lurks closer to home. As Katherine and George struggle to save their marriage and silence the ghosts of the past, their family and city stand on the brink of collapse…

Robert Coover takes familiar Western tropes and rejuvenates them with his standard energy and prose. A lonesome stranger drifts into a long deserted town where the inhabitants re-enact their legendary pasts.

Ghosts is about a construction worker's family squatting on a building site. They all see large and handsome ghosts around their quarters, but the teenage daughter is the most curious. Her questions about them become more and more heartfelt until the story reaches a critical, chilling moment when the mother realizes that her daughter's life hangs in the balance.

A group of strangers, passengers on a day-boat that runs aground, are washed up on an island. Shaken and sodden, they nonetheless make quick work of the situation at hand. But what is the situation? They've invaded the closely protected enclave of an eminent art historian, but their presence seems to rouse in the historian's assistant a long-ripening hunger for company. Certainly the grounding of the boat was an accident, but one of the passengers seem to know the professor and to have an air of purpose about him. Why as their day on the island progresses, do they seem to inhabit a series of weighty tableaux? And who is the man who moves among them as both spectator and player, the nameless, seemingly haunted narrator whose sensibility is the sometimes clarifing, sometimes distorting lens through which we view the action? Invoking all lost souls and enchanted islands, Ghosts gives us a brilliant mix of gaiety and menace to tell a story about the failures and triumphs of the imagination, about time's passage, and about the frailty of human happiness. It is an exquisitely written novel — stately and theatrical — by one of the most widely admired and acclaimed writers at work today.

Gifts is a beguiling tale of a Somali family, its strong matriarch, Duniya, and its past wounds that refuse to heal. As the story unfolds, Somalia is ravaged by war, drought, disease, and famine, prompting industrialized nations to offer monetary aid — gifts to the so-called Third World. Farah weaves these threads together into a tapestry of dreams, memories, family lore, folktales, and journalistic accounts.

Twenty-four years after her first novel, Housekeeping, Marilynne Robinson returns with an intimate tale of three generations from the Civil War to the twentieth century: a story about fathers and sons and the spiritual battles that still rage at America's heart. Writing in the tradition of Emily Dickinson and Walt Whitman, Marilynne Robinson's beautiful, spare, and spiritual prose allows "even the faithless reader to feel the possibility of transcendent order" (Slate). In the luminous and unforgettable voice of Congregationalist minister John Ames, Gilead reveals the human condition and the often unbearable beauty of an ordinary life.