Young Peony is sold into a rich Chinese household as a bondmaid — an awkward role in which she is more a servant, but less a daughter. As she grows into a lovely, provocative young woman, Peony falls in love with the family's only son. However, tradition forbids them to wed. How she resolves her love for him and her devotion to her adoptive family unfolds in this profound tale, based on true events in China over a century ago.

It's the Silver Jubilee of People Park, an urban experiment conceived by a radical mayor and zealously policed by the testosterone-powered New Fraternal League of Men. To celebrate, the insular island city has engaged the illustrationist Raven, who promises to deliver the most astonishing spectacle its residents have ever seen. As the entire island comes together for the event, we meet an unforgettable cross-section of its inhabitants, from activists to nihilists, art stars to athletes, families to inveterate loners. Soon, however, what has promised to be a triumph of civic harmony begins to reveal its shadow side. And when Raven's illustration exceeds even the most extreme of expectations, the island is plunged into a series of unnatural disasters that force people to confront what they are really made of.People Park is a tour de force of eerily prescient, grotesque, and hilarious observation and a narrative of gripping, unrelenting suspense. Malla writes as if the twin demons of Stephen King and Flannery O'Connor were resting on his shoulders. You've never read anything quite like People Park.

Pequeñas infamias es una novela sobre las casualidades de la vida. Sobre las que se descubren con sorpresa, sobre las que no llegan a descubrirse y sin embargo marcan nuestro destino, y sobre las que se descubren pero se mantienen en secreto, porque hay verdades que no deberían saberse nunca. Puede leerse, también, como una sátira de sociedad, como el retrato psicológico de una galería de personajes, o como un apasionante relato de intriga, cuyo misterio no se resuelve hasta las últimas páginas. En la casa de veraneo de un acaudalado coleccionista de arte se reúne un variopinto grupo de personas. Juntas pasan unas cuantas horas y, a pesar de las frases agradables y los comentarios corteses, la relación acabará envenenada por lo que no se dicen. Cada una de ellas esconde un secreto; cada una de ellas esconde una infamia. La realidad adquiere de pronto el carácter de un rompecabezas cuyas piezas se acercan y amenazan con acoplarse. El destino es caprichoso y se divierte creando extrañas coincidencias.

“Anything we take for granted, Mr. Everett means to show us, may turn out to be a lie.” —Wall Street JournalA story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?Let’s simplify: a woman seeks an apprenticeship with a painter, claiming to be his long-lost daughter. A contractor-for-hire named Murphy can’t distinguish between the two brothers who employ him. And in Murphy’s troubled dreams, Nat Turner imagines the life of William Styron. These narratives twist together with anecdotes from the nursing home, each building on the other until they crest in a wild, outlandish excursion of the inmates led by the father. Anchoring these shifting plotlines is a running commentary between father and son that sheds doubt on the truthfulness of each story. Because, after all, what narrator can we ever trust?Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations. All of his prior work, his metaphysical and philosophical inquiries, his investigations into the nature of narrative, have led to this masterful book. Percival Everett has never been more cunning, more brilliant and subversive, than he is in this, his most important and elusive novel to date.

Segunda parte de Perdona si te llamo amor. La historia de amor continúa…Alex y Niki están más enamorados que nunca, acaban de volver del faro en la isla de Blu donde han vivido días inolvidables. Niki se reencuentra con sus amigas, pero el grupo de las Ondas deberá afrontar grandes cambios que pondrán a prueba su amistad. Alex retoma su vida de siempre, sus viejos amigos. Ellos, Flavio, Enrico y Pietro han pasado de ser maridos serenos y seguros a tener que afrontar muchas difi cultades que han puesto en peligro sus matrimonios. Y ahora todas esta personas, hombres y mujeres de diferentes edades, cada uno a su manera se encuentran para refl exionar sobre el amor. Pues, ¿existe el amor? ¿Es cierta la crisis del séptimo año? ¿Tienen razón los que dicen que un amor no puede durar más de tres años? Y después, la pregunta más difícil: ¿un amor puede durar para siempre?

Niki es una joven madura y responsable que cursa su último año de secundaria. Alessandro es un exitoso publicista de treinta y siete años a quien acaba de dejar su novia de toda la vida. A pesar de los veinte años de diferencia que hay entre ambos y del abismo generacional que los separa, Niki y Alessandro se enamorarán locamente y vivirán una apasionada historia de amor en contra de todas las convenciones y prejuicios sociales.Una deliciosa novela sobre el poder del amor ambientada en las románticas calles de Roma. Perdona si te llamo amor es, además, una involuntaria guía alternativa de esta ciudad. Deseosos de conocer los escenarios de esta love story contemporánea, jóvenes de todo el mundo buscan los consejos que aparecen diseminados por todo el libro para descubrir dónde comer las mejores pizzas o saborear los helados más exquisitos.

Review“A masterpiece of compression. A political history of 1930s Portugal, a love story between a man and his dead wife, a gloriously successful formal experiment, and an irresistible thriller — and it can be read with enormous pleasure in a single afternoon.”— Mohsin Hamid“Pereira Maintains is small only in size. Its themes are great ones — courage, betrayal, fidelity, love, corruption; and its treatment of them is subtle, skilful, and clear. It’s so clear, in fact, that you can see a very long way down, into the heart of a flawed but valiant human being, into the sickness of a nation, into the depths of political evil. It’s the most impressive novel I’ve read for years, and one of the very few that feels truly necessary.”— Philip Pullman“Close to being a perfect novel — brief, tragic, inspiring”— John Carey, Chairman of the International Man Booker 2002“Pereira is a marvelously complex creation. One of the most intriguing and appealing character studies in recent European fiction.”— Kirkus ReviewsProduct DescriptionIn the sweltering summer of 1938 in Portugal, a country under the fascist shadow of Spain, a mysterious young man arrives at the doorstep of Dr Pereira. So begins an unlikely alliance that will result in a devastating act of rebellion. This is Pereira’s testimony.

From the Pulitzer Prize-winning author of A Thousand Acres and the New York Times best-selling Last Hundred Years Trilogy, a captivating, brilliantly imaginative story of three extraordinary animals—and a young boy—whose lives intersect in Paris

Paras, short for “Perestroika,” is a spirited racehorse at a racetrack west of Paris. At dusk, one afternoon she pushes open the door of her stall—she’s a curious filly—and, after traveling through the night, arrives by chance in the City of Light. She’s dazzled, and often mystified, by the sights, sounds and smells around her, but she isn’t afraid. Soon she meets an elegant dog, a German shorthair pointer named Frida, who knows how to get by without attracting the attention of suspicious Parisians. Paras and Frida coexist for a time in the city’s lush green spaces, nourished by Frida’s strategic trips to the bakery and the butchershop. They keep company with two irrepressible ducks, and an opinionated raven. But then Paras meets a human boy, Etienne, and discovers a new, otherworldly part of Paris: the ivy-walled house where the boy and his nearly-one-hundred-year-old great-grandmother live in seclusion. As the cold weather and Christmas near, the unlikeliest of friendships bloom. But how long can a runaway horse stay undiscovered in Paris? How long can a boy keep her hidden and all to himself?

Jane Smiley’s beguiling new novel is itself an adventure that celebrates curiosity, ingenuity, and the desire of all creatures for true love and freedom.

Celestine North lives in a society that demands perfection. After she was branded Flawed by a morality court, Celestine's life has completely fractured—all her freedoms gone.Since Judge Crevan has declared her the number one threat to the public, she has been a ghost, on the run with Carrick—the only person she can trust.But Celestine has a secret—one that could bring the entire Flawed system crumbling to the ground. A secret that has already caused countless people to go missing.Judge Crevan is gaining the upper hand, and time is running out for Celestine. With tensions building, Celestine must make a choice: save just herself or to risk her life to save all Flawed people.And, most important of all, can she prove that to be human in itself is to be Flawed?

In Rosewood, Pennsylvania, four perfect-looking girls aren't nearly as perfect as they seem. Aria can't resist her forbidden ex. Hanna is on the verge of losing her BFF. Emily is freaking out over a simple kiss. And Spencer can't keep her hands off anything that belongs to her sister. Lucky me. I know these pretty little liars better than they know themselves. But it's hard keeping all of their secrets to myself. They better do as I say . . . or else!

From one of America’s most important writers, Perfume River is an exquisite novel that examines family ties and the legacy of the Vietnam War through the portrait of a single North Florida family.Robert Quinlan is a seventy-year-old historian, teaching at Florida State University, where his wife Darla is also tenured. Their marriage, forged in the fervor of anti-Vietnam-war protests, now bears the fractures of time, both personal and historical, with the couple trapped in an existence of morning coffee and solitary jogging and separate offices. For Robert and Darla, the cracks remain under the surface, whereas the divisions in Robert’s own family are more apparent: he has almost no relationship with his brother Jimmy, who became estranged from the family as the Vietnam War intensified. Robert and Jimmy’s father, a veteran of WWII, is coming to the end of his life, and aftershocks of war ripple across their lives once again, when Jimmy refuses to appear at his father’s bedside. And an unstable homeless man whom Robert at first takes to be a fellow Vietnam veteran turns out to have a deep impact not just on Robert, but on his entire family.

When critics and readers caught scent of Patrick Suskind's "Perfume", it became an instant "New York Times" bestseller in hardcover and paperback. The reviews were sensational, word-of-mouth was incredible — and now it is back in an all-new trade paperback format. "A tour de force of the imagination." — "People."

A tremendous international success and a huge favorite with booksellers and critics, Pascal Mercier’s Night Train to Lisbon has been one of the best-selling literary European novels in recent years. Now, in Perlmann’s Silence, the follow up to his triumphant North American debut, Pascal Mercier delivers a deft psychological portrait of a man striving to get his life back on track in the wake of his beloved wife’s death.Philipp Perlmann, prominent linguist and speaker at a gathering of renowned international academics in a picturesque seaside town near Genoa, is struggling to maintain his grip on reality. Derailed by grief and no longer confident of his professional standing, writing his keynote address seems like an insurmountable task, and, as the deadline approaches, Perlmann realizes that he will have nothing to present. Terror-stricken, he decides to plagiarize the work of Leskov, a Russian colleague. But when Leskov’s imminent arrival is announced and threatens to expose Perlmann as a fraud, Perlmann’s mounting desperation leads him to contemplate drastic measures.An exquisite, captivating portrait of a mind slowly unraveling, Perlmann’s Silence is a brilliant, textured meditation on the complex interplay between language and memory, and the depths of the human psyche.

Xan Meo es un hombre de múltiples talentos: actor, músico, escritor, y también hijo de un célebre delincuente. Una noche, Xan se sienta a tomar una copa en la terraza de un pub y, al poco rato, dos hombres le parten la cabeza a cachiporrazos. Tras una difícil convalecencia será otro. Deberá acostumbrarse a su nuevo ser, como todos los que le rodean, porque Xan se convertirá en un antimarido, en un antipadre, movido por impulsos primarios y con una sexualidad muy perturbadora. Pero hay otros personajes que inciden en la vida de Xan. Clint Smoke, un periodista de un diario amarillista volcado en la pornografía y las noticias de escándalo, y también Henry England, el rey de Inglaterra y padre de la Princesita, a la que alguien ha fotografiado desnuda en su bañera. También está el misterioso Joseph Andrews, como una araña en el centro de una vasta red. Y en el núcleo de todo: Edipo, los padres como posibles corruptores devoradores de sus hijos, el difícil pasaje a la madurez.

You see him at the liquor store. You see him at the bus stop, trying to look at you without being seen. Who is he? He is a person. In this debut novel, a person walks around Chicago contemplating the possibility of starving to death on purpose. He has sex with his neighbor. He goes out to look for a job but just buys little plastic dogs from homeless people instead. Who is the person? The person is you. The person is me. The person is sitting in his room shooting an empty pellet gun at his face, feeling the slow exhaustion of a Co2 cartridge. The person sits in a bathtub reading his roommate's yearbook. He wants to create a contract mandating worldwide friendship. Person invents new and splendid ways of not getting along. You will read this book and remember why you mainly read books that have sex in them. You will become. . a person.

At issue is what will become of this grand edifice. We built it up and into the sky in the hopes of reaching heaven and now as it crumbles down around us we find that this great distance we thought we'd traveled can close in an instant. So what now? Because a person flung backward by adversity can run away in the direction flung, meekly stay put, or slowly, grudgingly, inch-by-inch until foot-by-foot begin the journey back whence he came to resume the struggle.— from Personae

"A rare peek into an exotic culture that is thrilling, captivating, and moving." – Shobhan BantwalFrom the acclaimed author of Peach Blossom Pavilion comes a lush and lyrical novel of East and West-and of one young woman's search for her heart's true calling…When twenty-year-old Meng Ning declares that she wants to be a Buddhist nun, her mother is aghast. In her eyes, a nun's life means only deprivation-"no freedom, no love, no meat." But to Meng Ning, it means the chance to control her own destiny, and to live in an oasis of music, art, and poetry far from her parents' unhappy union.With an enigmatic nun known as Yi Kong, "Depending on Emptiness," as her mentor, Meng Ning spends the next ten years studying abroad, disdaining men, and preparing to enter the nunnery. Then, a fire breaks out at her Buddhist retreat, and Meng Ning is carried to safety by Michael Fuller, a young American doctor. The unprecedented physical contact stirs her curiosity. And as their tentative friendship grows intimate, Meng Ning realizes she must choose between the sensual and the spiritual life.From the austere beauty of China 's Buddhist temples to the whirlwind of Manhattan 's social elite, and the brilliant bustle of Paris and Hong Kong, here is a novel of joy and heartbreak-and of the surprising paths that lead us where we most need to be.

« Je n’invente rien, c’est dans le dictionnaire étymologique : le mot est d’abord employé pour désigner un acte qui dépasse la mesure, un dérèglement. Je vous passe les détails mais, à la fin, l’emploi du mot au sens de « très grand », et de son adverbe au sens de « très » ou « tout à fait » et cela sans idée d’excès, est fréquent. L’excès non seulement résiste aux règles imposées par les pauvres types sus-nommés, mais permet aussi de nous multiplier, de nous essayer à toutes les sauces, tous les possibles, de grandir en somme. Tant pis si on est excessivement mauvais. Il n’y a à perdre que des illusions, des résidences secondaires, des voitures, des slips de bain. »

En 1992, Gabriel, dix ans, vit au Burundi avec son père français, entrepreneur, sa mère rwandaise et sa petite sœur, Ana, dans un confortable quartier d’expatriés. Gabriel passe le plus clair de son temps avec ses copains, une joyeuse bande occupée à faire les quatre cents coups. Un quotidien paisible, une enfance douce qui vont se disloquer en même temps que ce « petit pays » d’Afrique brutalement malmené par l’Histoire. Gabriel voit avec inquiétude ses parents se séparer, puis la guerre civile se profiler, suivie du drame rwandais. Le quartier est bouleversé. Par vagues successives, la violence l’envahit, l’imprègne, et tout bascule. Gabriel se croyait un enfant, il va se découvrir métis, Tutsi, Français…« J’ai écrit ce roman pour faire surgir un monde oublié, pour dire nos instants joyeux, discrets comme des filles de bonnes familles : le parfum de citronnelle dans les rues, les promenades le soir le long des bougainvilliers, les siestes l’après-midi derrière les moustiquaires trouées, les conversations futiles, assis sur un casier de bières, les termites les jours d’orages… J’ai écrit ce roman pour crier à l’univers que nous avons existé, avec nos vies simples, notre train-train, notre ennui, que nous avions des bonheurs qui ne cherchaient qu’à le rester avant d'être expédiés aux quatre coins du monde et de devenir une bande d’exilés, de réfugiés, d’immigrés, de migrants. »Avec un rare sens du romanesque, Gaël Faye évoque les tourments et les interrogations d’un enfant pris dans une Histoire qui le fait grandir plus vite que prévu. Nourri d’un drame que l’auteur connaît bien, un premier roman d’une ampleur exceptionnelle, parcouru d’ombres et de lumière, de tragique et d’humour, de personnages qui tentent de survivre à la tragédie.Biographie de l'auteurFranco-rwandais, Gaël Faye est auteur compositeur interprète de rap. Aussi influencé par les littératures créoles que par la culture hip hop, il sort un album en 2010 avec le groupe Milk Coffee & Sugar (révélation Printemps de Bourges). En 2013 paraît son premier album solo, Pili Pili sur un Croissant au Beurre. Enregistré entre Bujumbura et Paris, il se nourrit d’influences musicales plurielles : du rap teinté de soul et de jazz, du semba, de la rumba congolaise, du sébène…Petit pays est son premier roman.