Barrytown, Dublin, has something to sing about. The Commitments are spreading the gospel of soul. Ably managed by Jimmy Rabbitte, brilliantly coached by Joey 'The Lips' Fagantheir twin assault on Motown and Barrytown takes them by leaps and bounds from the parish hall to immortality on vinyl. But can the Commitments live up to the name?

Writing in an intriguingly symbolic and minimalist style, author Sonallah Ibrahim has been called the Egyptian Kafka. And no wonder. This wry take on Kafka's The Trial revolves around its narrator's attempts to petition successfully the elusive ruling body of his country, known simply as "the committee". Consequences for his actions range from the absurd to the hideous.In Kafkaesque fashion, Ibrahim offers an unbroken first-person narrative rendered in brief, crisp prose framed by a conspicuous absence of vivid imagery. Furthermore, the petitioner is a man without identity. The ideal anti-hero, he remains, as does his country, unnamed throughout the intricate plot with a locale suggestive of 1970s Cairo.Considered a major work, The Committee sardonically pierces the inflammatory terrain between ordinary men, unbridled displays of power, and other, broader concerns of the author's native Egypt. The novel's corrosive, shocking conclusion catapults satiric surrealism into a new realm.

An award-winning author has created his most expansive work to date—a captivating family epic, a novel that moves effortlessly from past to present on its journey to the truth of how we grow out of, away from, and into our parents.

“Are we there yet?” It’s the time-honored question of kids on a long family car trip—and Emil Czabek’s children are no exception. Yet Em asks himself the same thing as the family travels to celebrate his parents’ fiftieth wedding anniversary, and he wonders if he has escaped their wonderfully bad example.

The midwestern drive is Em’s occasion to recall the Czabek clan’s amazing odyssey, one that sprawls through the second half of the twentieth century. It begins with his parents’ wedding on the TV show It’s Your Marriage, and careens from a suburban house built sideways by a drunken contractor to a farm meant to shelter the Czabeks from a country coming apart. It is the story of Em’s father, Wally—diligent, distant, hard-drinking—and his attempts to please, protect, or simply placate his nervous, restless, and sensual wife, Susan, all in plain sight of the children they can’t seem to stop having.

As the tumultuous decades merge in his mind like the cars on the highway, Em must decide whether he should take away his parents’ autonomy and place them in the Heartland Home for the Elders. Beside him, his wife, Dorie, a woman who has run both a triathlon and for public office, makes him question what he’s inherited and whether he himself has become the responsible spouse of a drifting partner—especially since she’s packing a diaphragm and he’s had a vasectomy.

Wildly comic and wrenchingly poignant, The Company Car is a special achievement, a book that drives through territory John Irving and Jonathan Franzen have made popular to arrive at a stunning destination all its own.

"[Katz] reprises the pleasure of everything he has ever written, and yet it is utterly singular. No one who cares about America's literary and art scene in the sixties should fail to read it." — R. M. Berry, author of FrankEmploying the "fine structure constant" that has tantalized physicists for decades, celebrated novelist Steve Katz conjures his life story from 137 discreet, shuffled memories of art, travels, reflections, and confusions. Here are sculpture and teepees, Western mountains, Eastern pilgrimages and, throughout, artists' lives: Kathy Acker, Philip Glass, Vladimir Nabokov, Richard Serra, and a catalog of others Katz knows and knew.

In this stunning collection, internationally acclaimed writer David Malouf gives us bookish boys and taciturn men, strong women and wayward sons, fathers and daughters, lovers and husbands, a composer and his muse. These are their stories, whole lives brought dramatically into focus and powerfully rooted in the vividly rendered landscape of the vast Australian continent. Malouf writes about men and women looking for something they seem to have missed, or missed out on, puzzling over not only their own lives but also the place they have come to occupy in the lives of others. This single volume gathers both a new collection of Malouf's short fiction, Every Move You Make, and all of his previously published stories.

Ismail Kadare once called The Palace of Dreams "the most courageous book I have written; in literary terms, it is perhaps the best". When it was first published in the author's native country, it was immediately banned, and for good reason: the novel revolves around a secret ministry whose task is not just to spy on its citizens, but to collect and interpret their dreams. An entire nation's unconscious is thus tapped and meticulously laid bare in the form of images and symbols of the dreaming mind.The Concert is Kadare's most complete and devastating portrayal of totalitarian rule and mentality. Set in the period when the alliance between Mao's China and Hoxha's Albania was going sour, this brilliant novel depicts a world so sheltered and monotonous that political ruptures and diplomatic crises are what make life exciting.

An epic journey of love and discovery from the national bestselling author of The Russian Concubine and The Red Scarf.China, 1929. For years Lydia Ivanova believed her father was killed by the Bolsheviks. But when she learns he is imprisoned in Stalin-controlled Russia, the fiery girl is willing to leave everything behind – even her Chinese lover, Chang An Lo.Lydia begins a dangerous search, journeying to Moscow with her half-brother Alexei. But when Alexei abruptly disappears, Lydia is left alone, penniless in Soviet Russia.All seems lost, but Chang An Lo has not forgotten Lydia. He knows things about her father that she does not. And while he races to protect her, she is prepared to risk treacherous consequences to discover the truth.

Acclaimed author Noa Weber has a successful “feminist” life: a strong career, a wonderful daughter she raised alone, and she is a recognized and respected cultural figure. Yet her interior life is bound by her obsessive love for one man — Alek, a Russian émigré and the father of her child, who has drifted in and out of her life.Trying to understand — as well as free herself from — this lifelong obsession, Noa turns her pen on herself, and with relentless honesty dissects her life. Against the evocative setting of turbulent, modernday Israel, this examination becomes a quest to transform irrational desire into a greater, transcendent understanding of love.The Confessions of Noa Weber introduces a startlingly talented writer in a rich tale that illuminates the desires, yearnings, and complexities of life in Israel.

Jonas Wergeland has been convicted of the murder of his wife Margrete. What brought Norway's darling to this end? A professor has been set the task of writing a biography of the once celebrated, now notorious, television personality; in doing so he hopes to solve the riddle of Jonas Wergeland's success and downfall. But the sheer volume of material on his subject is so daunting that the professor finds himself completely bogged down, at a loss as how to proceed, until the evening when a mysterious stranger knocks on his door and offers to tell him stories which will help him unravel the strands of Wergeland's life.

Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewarsship; even the land rises up, as drought, then flood, destroy his farm.

The Consul’s File is a journey to post-colonial Malaysia with a young American diplomat, to a “bachelor post” at the uneasy frontier where civilization meets jungle.

Several years after the French Revolution, in the winter of 1804, Napoleon Bonaparte has to make a crucial decision: to keep the main ideals of the new France alive or to elevate the country into a powerful base by making it an empire and becoming emperor.One evening at the Tuileries Residence in Paris, Second Consul Jean-Jacques Cambaceres, a brilliant law scholar and close ally, listens as Napoleon struggles to determine what will be best for a country much weakened by ten years of wars and revolutions. Torn between his revolutionary ideals and his overwhelming longing for power, Napoleon Bonaparte declares that it can only be achieved by his taking the throne.Bonaparte attempts to rally Cambaceres to his cause and maps out in great detail why France must become an empire, with him as its Emperor. The Republican hero desires only one thing: to forge his legend during his lifetime. France has arrived at a crossroads, and Bonaparte must break many barriers to fulfill his ambition. "An empire is a Republic that has been enthroned," he declares. And so, through the night, French history is made. With historical erudition, d'Ormesson remarkably captures the man's vertigo of triumph, which ultimately leads to his fall.

Daily conversations in outdoor cafes with cultured friends can help make reality a little more real. Unfortunately, however, during one such conversation, one man spots a gold Rolex watch on a TV soap opera's goatherd. This seemingly small absurdity sets off alarms: strange sensations of deception, distress, and incipient madness. The two men's uneasiness soon becomes a nightmare as the TV adventure advances with a real-life plot — involving a mutant strain of killer algae — to take over the world! The Conversations, a reality within a fiction within a parallel reality, is hilariously funny and surprisingly touching.

An explosive new voice in fiction emerges from Iraq in this blistering debut by perhaps the best writer of Arabic fiction alive” (The Guardian)The first major literary work about the Iraq War from an Iraqi perspective, The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, Hassan Blasim offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

Young Jawad, born to a traditional Shi'ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor, to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s wishes and determined to forge his own path. But the circumstances of history dictate otherwise. Saddam Hussein’s dictatorship and the economic sanctions of the 1990s destroy the socioeconomic fabric of society. The 2003 invasion and military occupation unleash sectarian violence. Corpses pile up, and Jawad returns to the inevitable washing and shrouding. Trained as an artist to shape materials to represent life aesthetically, he now must contemplate how death shapes daily life and the bodies of Baghdad’s inhabitants.Through the struggles of a single desperate family, Sinan Antoon’s novel shows us the heart of Iraq’s complex and violent recent history. Descending into the underworld where the borders between life and death are blurred and where there is no refuge from unending nightmares, Antoon limns a world of great sorrows, a world where the winds wail.

Amazon.com ReviewJonathan Franzen’s exhilarating novel The Corrections tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.Franzen is funny and on the money. This book puts him on the literary map.— Tim AppeloFrom Publishers WeeklyIf some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.Copyright 2001 Cahners Business Information, Inc.

A New York Review Books OriginalMavis Gallant is renowned as one of the great short-story writers of our day. This new gathering of long-unavailable or previously uncollected work presents stories from 1951 to 1971 and shows Gallant's progression from precocious virtuosity, to accomplished artistry, to the expansive innovatory spirit that marks her finest work."Madeleine's Birthday," the first of Gallant's many stories to be published in The New Yorker, pairs off a disaffected teenager, abandoned by her social-climbing mother, with a complacent middle-aged suburban housewife, in a subtly poignant comedy of miscommunication that reveals both characters to be equally adrift. "The Cost of Living," the extraordinary title story, is about a company of strangers, shipwrecked over a chilly winter in a Parisian hotel and bound to one another by animosity as much as by unexpected love.Set in Paris, New York, the Riviera, and Montreal and full of scrupulously observed characters ranging from freebooters and malingerers to runaway children and fashion models, Gallant's stories are at once satirical and lyrical, passionate and skeptical, perfectly calibrated and in constant motion, brilliantly capturing the fatal untidiness of life.

A New York Times Notable Book of the Year.Stella Benson answers a classified ad for an au pair, arriving in a tiny Sussex village that's home to a family that is slightly larger than life. Her hopes for the Maddens may be high, but her station among them is low and remote. It soon becomes clear that Stella falls short of even the meager specifications her new role requires, most visibly in the area of "aptitude for the country life." But what drove her to leave her home, job, and life in London in the first place? Why has she severed all ties with her parents? Why is she so reluctant to discuss her past? And who, exactly, is Edward?The Country Life is a rich and subtle novel about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises. Rachel Cusk's widely praised novel is a captivating tale of one young woman's adventures in self-discovery.