Pasha Malla knows joy in all of its weird, unsettling, and wondrous forms. In their humor, warmth, and rigorous honesty, his stories clearly capture something odd and beautiful: the unmistakable feeling of empathy. From young couples fighting through the emotional trauma of the modern world to children navigating wayward, forbidden paths of a fantasized adulthood, Malla presents characters deeply entrenched in the familiar and hearts that slowly open to reveal the pain and unexpected love that life accumulates.The Withdrawal Method offers worlds where Niagara Falls has run dry, where people’s skin can be shed in a single piece, and where ancient frustrated chess masters invent machines that unexpectedly alter the course of history. Reminiscent of Lorrie Moore, Haruki Murakami, and George Saunders, these stories are haunting, captivating, and constructed with a poise and precision that reach beyond technical skill.Malla’s is an assured new voice; his smooth, mature style is punctuated by bursts of wild humor and enlivened by endlessly inventive storytelling. As individual narratives, these stories speak to each side of the protean human psyche, but when taken together they address with full understanding the fragility of our lives.

From the award-winning author of The Electric Michelangelo, one of the most decorated young British writers working today, comes a literary masterpiece: a breathtaking work that beautifully and provocatively surveys the frontiers of the human spirit and our animal drives.For almost a decade, zoologist Rachel Caine has lived a solitary existence far from her estranged family in England, monitoring wolves in a remote section of Idaho as part of a wildlife recovery program. But a surprising phone call takes her back to the peat and wet light of the Lake District where she grew up. The eccentric Earl of Annerdale has a controversial scheme to reintroduce the Grey Wolf to the English countryside, and he wants Rachel to spearhead the project. Though she's skeptical, the earl's lands are close to the village where she grew up, and where her aging mother now lives.While the earl's plan harks back to an ancient idyll of untamed British wilderness, Rachel must contend with modern-day realities-health and safety issues, public anger and fear, cynical political interests. But the return of the Grey unexpectedly sparks her own regeneration.Exploring the fundamental nature of wilderness and wildness, The Wolf Border illuminates both our animal nature and humanity: sex, love, conflict, and the desire to find answers to the question of our existence-the emotions, desires, and needs that rule our lives.

Exclusive to Kindle, in Marra’s The Wolves of Bilaya Forest, the wolves — those “capitalists of the animal kingdom”—have returned. Vera Pavlova has lived long enough to know that when this happens and they begin to howl, it means the approach of hunger, the threat of starvation, and the onset of desperation. The woods loom large as Vera grapples with the truth about, and her justification of, what she did to her own mother. And now — as the men cut and package their drugs in her house once a week — what she has done to her own daughter.Anthony Marra is an M.F.A. candidate at the Iowa Writers’ Workshop. His piece was chosen, out of hundreds of stories, as the first place winner in The Atlantic’s 2009 Student Writing Contest. His fiction has also appeared in Narrative.

Palestine. For most of us, the word brings to mind a series of confused images and disjointed associations-massacres, refugee camps, UN resolutions, settlements, terrorist attacks, war, occupation, checkered *kouffiyehs* and suicide bombers, a seemingly endless cycle of death and destruction. This novel does not shy away from such painful images, but it is first and foremost a powerful human story, following the life of a young girl from her days in the village of al-Tantoura in Palestine up to the dawn of the new century. We participate in events as they unfold, seeing them through the uneducated but sharply intelligent mind of Ruqayya, as she tries to make sense of all that has happened to her and her family. With her, we live her love of her land and of her people; we feel the repeated pain of loss, of diaspora and of cross-generational misunderstanding; and above all, we come to know her indomitable human spirit. As we read we discover that we have become part of Ruqayya's family, and her voice will remain with us long after we have closed the book.

Kobo Abe (1924–1993) is a Japanese writer who has been compared to German writer Franz Kafka. Abe's The Women in the Dunes is one of the premier Japanese novels of the twentieth century. It combines the essence of myth, suspense, and the existential novel.The main character, schoolteacher Niki Jumpei, travels to a remote seaside village to collect insects for his research. In the evening, he misses the bus back to the nearest city, however. The villages then find a place for him to stay with a young woman in a shack at the bottom of a vast sand pit. The walls of the pit are so steep that Jumpei must climb down a rope ladder to enter the home. The mysterious woman spends each night shoveling the ever-advancing sand dunes that threaten her shack and the village. She places the sand in buckets which the villages retrieve using ropes. The villages then sell the sand to construction companies for concrete production. In return, the villages provide food and water for the woman. Jumpei is rather perplex at the woman's way of life. He asks her «Are you shoveling to survive, or surviving to shovel?» The next morning, Jumpei awakes to find that the rope ladder is gone. He frantically realizes that he is being held captive. Jumpei is pressed against his will into helping the woman in the Sisyphus-like task of shoveling the sand. He initially fights against his surreal predicament and makes numerous unsuccessful attempts to escape.At one point, Jumpei even ties up the woman to prevent her from shoveling the sand. Jumpei undergoes cycles of fear, despair, pride, and sexual desire until he finally succumbs to and accepts his circumstances. The theme of the novel is that freedom is an illusion and that one has to create his own meaning in life.

"Triumphs of nuance and suggestion." — Chicago Tribune"Ruminative, elegiac, and mordantly funny, Tabucchi's prose conjures a state between waking and dreaming." — The New York TimesFrom "A Whale's View of Man":Always so feverish, and with those long limbs waving about. Not rounded at all, so they don't have the majesty of complete, rounded shapes sufficient unto themselves, but little moving heads where all their strange life seems to be concentrated. They arrive sliding across the sea, but not swimming, as if they were birds almost, and they bring death with frailty and graceful ferocity. . Sometimes they sing, but only for themselves, and their song isn't a call to others, but a sort of longing lament. They soon get tired and when evening falls they lie down on the little islands that take them about and perhaps fall asleep or watch the moon. They slide silently by and you realize they are sad.By the Médicis Prize–winning author of Indian Nocturne and Pereira Declares comes a collage of evocative, hallucinatory fragments about the Azores islands from the perspective of an Italian traveler seeking something that he is yet to discover. Along the way, he collects legends, relics, and stories of the island-dwellers: an elegant married woman's love of an Azorean fisherman, glimpses of a whaling expedition, and assorted shipwrecks, both figurative and real.Antonio Tabucchi (1943–2012) is one of the most beloved Italian writers of his generation. His works have been translated into more than forty languages and have received many prestigious prizes including the Médicis Prize and the Europäeischer Staatspreis. His most celebrated titles include Pereira Declares, Little Misunderstandings of No Importance, Requiem: A Hallucination, and Indian Nocturne. In France he was named a Chevalier of Arts and Letters.Tim Parks teaches literary translation at IULM University in Milan, Italy.

Celia Cantú, a pediatrician in Havana, is trying to live a regular life in today’s Cuba. She is engaged to her childhood friend Luis and lives with her 16-year-old niece, Liliana. Celia’s life is disrupted when Luis’s brother, Joe, returns from Miami flaunting his American ways. Joe’s arrival and Liliana’s adolescent restlessness force Celia to examine the discrepancy between her country’s revolutionary ideals and its reality.As this family drama unfolds, Celia is unnerved by moments when her mind and body seem to be taken over by Celia Sánchez, a heroine of the Revolution and long-time intimate of Fidel Castro. The turbulent past and an undefined future collide when Liliana disappears and Celia sets out into the Cuban countryside in search of her.The Woman She Was is a deeply moving novel that explores the aspirations, hopes, and fears of contemporary Cubans, as well as the challenges they still face.

Renowned through four award-winning books for his gritty and revelatory visions of the Caribbean, Bob Shacochis returns to occupied Haiti in The Woman Who Lost Her Soul before sweeping across time and continents to unravel tangled knots of romance, espionage, and vengeance. In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world.When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful and seductive photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It’s the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings, and everyone has secrets. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed, and to make sense of her death, Tom must plunge back into a thorny past and his complicated ties to both Jackie and Eville Burnette, a member of Special Forces who has been assigned to protect her.From the violent, bandit-dominated terrain of World War II Dubrovnik to the exquisitely rendered Istanbul in the 1980s, Shacochis brandishes Jackie’s shadowy family history with daring agility. Caught between her first love and the unsavory attentions of her father — an elite spy and quintessential Cold War warrior pressuring his daughter to follow in his footsteps — seventeen-year-old Jackie hatches a desperate escape plan that puts her on course to becoming the soulless woman Tom equally feared and desired.Set over fifty years and in four countries backdropped by different wars, The Woman Who Lost Her Soul is a magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.

AwardsInternational IMPAC Dublin Literary Awards (nominee)A moving, utterly captivating love story: Romeo and Juliet as if told by Chekhov or Dostoevsky.In the remote Russian village of Mirnoje a woman waits, as she has waited for almost three decades, for the man she loves to return. Near the end of World War II, 19-year-old Boris Koptek leaves the village to join the Russian army, swearing to the 16-year-old love of his life, Vera, that as soon as he returns they will marry. Young Boris, who with his engineering battalion fights his way almost to Berlin, is reported killed in action crossing the Spree River. But Vera refuses to believe he is dead, and each day, all these years later, faithfully awaits his return.Then one day the narrator arrives in the village, a 26-year-old native of Leningrad who is fascinated by both the still-beautiful woman and her exemplary story, and little by little falls madly in love with her. But how can he compete with a ghost that will not die?Beautifully, delicately, but always powerfully told, Andre. Makine delineates in masterly prose the movements and madness that constitute the dance of pure love.

The day her children leave home, Eva climbs into bed and stays there. She's had enough – of her kids' carelessness, her husband's thoughtlessness and of the world's general indifference. Brian can't believe his wife is doing this. Who is going to make dinner? Taking it badly, he rings Eva's mother – but she's busy having her hair done. So he rings his mother – she isn't surprised. Eva, she says, is probably drunk. Let her sleep it off. But Eva won't budge. She makes new friends – Mark the window cleaner and Alexander, a very sexy handyman. She discovers Brian's been having an affair. And Eva realizes to her horror that everyone has been taking her for granted – including herself. Though Eva's refusal to behave like a dutiful wife and mother soon upsets everyone from medical authorities to her neighbours she insists on staying in bed. And from this odd but comforting place she begins to see both the world and herself very, very differently…"The Woman Who Went to Bed for a Year" is a funny and touching novel about what happens when someone refuses to be the person everyone expects them to be. Sue Townsend, Britain's funniest writer for over three decades, has written a brilliant novel that hilariously deconstructs modern family life.

A dazzling novel of Frank Lloyd Wright, told from the point of view of the women in his life.Having brought to life eccentric cereal king John Harvey Kellogg in The Road to Wellville and sex researcher Alfred Kinsey in The Inner Circle, T.C. Boyle now turns his fictional sights on an even more colorful and outlandish character: Frank Lloyd Wright. Boyle's account of Wright's life, as told through the experiences of the four women who loved him, blazes with his trademark wit and invention. Wright's life was one long howling struggle against the bonds of convention, whether aesthetic, social, moral, or romantic. He never did what was expected and despite the overblown scandals surrounding his amours and very public divorces and the financial disarray that dogged him throughout his career, he never let anything get in the way of his larger-than-life appetites and visions. Wright's triumphs and defeats were always tied to the women he loved: the Montenegrin beauty Olgivanna Milanoff; the passionate Southern belle Maud Miriam Noel; the spirited Mamah Cheney, tragically killed; and his young first wife, Kitty Tobin. In The Women, T.C. Boyle's protean voice captures these very different women and, in doing so, creates a masterful ode to the creative life in all its complexity and grandeur.

The author of the highly acclaimed novels Jernigan (Pulitzer Prize Finalist) and Preston Falls (National Book Critics Cirlce Award Finalist) offers up a mordantly funny collection of short stories about the faulty bargains we make with ourselves to continure the high-wire act of living meaningful lives in late twentieth-century America.Populated by highly educated men and women in combat with one another, with substance abuse, and above all with their own relentless self-awareness, the stories in The Wonders of the Invisible World take place in and around New York City, and put urbanism into uneasy conflict with a fleeting dream of rural happiness. Written with style and ferocious black humor, they confirm David Gates as one of the best-and funniest-writers of our time.

Set around the wooden snack bars in a Bratislava of thieves and pornographers, the characters of Rivers of Babylon sink to new depths and rise to new heights. A naïve American Slovak blunders into Rácz’s world and nearly loses his life in this black comedy.

The critically acclaimed novel from a master of contemporary American fiction—now available as an ebookA funny, candid look at the beginning of a promising literary career launched remarkably earlyBeing a teenage literary prodigy is hard. Richard Goodman may have a book contract at seventeen, but his parents don’t respect his opinions, he can’t lose his virginity, and his ego inflates and deflates with every breath. Even when Richard receives the attention he craves, he finds that fame and fortune can’t deliver him from his own flaws.The Work Is Innocent is Yglesias’s fictional take on his own freakishly precocious literary coming-out as a teen. Written with startlingly self-assured prose and unflinching self-awareness, this novel explores the hilarious and harrowing complications of youthful success.This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.Review“It is a spectacular achievement, while you are still growing up, to write a good novel about growing up—which is what this author did at age fifteen. Now, at the ripe age of twenty-two, Rafael Yglesias looks over his shoulder and tells what it was like. Another bull’s-eye.”—The New York Times Book ReviewAbout the AuthorRafael Yglesias (b. 1954) is a master American storyteller whose career began with the publication of his first novel, Hide Fox, and All After, at seventeen. Through four decades Yglesias has produced numerous highly acclaimed novels, including Fearless, which was adapted into the film starring Jeff Bridges and Rosie Perez. He lives on New York City’s Upper East Side.

‘Since Bob has appeared, I’ve made huge strides in my life. For more than a decade I was a homeless drug addict. I was lost to the world and had forgotten what was important in life. Now I’ve got myself back on my two feet, but as I put the past behind me, I’m still stepping unsteadily into the future. I still need help in the right direction. Bob is always there to offer guidance and friendship.’ James and his street cat Bob have been on a remarkable journey together. In the years since their story ended in the bestselling A STREET CAT NAMED BOB James, with Bob’s help, has begun to find his way back to the real world. Almost every day, Bob provides moments of intelligence, bravery and humour, at the same time opening his human friend’s eyes to important truths about friendship, loyalty, trust — and the meaning of happiness. In the continuing tale of their life together James shows the many ways in which Bob has been his protector and guardian angel through times of illness, hardship, even life-threatening danger. As they high five together for their crowds of admirers, James knows that the tricks he’s taught Bob are nothing compared to the lessons he’s learnt from his street-wise cat.

‘Since Bob has appeared, I’ve made huge strides in my life. For more than a decade I was a homeless drug addict. I was lost to the world and had forgotten what was important in life. Now I’ve got myself back on my two feet, but as I put the past behind me, I’m still stepping unsteadily into the future. I still need help in the right direction. Bob is always there to offer guidance and friendship.’James and his street cat Bob have been on a remarkable journey together. In the years since their story ended in the bestselling A STREET CAT NAMED BOB James, with Bob’s help, has begun to find his way back to the real world. Almost every day, Bob provides moments of intelligence, bravery and humour, at the same time opening his human friend’s eyes to important truths about friendship, loyalty, trust – and the meaning of happiness. In the continuing tale of their life together James shows the many ways in which Bob has been his protector and guardian angel through times of illness, hardship, even life-threatening danger. As they high five together for their crowds of admirers, James knows that the tricks he’s taught Bob are nothing compared to the lessons he’s learnt from his street-wise cat.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

Deep in the woods of northern England, somewhere between a dilapidated estate and an abandoned Victorian asylum, fifteen-year-old Jane Standen lived through a nightmare. She was babysitting a sweet young girl named Lily, and in one fleeting moment, lost her. The little girl was never found, leaving her family and Jane devastated.Twenty years later, Jane is an archivist at a small London museum that is about to close for lack of funding. As a final research project-an endeavor inspired in part by her painful past-Jane surveys the archives for information related to another missing person: a woman who disappeared more than one hundred years ago in the same woods where Lily was lost. As Jane pieces moments in history together, a portrait of a fascinating group of people starts to unfurl. Inexplicably tied to the mysterious disappearance of long ago, Jane finds tender details of their lives at the country estate and in the asylum that are linked to her own heartbroken world, and their story from all those years ago may now help Jane find a way to move on.

On January 12, 2010, novelist Dany Laferrière had just ordered dinner at a Port-au-Prince restaurant with a friend when the earthquake struck. He survived; some three hundred thousand others did not. The quake caused widespread destruction and left over one million homeless.This moving and revelatory book is an eyewitness account of the quake and its aftermath. In a series of vignettes, Laferrière reveals the shock, rage, and grief experienced by those around him, the acts of heroism he witnessed, and his own sense of survivor guilt. At one point, his nephew, astonished at still being alive, asks his uncle not to write about "this," "this" being too horrible to give up so easily to those who were not there. But as a writer, Laferrière can't make such a promise. Still, the question is raised: to whom does this disaster belong? Who gets to talk and write about it? In this way, this book is not only the chronicle of a natural disaster; it is also a personal meditation about the responsibility and power of the written word in a manner that echoes certain post-Holocaust books.Includes a foreword by Michaëlle Jean, UN special envoy to Haiti and the former Governor General of Canada.Dany Laferrière was born in Port-au-Prince, Haiti, in 1953. He is the author of fourteen novels, including Heading South and How to Make Love to a Negro without Getting Tired. His awards include the Prix Médicis and the Governor General's Literary Award. He lives in Montreal, Quebec.

Laid to waste by drink, Agathon, a seer, is a shell of a man. He sits imprisoned with his apprentice, Peeker, for his presumed involvement in a rebellion against the Spartan tyrant Lykourgos. Confined to a cell, the men produce extraordinary writings that illustrate the stories of their lives and give witness to Agathon’s deterioration and the growth of Peeker from a bashful young apprentice to a self-assured and passionate seer. Captivating and imaginative, The Wreckage of Agathon is a tribute to author John Gardner’s passion for ancient storytelling and those universal themes that span the course of all human civilization.