A husband wakes up to find that his wife has had a seizure during the night. The husband calls an ambulance and his wife is rushed to a hospital where she lies in a coma. By day, the husband sits beside his wife and tries to think of ways to wake her up. At night, the husband sleeps in the chair next to his wife’s bedside dreaming that she will wake up. He wants to be able to take her back home. Years later, the story of this long and loving marriage is retold by their grandson. He wants to understand his grandmother's life and death, what it meant to his grandfather, and what it means to him. He wants to understand — in his own words — "how love can accumulate between two people."

Winner of the 2014 Scotiabank Giller Prize.A BEAUTIFUL, HAUNTING NOVEL INSPIRED BY THE TRUE LIFE AND LOVES OF THE FAMED RUSSIAN SCIENTIST, INVENTOR AND SPY LEV TERMEN — CREATOR OF THE THEREMIN.Us Conductors takes us from the glamour of Jazz Age New York to the gulags and science prisons of the Soviet Union. On a ship steaming its way from Manhattan back to Leningrad, Lev Termen writes a letter to his “one true love”, Clara Rockmore, telling her the story of his life. Imprisoned in his cabin, he recalls his early years as a scientist, inventing the theremin and other electric marvels, and the Kremlin’s dream that these inventions could be used to infiltrate capitalism itself. Instead, New York infiltrated Termen — he fell in love with the city’s dance clubs and speakeasies, with the students learning his strange instrument, and with Clara, a beautiful young violinist. Amid ghostly sonatas, kung-fu tussles, brushes with Chaplin and Rockefeller, a mission to Alcatraz, the novel builds to a crescendo: Termen’s spy games fall apart and he is forced to return home, where he’s soon consigned to a Siberian gulag. Only his wits can save him, but they will also plunge him even deeper toward the dark heart of Stalin’s Russia.Us Conductors is a book of longing and electricity. Like Termen’s own life, it is steeped in beauty, wonder and looping heartbreak. How strong is unrequited love? What does it mean when it is the only thing keeping you alive? This sublime debut inhabits the idea of invention on every level, no more so than in its depiction of Termen’s endless feelings for Clara — against every realistic odd. For what else is love, but the greatest invention of all?“Michaels’ book is based on the life of Lev Termen, the Russian-born inventor of the Theremin, the most ethereal of musical instruments. As the narrative shifts countries and climates, from the glittery brightness of New York in the 1920s to the leaden cold of the Soviet Union under Stalin, the grace of Michaels’s style makes these times and places seem entirely new. He succeeds at one of the hardest things a writer can do: he makes music seem to sing from the pages of a novel.”— Giller Prize Jury Citation

Utopia Avenue are the strangest British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief and blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the cusp of chart success, to glory in Amsterdam, prison in Rome and a fateful American fortnight in the autumn of 1968.

David Mitchell's new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don't; of fame's Faustian pact and stardom's wobbly ladder. Can we change the world in turbulent times, or does the world change us? Utopia means 'nowhere' but could a shinier world be within grasp, if only we had a map? ****

The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks.

One of the most anticipated books of summer 2020.

**Utopia Avenue** is the strangest British band you’ve never heard of.

Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68.

David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times - of fame’s Faustian pact and stardom’s wobbly ladder - of the families we choose and the ones we don’t - of voices in the head, and the truths and lies they whisper - of music, madness, and idealism.

Can we really change the world, or does the world change us?

В очередном томе сочинений Томаса Пинчона (р. 1937) представлен впервые переведенный на русский его первый роман "V."(1963), ставший заметным явлением американской литературы XX века и удостоенный Фолкнеровской премии за лучший дебют. Эта книга написана писателем, мастерски владеющим различными стилями и увлекательно выстраивающим сюжет. Интрига"V." строится вокруг поисков загадочной женщины, имя которой начинается на букву V. Из Америки конца 1950-х годов ее следы ведут в предшествующие десятилетия и в различные страны, а ее поиски становятся исследованием смысла истории. Как и другим книгам Пинчона, роману "V." присуща атмосфера таинственности и мистификации, которая блестяще сочетается с юмором и философской глубиной.Некая таинственная V. возникает на страницах дневника, который пишет герой романа. Попытки ее найти вязнут в сложных переплетениях прошлого, в паутине нитей, намеков, двусмысленностей и многозначности. Во всех частях света, в разных эпохах обнаруживаются следы, но сама V. неуловима.Существует ли она на самом деле, или является грандиозной мистификацией, захватившей даже тех, кто никогда не слышал о V.? V. – очень простая буква или очень сложный символ. Всего две линии. На одной – авантюрно-приключенческий сюжет, горькая сатира на американские нравы середины 50-х, экзотика Мальты, африканская жара и холод Антарктики; на другой – поиски трансцендентного смысла в мироздании, энтропия вселенной, попытки героев познать себя, социальная паранойя. Обе линии ведут вниз, и недаром в названии после буквы V стоит точка. Этот первый роман Томаса Пинчона сразу поставил автора в ряды крупнейших прозаиков Америки и принес ему Фолкнеровскую премию.

Томас Пинчон – наряду с Сэлинджером «великий американский затворник», один из крупнейших писателей мировой литературы XX, а теперь и XXI века, после первых же публикаций единодушно признанный классиком уровня Набокова, Джойса и Борхеса. В его дебютном романе «V.», удостоенном Фолкнеровской премии и вошедшем в шорт-лист Национальной книжной премии США, читатели впервые познакомились с фирменной пинчоновской одержимостью глобальными заговорами и тайными пружинами истории – и навеки очаровались. Здесь пересекаются пути Бенни Профана, «шлемиля и одушевленного йо-йо», и группы нью-йоркской богемы, известной как Цельная Больная Шайка, и Херберта Шаблона, через множество стран и десятилетий идущего по следу неуловимой V. – то ли женщины, то ли идеи…

Перевод публикуется в новой редакции.

*Written with the haunting emotional power of Elizabeth Strout and Barbara Kingsolver, an astonishing debut novel that explores the lingering effects of a brutal crime on the women of one small Texas oil town in the 1970s*. Mercy is hard in a place like this … It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow. In the early hours of the morning after Valentine’s Day, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive, the stage is set for a showdown with potentially devastating consequences. *Valentine*  is a haunting exploration of the intersections of violence and race, class and region in a story that plumbs the depths of darkness and fear, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart, this fierce, unflinching, and surprisingly tender novel illuminates women’s strength and vulnerability, and reminds us that it is the stories we tell ourselves that keep us alive. ( *From the publisher*.)This is the story of… [life] in a backwater oil town in the mid-1970s, which Wetmore seems to know with empathy so deep it aches…. Several of these chapters are masterful short stories in their own right, but Wetmore knits them together with increasing intensity…. Wetmore has written something thrilling and thoughtful. Don’t let the launch of this novelist’s career be drowned out. Someday book clubs will meet again, and this would be a rousing choice. Ron Charles - Washington Post

Valentine, la segunda de las tres hermanas de una familia de origen italiano afincada en Nueva York, nunca ha sido considerada ni la más guapa, ni tampoco la más lista. Ella es, simplemente, lagraciosa. A sus treinta y tres años todos la presionan para que se case y funde una familia tradicional, pero Valentine se siente realizada con su vida, en la que la pasión que comparte con su fascinante abuela por la confección de zapatos de novia ocupa el primer lugar.

Valentine, la segunda de las tres hermanas de una familia de origen italiano afincada en Nueva York, nunca ha sido considerada ni la más guapa, ni tampoco la más lista. Ella es, simplemente, lagraciosa. A sus treinta y tres años todos la presionan para que se case y funde una familia tradicional, pero Valentine se siente realizada con su vida, en la que la pasión que comparte con su fascinante abuela por la confección de zapatos de novia ocupa el primer lugar.

From the author of the New York Times best seller Swamplandia! — a finalist for the Pulitzer Prize — a magical new collection of stories that showcases Karen Russell’s gifts at their inimitable best.A dejected teenager discovers that the universe is communicating with him through talismanic objects left behind in a seagull’s nest. A community of girls held captive in a silk factory slowly transmute into human silkworms, spinning delicate threads from their own bellies, and escape by seizing the means of production for their own revolutionary ends. A massage therapist discovers she has the power to heal by manipulating the tattoos on a war veteran’s lower torso. When a group of boys stumble upon a mutilated scarecrow bearing an uncanny resemblance to the missing classmate they used to torment, an ordinary tale of high school bullying becomes a sinister fantasy of guilt and atonement. In a family’s disastrous quest for land in the American West, the monster is the human hunger for acquisition, and the victim is all we hold dear. And in the collection’s marvelous title story — an unforgettable parable of addiction and appetite, mortal terror and mortal love — two vampires in a sun-drenched lemon grove try helplessly to slake their thirst for blood.Karen Russell is one of today’s most celebrated and vital writers — honored in The New Yorker’s list of the twenty best writers under the age of forty, Granta’s Best of Young American Novelists, and the National Book Foundation’s five best writers under the age of thirty-five. Her wondrous new work displays a young writer of superlative originality and invention coming into the full range and scale of her powers.

The three novellas collected in Van Gogh's Room at Arles demonstrate once again Stanley Elkin's mastery of the English language, with exuberant rants on almost every page, unexpected plot twists, and jokes that leave readers torn between laughter and tears. "Her Sense of Timing" relates a destructive day in the life of a wheelchair-bound professor who is abandoned by his wife at the worst possible time, leaving him to preside — helplessly — over a party for his students that careens out of control. The second story in this collection tells of an unsuspecting commoner catapulted into royalty when she catches the wandering eye of Prince Larry of Wales. And in the title story, a community college professor searches for his scholarly identity in a land of academic giants while staying in Van Gogh's famous room at Arles and avoiding run-ins with the Club of the Portraits of the Descendants of the People Painted by Vincent Van Gogh.

„Vandens metodas" - tai savotiška išpažintis, kurioje Fredas dėsto tragikomiškas savo gyvenimo ir meilės peripetijas. Jis pasakoja apie vaikystę Naujojoje Anglijoje, nuotykius studijuojant užsienyje - Austrijoje, doktorantūrą Ajovoje, „dabartį" - aštunto dešimtmečio pradžios Niujorką, mėginimus atsiriboti nuo savo paaugliškos patirties. Ir, žinoma, kalba apie komplikuotus santykius su moterimis...

Unmistakably the work of César Aira, Varamo is about the day in the life of a hapless government employee who, after wandering around all night after being paid by the Ministry in counterfeit money, eventually writes the most celebrated masterwork of modern Central American poetry, The Song of the Virgin Boy. What is odd is that, at fifty years old, Varamo “hadn’t previously written one sole verse, nor had it ever occurred to him to write one.”Among other things, this novella is an ironic allegory of the poet's vocation and inspiration, the subtlety of artistic genius, and our need to give literature an historic, national, psychological, and aesthetic context. But Aira goes further still — converting the ironic allegory into a formidable parody of the expectations that all narrative texts generate — by laying out the pathos of a man who between one night and the following morning is touched by genius. Once again Aira surprises us with his unclassifiable fiction: original and enjoyable, worthy of many a thoughtful chuckle, Varamo invites the reader to become an accomplice in the author’s irresistible game.

Lydia Davis has been called “one of the quiet giants in the world of American fiction” (Los Angeles Times), “an American virtuoso of the short story form” (Salon), an innovator who attempts “to remake the model of the modern short story” (The New York Times Book Review). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are “moving. . and somehow inevitable, as if she has written what we were all on the verge of thinking.”In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century.Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir — stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

Paskutiniame savo romane „Vasara Long Ailande“ Richardas Yatesas, laikomas vienu geriausių Amerikos pokario rašytojų, meistriškai ir įtaigiai pasakoja istorija apie dvi šeimas, kurias suvedė atsitiktinumas, neviltis ir aistra. Kai Šepardo automobilis sugenda prieškariniame Niujorke, o tėvas, ieškodamas telefono, paspaudžia atsitiktinių durų skambutį, Evano Šepardo ir jo mylimosios Reičelės gyvenimas pasikeičia amžiams. Pasmerkti tęsti tėvų klaidas Evanas ir Reičelė netrukus suvokia, kad už jų gyvenimo svajonių slepiasi išdavystė. Jaunuoliai desperatiškai išbando visus pabėgimo kelius ir įsitikina, jog šie veda tiktai atgal į „supuvusį“ Long Ailando pakrantės miestuką, vienas pas kitą. Niekas geriau už Yatesą neatskleidžia tylios snaudžiančių miestelių tragedijos, o Vasara Long Ailande yra geriausias liudijimas, jog svajoti būtina: kartais viltis yra viskas, kas lieka.

Vertėjas: Giedrė Tartėnienė

Dar vienas populiarios anglų rašytojos romanas, kuriame pasakojama apie tėvynės ilgesį, išduotą vaikystės meilę, kilnias ir niekšingas širdis, tikras ir tariamas vertybes.

"If someone in the future asks in frustration, 'What has Korean literature been up to?' we can quietly hand them Vaseline Buddha." — Pak MingyuA tragicomic odyssey told through free association scrubs the depths of the human psyche to achieve a higher level of consciousness equal to Zen meditation. The story opens when our sleepless narrator thwarts a would-be thief outside his moonlit window, then delves into his subconscious imagination to explore a variety of geographical and mental locations — real, unreal, surreal — to explore the very nature of reality.Jung Young Moon, 2005 alum of Iowa's International Writing Program, is one of South Korea's most award-winning, eccentric, and handsome authors, often compared to Kafka and Beckett.

Dženija GlenfīldaVeca albuma portretiDženijas Glenfīldas romāns "Vecā albuma portreti" ir četru paaudžu tikšanās.Jaunas fotogrāfa asistentes rokās nejauši nonāk albums ar fotogrāfijām no trīsdesmitajiem gadiem. Interesants ir fakts, ka fotogrāfiju autoram un albuma atradējai ir vienādi uzvārdi. Ar neatlaidību un zinātkāri meitene panāk, ka pagātne sāk runāt un alklāj noklusētos ģimenes noslēpumus.Savijot neparastus cilvēku raksturus ar Saseksas dabas skaistumu, ko rakstniece iepazinusi savā bērnībā, autore rada tikai angļu literatūrai raksturīgo skarbo, bet valdzinošo un noslēpumaino noskaņu.No angļu valodas tulkojusi Ieva Kalnciema Vāka autors Kristiāns ŠicsNoskannējis grāmatu un FB2 failu izveidojis Imants LočmelisKontinents, 2000Manam brālim Tonijam un visiem mūsu bērnības draugiem - arī Kirstijai - ar mīlestību

Gunda Vernere Velna dzira : dzērājas dzīves posmiGunda Vernere (pseidonīms, 1956) ir dzimusi Augsburgā (Vācijā), ieguvusi bankas darbinieces izglītību, precējusies, divu bērnu māte. Šajā grāmatā viņa apraksta to, kā nonākusi alkohola atkarībā. Nav grūti kļūt par alkoholiķi, nav grūti noslēpt savu atkarību sabiedrībā, kurā katrs notikums tiek “aplaistīts” un kur nav pieņemts neiedzert “uz otru kāju". Gunda Vernere bez kādiem izskaidrojumiem, nesaudzīgā vaļsirdībā stāsta par savu slepeno dzīvi, par izmisīgo cīņu, lai ārēji saglabātu normālas dzīves šķitumu, par atturēšanos no alkohola un par jaunu krišanu tā slazdos.Atēna, 2002Velna dzira : dzērājas dzīves posmi / Gunda Vernere ; no vācu val. tulk. Silvija Brice ; māksl. Māris Sīmansons.

DIPLOMAT, WRITER AND POET, traveller and socialite, friend of Proust, Giraudoux and Malraux, Paul Morand was out of the most original writers of the twentieth century. He was French literature's globe-trotter, and his delightful autobiography is far from being yet another account of a writer's life. Instead it is a poetic evocation of certain scenes among Morand's rich and varied encounters and experience, filtered through the one constant in his life — the one place to which he would always return — Venice.