Сборник небольших рассказов Клиомены. Зарисовка о городах, дорогах и людях. Зарисовка о вопросах свободы выбора. Зарисовка о том, как появляются дети.

**Secret lives and new loves emerge in the bright Caribbean sunlight, in the follow-up to national bestseller** ***Winter in Paradise** *

A year ago, Irene Steele had the shock of her life: her loving husband, father to their grown sons and successful businessman, was killed in a plane crash. But that wasn't Irene's only shattering news: he'd also been leading a double life on the island of St. John, where another woman loved him, too.

Now Irene and her sons are back on St. John, determined to learn the truth about the mysterious life -and death - of a man they thought they knew. Along the way, they're about to learn some surprising truths about their own lives, and their futures.

Lush with the tropical details, romance, and drama that made Winter in Paradise a national bestseller, *What Happens in Paradise* is another immensely satisfying page-turner from one of American's most beloved and engaging storytellers.

Ben Greenman is a writer of virtuosic range and uncanny emotional insight. As Darin Strauss has noted, "Like Bruno Schulz, George Saunders, Donald Barthelme, and no one else I can think of, Greenman has the power to be whimsical without resorting to whimsy." The stories in this new collection, What He's Poised to Do, showcase his wide range, yet are united by a shared sense of yearning, a concern with connections missed and lost, and a poignant attention to how we try to preserve and maintain those connections through the written word.From a portrait of an unfaithful man contemplating his own free will to the saga of a young Cuban man's quixotic devotion to a woman he may never have met; and from a nineteenth-century weapons inventor's letter to his young daughter to an aging man's wistful memory of a summer love affair in a law office; each of these stories demonstrates Greenman's maturity as a chronicler of romantic angst both contemporary and timeless, and as an explorer of the ways our yearning for connection informs our selves and our souls.

Stephen Dixon is one of the literary world’s best-kept secrets. For the last thirty years he has been quietly producing work for both independent literary publishers (McSweeney’s and Melville House Press) and corporate houses (Henry Holt), amassing 14 novels and well over 500 short stories. Dixon has shunned the pyrotechnics of mass market pop fiction, writing fiercely intellectual examinations of everyday life, challenging his readers with prose that rivals the complexities of William Gaddis and David Foster Wallace. Gradually building a loyal following, he stands now as a cult icon and a true iconoclast.Stephen Dixon is also the literary world’s worst-kept secret. His witty, keenly observed narratives and sharply hewn prose have appeared in every major market magazine from Harper’s to Playboy and have earned him two National Book Award nominations — for his novels Frog and Interstate—a Guggenheim Fellowship, and the Pushcart Prize. He has also garnered the praise of critics and colleagues alike; Jonathan Lethem (Motherless Brooklyn) even admits to “borrowing a jumpstart from a few lines of Dixon” in his own work. In all likelihood, many of the students who have passed through his creative writing classes at Johns Hopkins University have done the same.Fantagraphics Books is proud to present his latest volume of short stories, What Is All This? The tales in the collection are vintage Dixon, eschewing the modernism and quasi-autobiography of his I trilogy and instead treating us to a pared- down, crystalline style reminiscent of Hemingway at the height of his powers. Centrally concerning himself with the American condition, he explores obsessions of body image, the increasingly polarized political landscape, sex — in all its incarnations — and the gloriously pointless minutiae of modern life, from bus rides to tying shoelaces.Dixon’s stories are crafted with the eye of a great observer and the tongue of a profound humorist, finding a voice for the modern age in the same way that Kafka and Sartre captured the spirit of their respective epochs. using the canvas of his native New York (with one significant exception that affords Dixon the opportunity to create a furiously political fable) he astutely captures the edgy madness that infects the city through the neuroses of his narrators with a style that owes as much to Neo-Realist cinema as it does to modern literature. is an immense, vastly entertaining, and stunningly designed collection, that will delight lovers of modern fiction and serve as both an ideal introduction to this unique voice and a tribute to a great American writer.What Is All This?

Howard Norman, widely regarded as one of this country’s finest novelists, returns to the mesmerizing fictional terrain of his major books—The Bird Artist, The Museum Guard, and The Haunting of L—in this erotically charged and morally complex story.Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges — the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda.Setting in motion the novel’s chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents — including a German U-boat’s sinking of the Nova Scotia — Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling — lend intense narrative power to Norman’s uncannily layered story.Wyatt’s account of the astonishing — not least to him— events leading up to his fathering of a beloved daughter spills out twenty-one years later. It’s a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one.An utterly stirring novel. This is Howard Norman at his celebrated best.

From the award-winning author of Boy, Snow, Bird and Mr. Fox comes an enchanting collection of intertwined stories.Playful, ambitious, and exquisitely imagined, What Is Not Yours Is Not Yours is cleverly built around the idea of keys, literal and metaphorical. The key to a house, the key to a heart, the key to a secret — Oyeyemi’s keys not only unlock elements of her characters’ lives, they promise further labyrinths on the other side. In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key — with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation? What Is Not Yours Is Not Yours captivates as it explores the many possible answers.

In a heartrending and astonishing novel, Eggers illuminates the history of the civil war in Sudan through the eyes of Valentino Achak Deng, a refugee now living in the United States. We follow his life as he's driven from his home as a boy and walks, with thousands of orphans, to Ethiopia, where he finds safety — for a time. Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation — and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated. In this book, written with expansive humanity and surprising humor, we come to understand the nature of the conflicts in Sudan, the refugee experience in America, the dreams of the Dinka people, and the challenge one indomitable man faces in a world collapsing around him.

From Jay Asher, #1 New York Times bestselling author of Thirteen Reasons Why, comes a romance that will break your heart, but soon have you believing again….

Sierra’s family runs a Christmas tree farm in Oregon—it’s a bucolic setting for a girl to grow up in, except that every year, they pack up and move to California to set up their Christmas tree lot for the season. So Sierra lives two lives: her life in Oregon and her life at Christmas. And leaving one always means missing the other.

Until this particular Christmas, when Sierra meets Caleb, and one life eclipses the other.

By reputation, Caleb is not your perfect guy: years ago, he made an enormous mistake and has been paying for it ever since. But Sierra sees beyond Caleb’s past and becomes determined to help him find forgiveness and, maybe, redemption. As disapproval, misconceptions, and suspicions swirl around them, Caleb and Sierra discover the one thing that transcends all else: true love.

What Light is a love story that’s moving and life-affirming and completely unforgettable.

Darling, this is Younes. Yesterday he was my nephew, today he is our son'. Younes' life is changed forever when his poverty-stricken parents surrender him to the care of his more affluent uncle. Re-named Jonas, he grows up in a colourful colonial Algerian town, and forges a unique friendship with a group of boys, an enduring bond that nothing - not even the Algerian Revolt - will shake. He meets Emilie - a beautiful, beguiling girl who captures the hearts of all who see her - and an epic love story is set in motion. Time and again Jonas is forced to to choose between two worlds: Algerian or European; past or present; love or loyalty, and finally decide if he will surrender to fate or take control of his own destiny at last. AN INTERNATIONAL BESTSELLER.

The stories in Laura van den Berg’s rich and inventive debut illuminate the intersection of the mythic and the mundane.A failed actress takes a job as a Bigfoot impersonator. A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

A collection of short fiction, twelve works in all, including two never-before-published novellas. Here are disconnected marriages and uneasy reunions, nostalgic reminiscences and sudden epiphanies-a remarkable and moving collage of contemporary lives.

The long-awaited first novel by the award-winning author of two impressive story collections explores the sinister side of desire in Bakersfield, California, circa 1959, when a famous director arrives to scout locations for a film about madness and murder at a roadside motel. Unfolding in much the same way that Hitchcock made Psycho—frame by frame, in pans, zooms, and close-ups — Munoz’s re-creation of a vanished era takes the reader into places no camera can go, venturing into the characters’ private thoughts, petty jealousies, and unrealized dreams. The result is a work of stunning originality.

This Depression Era tale tells of the rise and fall of the Chicago Bear that could not stay onside — Gloomy Gus, alias Iron Butt, i.e., Dick to his friends from Whittier, CA. Coover takes apart myth making with this one.

Wheat That Springeth Green, J. F. Powers's beautifully realized final work, is a comic foray into the commercialized wilderness of modern American life. Its hero, Joe Hackett, is a high school track star who sets out to be a saint. But seminary life and priestly apprenticeship soon damp his ardor, and by the time he has been given a parish of his own he has traded in his hair shirt for the consolations of baseball and beer. Meanwhile Joe's higher-ups are pressing for an increase in profits from the collection plate, suburban Inglenook's biggest business wants to launch its new line of missiles with a blessing, and not all that far away, in Vietnam, a war is going on. Joe wants to duck and cover, but in the end, almost in spite of himself, he is condemned to do something right.J. F. Powers was a virtuoso of the American language with a perfect ear for the telling cliché and an unfailing eye for the kitsch that clutters up our lives. This funny and very moving novel about the making and remaking of a priest is one of his finest achievements.

A story of the supercharged world of the American car industry. From the grime and crime of a Detroit assembly line, through to the top-secret design studios and executive boardrooms and bedrooms, the author gives the reader a study of the motor metropolis.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him-the club rooms of Brooklyn, the Mafia dives of New York 's Lower East Side, the wilds of Alaska, or the hills of Hollywood -he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer…well, the list goes on forever.And of course, the story is not yet over…as the old-timers say, "The best is yet to come."As Weintraub says, "When I stop talking, you'll know I'm dead."With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists… everyone.

Victims of mistaken identity, sponging relatives, amateur sleuths, eavesdroppers, professional liars, assassins, and failed bodyguards populate the short stories in When I Was Mortal. Plots turn on curious exigencies — a woman about to star in her first porn film; a night doctor who adds new meaning to "specialist"; a ghost whose neglect is greatly resented. "In the space of ten or twenty pages," as the Nouvel Observateur remarked, "Marías contrives to write a novel." "The short story fits Marías like a glove," as Le Point noted, and these stories have been acclaimed as "dazzling" (The London Times Literary Supplement); "formidably intelligent" (The London Review of Books); and "startling" (The New York Times Book Review).

From the bestselling author of The Women comes an action- packed adventure about endangered animals and those who protect them.Principally set on the wild and sparsely inhabited Channel Islands off the coast of Santa Barbara, T.C. Boyle's powerful new novel combines pulse-pounding adventure with a socially conscious, richly humane tale regarding the dominion we attempt to exert, for better or worse, over the natural world. Alma Boyd Takesue is a National Park Service biologist who is spearheading the efforts to save the island's endangered native creatures from invasive species like rats and feral pigs, which, in her view, must be eliminated. Her antagonist, Dave LaJoy, is a dreadlocked local businessman who, along with his lover, the folksinger Anise Reed, is fiercely opposed to the killing of any species whatsoever and will go to any lengths to subvert the plans of Alma and her colleagues.Their confrontation plays out in a series of escalating scenes in which these characters violently confront one another, and tempt the awesome destructive power of nature itself. Boyle deepens his story by going back in time to relate the harrowing tale of Alma's grandmother Beverly, who was the sole survivor of a 1946 shipwreck in the channel, as well as the tragic story of Anise's mother, Rita, who in the late 1970s lived and worked on a sheep ranch on Santa Cruz Island. In dramatizing this collision between protectors of the environment and animal rights' activists, Boyle is, in his characteristic fashion, examining one of the essential questions of our time: Who has the right of possession of the land, the waters, the very lives of all the creatures who share this planet with us? When the Killing's Done will offer no transparent answers, but like The Tortilla Curtain, Boyle's classic take on illegal immigration, it will touch you deeply and put you in a position to decide.