The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write—a book very much like The Gift itself.

WHAT THIS STORY IS ABOUTIt was Sam Marlowe's fate to fall in love with a girl on the R.M.S. "Atlantic" (New York to Southampton) who had ideals. She was looking for a man just like Sir Galahad, and refused to be put off with any inferior substitute. A lucky accident on the first day of the voyage placed Sam for the moment in the Galahad class, but he could not stay the pace.He follows Billie Bennett "around," scheming, blundering and hoping, so does the parrot faced young man Bream Mortimer, Sam's rival.There is a somewhat hectic series of events at Windles, a country house in Hampshire, where Billie's ideals still block the way and Sam comes on in spite of everything.Then comes the moment when Billie.... It is a Wodehouse novel in every sense of the term.

A widow’s New England peace is interrupted by her feelings for two brilliant men, one much younger and the other quite older — and the dilemma of choosing between them.At forty-three, Edith has lost a husband, and has children who have children of their own. Living in a large Vermont house, her days are spent idly reading and playing music. But all of this is to change when two candidates for her affection arrive on the scene. The first is thirty years her senior, a philosopher named Edwin with whom she enjoys an enriching intellectual friendship. The second, Jared, is twenty years her junior: a handsome scientist, he attracts Edith in mind and body. But even if Jared shares her passion, does he have enough life experience to know whether such a union is in his best interests? In this exquisite and probing examination of desire, contrasting passions come to a head.

Рассказ вошёл в сборники:The Golden Apples of the Sun (Золотые яблоки солнца)R Is For Rocket (Р — значит ракета)The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Рассказ вошёл в сборники:The Machineries of Joy (Механизмы радости)The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Wang Lung, rising from humble Chinese farmer to wealthy landowner, gloried in the soil he worked. He held it above his family, even above his gods. But soon, between Wang Lung and the kindly soil that sustained him, came flood and drought, pestilence and revolution…Through this one Chinese peasant and his children, Nobel Prize-winner Pearl S. Buck traces the whole cycle of life, its terrors, its passion, its persistent ambitions and its rewards. Her brilliant novel—beloved by millions of readers throughout the world—is a universal tale of the destiny of men.

The Grapes of Wrath is a novel published in 1939 and written by John Steinbeck, who was awarded the Pulitzer Prize in 1940 and the Nobel Prize for Literature in 1962. Set during the Great Depression, the novel focuses on a poor family of sharecroppers, the Joads, driven from their Oklahoma home by drought, economic hardship, and changes in the agriculture industry. In a nearly hopeless situation, partly because they were trapped in the Dust Bowl, they set out for California along with thousands of other “Okies” in search of land, jobs and dignity. When preparing to write the novel, Steinbeck wrote: “I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects].” The book won Steinbeck a large following amongst ordinary people and the working class, partly due to the book's sympathy to the worker's movement and its accessible style.The Grapes of Wrath is frequently read in American high school and college literature classes. A celebrated Hollywood film version, starring Henry Fonda and directed by John Ford, was made in 1940; the endings of the book and the movie differ greatly.

Set in the post-Great War Long Island/New York world of the rich. The narrator, Nick Carraway, sympathetically records the pathos of Gatsby’s romantic dream which founders on the reality of corruption, the insulated selfishness of Tom and Daisy, and the cutting edge of violence.

Elizabeth Cleghorn Gaskell née Stevenson (1810–1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Brontë. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. She married William Gaskell, the minister at Cross Street Unitarian Chapel in Manchester. They settled in Manchester, where the industrial surroundings would offer inspiration for her novels. Her first novel, Mary Barton: A Tale of Manchester Life, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1855), and Wives and Daughters (1866). She became popular for her writing, especially her ghost story writing, aided by her friend Charles Dickens, who published her work in his magazine Household Words. Her other works include The Grey Woman (1865), Lois the Witch (1861) and The Old Nurse's Story (1852).

Gender roles in the American Revolutionary War period were not exactly a bastion of progressiveness. However, even during a time when most women were encouraged to shrink from conflict and follow the lead of any man in the vicinity, there were a few iconoclastic females who broke this mold. The defiantly independent heroine at the center of The Hidden Children steadfastly refuses to be held down by social conventions she sees as useless.

A mystical Javan prince and a promiscuous wife are twin challenges to Commissioner Van Oudijck's seemingly impregnable authority. As he struggles to maintain control of his district in the Dutch East Indies, as well as of his family, ancient local traditions reassert their influence and colonial power begins to disintegrate.