Practically everybody will remember Bingo and Handsome, partners in the International Foto, Motion Picture and Television Corporation of America (or, to put it more bluntly, street photographers), whose earlier adventures were related in The Sunday Pigeon Murders and The Thursday Turkey Murders.

Readers may have forgotten, however, that from these events our heroes assembled assets of $2,773 and some odd cents. This inspires them to try their fortune in Hollywood. (“After all,” Bingo said, “we’re photographers, aren’t we?”) Along with the bankroll they were blessed with Bingo’s complete faith in himself, Handsome’s photographic memory, and the innocence of city slickers.

It seemed perfectly sensible to them, for example, to make a down payment of $2,000 on an empty Charles Addams type mansion because it had once belonged to April Robin, the great star of silent-screen days. Immediately thereafter, they paid a deposit against the rental for a small building on the Strip. These negotiations left them with no cash, but considerable prestige.

They soon, inevitably, acquired a landlord who had supposedly been murdered four years earlier, a housekeeper who was murdered the night they moved in, a cop who would like to arrest them both just so that he can be doing something positive, and assorted characters who are willing to pay Bingo and Handsome (a) to find the body, and (b) not to find the body.

All this inspires Bingo and Handsome into furious activities which are — well, not exactly efficient, but certainly fascinating. In trying to cope with their commitments they meet some remarkable people, the kind that supposedly are found in Hollywood but actually could have been conceived of only by Craig Rice.

In other words, The April Robin Murders is funny, hilariously complicated, knowing, sentimental: that mixture of mirth and murder uniquely the product of one of the best-loved and best-selling mystery writers of our time.

When fifteen-year-old Marilyn Howe turns up alone and frightened on Inspector Ramsay's doorstep he has little choice but to invite her in. Marilyn and her mother, Kathleen, are a familiar sight around Heppleburn, a strangely inseparable couple. But Kathleen has unaccountably failed to return home that evening, and Marilyn is fearful for her mother's safety. Ramsay takes the young girl home, to the isolated coastal community known as the Headland. And in the Howes' dark and cluttered kitchen they find Kathleen safe and apparently well, though acting rather mysteriously. Six months later, Ramsay has more or less forgotten the strange incident, busy as he is on the trail of a local child abductor. Until he receives news that Mrs Howe has disappeared once more. And for the second time he is drawn into the strange relationships of the families living on the lonely Headland. Then a woman's body is washed up on the beach…

Israel Armstrong – the hapless duffle coat wearing, navel-gazing librarian who solves crimes and domestic problems whilst driving a mobile library around the north coast of Ireland – finds himself on the brink of thirty. But any celebration, planned or otherwise, must be put on hold when a troubled teenager – the daughter of a local politician – mysteriously vanishes. Israel suspects the girl's disappearance has something to do with his lending her American Pastoral from the library's special "Unshelved" category. Now he has to find the lost teen before he's run out of town – while he attempts to recover from his recent breakup with his girlfriend, Gloria, and tries to figure out where in Tumdrum a Jewish vegetarian might celebrate his thirtieth birthday.

Frances Silver, a girl of 18, was charged in 1832 with murdering her husband. Lafayette Harkryder is also 18 when he is accused of murder and he is to be the first convict to die in the electric chair. Both Frances and Lafayette hid the truth. But can the miscarriages of justice be prevented?

Hang down your head, Tom Dooley. The folk song, made famous by the Kingston Trio, recounts a tragedy in the North Carolina mountains after the Civil War. Laura Foster, a simple country girl, was murdered and her lover Tom Dula was hanged for the crime. The sensational elements in the case attracted national attention: a man and his beautiful, married lover accused of murdering the other-woman; the former governor of North Carolina spearheading the defense; and a noble gesture from the prisoner on the eve of his execution, saving the woman he really loved. With the help of historians, lawyers, and researchers, Sharyn McCrumb visited the actual sites, studied the legal evidence, and uncovered a missing piece of the story that will shock those who think they already know what happened – and may also bring belated justice to an innocent man. What seemed at first to be a sordid tale of adultery and betrayal was transformed by the new discoveries into an Appalachian Wuthering Heights. Tom Dula and Ann Melton had a profound romance spoiled by the machinations of their servant, Pauline Foster. Bringing to life the star-crossed lovers of this mountain tragedy, Sharyn McCrumb gifts understanding and compassion to her compelling tales of Appalachia, and solidifies her status as one of today's great Southern writers.

There's trouble on the rise when the "Diva of Dough" arrives in Quincy's Gap to make the wedding cake for Milla and Jackson's Christmas Eve nuptials. The famous chef and television personality is Milla's sister, but while her confections are sweet and beautiful, the Diva herself is demanding and rude, and she makes enemies faster than you can say praline pecan bundt cake. When the Diva is done in, her body found covered in cake batter, James and the other supper club members find themselves up to their elbows in suspects.

Two children are found dead in a basement. Four years later their murderer escapes from prison. The police know if he is not found quickly, he will kill again. But when their worst fears come true and another child is murdered in the nearby town of Strengnas, the situation spirals out of control. In an atmosphere of hysteria whipped up by the media, Fredrik Steffansson, the father of the murdered child, decides he must take revenge. His actions will have devastating consequences. As anger spreads across the whole country, the two detectives assigned to the case – Ewert Grens and Sven Sunkist – find themselves caught up in a situation of escalating violence. A powerful and at times profoundly shocking novel, The Beast has been likened to both Hitchcock and le Carre. It is also an important and timely exploration of what can happen when we take the law into our own hands. It has been shortlisted for Glasnyckeln 2005 (The Glass Key 2005) for Best Scandinavian Crime Novel of the Year.

Taken in by her two great-aunts, Candida Sayle fears she may become the next victim of the Benevent Treasure, which is said to bring death to anyone who touches it, while Miss Silver investigates the death of a former Benevent employee.

Anthology by Thomas H Cook and Otto PenzlerThis year's worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.Included in this volume are Maximillian Potter's "The Body Farm" from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk's"My Undertaker, My Pimp," from Harper's, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth's "The Day Treva Throneberry Disappeared" from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright's "The Counterterrorist" from The New Yorker, the story of John O'Neill, the FBI agent who tracked Osama bin Laden for a decade-until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.

The 2005 edition of The Best American Crime Writing offers the year's most shocking, compelling, and gripping writing about real-life crime, including Peter Landesman's article about female sex slaves (the most requested and widely read New York Times story of 2004), a piece from The New Yorker by Stephen J. Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus – an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime – even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.

A sterling collection of the year's most shocking, compelling, and gripping writing about real-life crime, the 2006 edition of The Best American Crime Writing offers fascinating vicarious journeys into a world of felons and their felonious acts. This thrilling compendium includes:· Jeffrey Toobin's eye-opening exposé in The New Yorker about a famous prosecutor who may have put the wrong man on death row· Skip Hollandsworth's amazing but true tale of an old cowboy bank robber who turned out to be a "classic good-hearted Texas woman"· Jimmy Breslin's stellar piece about the end of the Mob as we know it

For many years, some of the most vital, creative, and exciting fiction published in America has been in the field of mystery, crime, and suspense. Now Robert B. Parker and Otto Penzler — both Edgar winners — have assembled the best that 1997 had to offer: twenty terrific, titillating tales from such masters of the genre as Elmore Leonard, Elizabeth George, James Crumley, Jonathan Kellerman, and Andrew Klavan, from newcomers like Brad Watson, and from well-known literary writers such as Joyce Carol Oates and Michael Malone.

In this volume, guest editor Sue Grafton and series editor Otto Penzler offer up their choices for the best suspense, crime, and mystery stories of the year. Included in these thrilling tales is Scott Bartels’s dark and violent “Swear Not by the Moon,” in which a drug-addicted Creole is caught between good intentions and bad decisions. In Janice Law’s haunting “Secrets,” an Irish immigrant mother and daughter are faced with unexpected cruelties as they try to make a new life for themselves. And in Lawrence Block’s clever Edgar Award-winning story “Keller on the Spot,” a contract killer uncharacteristically saves a life and finds his assignment becoming increasingly complicated.

The diverse styles and themes employed in this collection showcase an impressive array of talent certain to further the popularity of the genre. Already a bestseller in its first year, The Best American Mystery Stories, as evidenced by this year’s edition, promises to keep readers intrigued and coming back for more.

In its brief existence, THE BEST AMERICAN MYSTERY STORIES has established itself as a peerless suspense anthology. Compiled by the best-selling mystery novelist Ed McBain, this year’s edition boasts nineteen outstanding tales by such masters as John Updike, Lawrence Block, Jeffery Deaver, and Joyce Carol Oates as well as stories by rising stars such as Edgar Award winners Tom Franklin and Thomas H. Cook. The 1999 volume is a spectacular showcase for the high quality and broad diversity of the year’s finest suspense, crime, and mystery writing.

After just three years, THE BEST AMERICAN MYSTERY STORIES series is already a great success, earning raves from such diverse sources as Joyce Carol Oates, ENTERTAINMENT WEEKLY, and ELLERY QUEEN’S MYSTERY MAGAZINE. Little wonder, given the power of the Best American brand, the talent of the series editor, Otto Penzler, and the high profile of the guest editors. Now, with the legendary mystery writer Donald E. Westlake as guest editor, the 2000 edition is sure to boost the series’ popularity even more. From Tfty exceptional stories chosen by Penzler, Westlake has selected the twenty best, including stories by Tom Franklin, Jeffery Deaver, Shel Silverstein, and Dennis Lehane, for a collection that will delight mystery buffs and casual readers alike.

The best-selling mystery writer Lawrence Block proves his point with the twenty outstanding stories he has chosen for this volume. For fans of the traditional mystery, there’s T. Jefferson Parker’s “Easy Street,” in which a brother’s visit uncovers family secrets. In Jeremiah Healy’s “A Book of Kells,” a detective draws on his Irish heritage to solve a crime. And in Clark Howard’s “Under Suspicion,” a detective’s investigation of the murder of his best friend’s daughter hits too close to home.

However, many of the stories are concerned more with the personalities and motives surrounding the crime than with the crime itself. In Joyce Carol Oates’s “The Girl with the Blackened Eye,” we see a crime from the young victim’s point of view. Jennifer Anderson’s “Things That Make Your Heart Beat Faster” examines the hardships one rookie cop endures while solving her first crime. And in Thomas Lynch’s “Blood Sport,” a young mortician faces the gruesome job of preparing a murdered friend for her funeral.

As Block says: “Three things struck me about the stories in this year’s collection — their range, their variety, and their exceptionally high quality. Crime fiction has always been a broad and inclusive field, but these stories epitomize its breadth, running from the literary to the retro-pulp. The field has always showcased new talent, and a full two thirds of this year’s winners are by writers previously unknown to me. I’ve been reading short crime for half a century, and writing it for almost that long, and I’m still blown away by how very fine these stories are.”

Bestselling novelist James Ellroy introduces this year’s collection of the finest mystery writing. Many of the contributors herein are novelists themselves, displaying their talents in short story form: Michael Connelly tells a fatal tale of revenge in “Two-Bagger.” In Joe Gores’s “Inscrutable,” the Feds beat the Mafia at their own game. Stuart Kaminsky demonstrates how horribly wrong things go when a robber gets cocky in “Sometimes Something Goes Wrong.” And Robert B. Parker shows just how important Jackie Robinson’s fans can be in “Harlem Nocturne.”

Also featured are veterans of the short story form and favorites of this series. Brendan DuBois’s “A Family Game” introduces a former Mafia family trying to lead a normal life in the Witness Protection Program. Joyce Carol Oates tells a chilling tale of a crush taken too far in “The High School Sweetheart.” A tenant sneaks into the murder crime scene next door in Michael Downs’s “Man Kills Wife, Two Dogs.” Readers will be captivated by all the stories herein, whether by famed novelists or masters of the short story.

This seventh installment of the premier mystery anthology boasts pulse-quickening stories from all reaches of the genre, selected by the world-renowned mystery writer Michael Connelly. His choices include a Prohibition-era tale of a scorned lover’s revenge, a Sherlock Holmes inspired mystery solved by an actor playing the famous detective onstage, stories of a woman’s near-fatal search for self-discovery, a bar owner’s gutsy attempt to outwit the mob, and a showdown between double-crossing detectives, and a tale of murder by psychology. This year’s edition features mystery favorites as well as talented up-and-comers, for a diverse collection sure to thrill all readers.

Assembled by best-selling suspense author Nelson DeMille, The Best American Mystery Stories 2004 contains a spectacular array of stories by mystery veterans and talented newcomers. Follow a chain reaction that saves a woman’s life, visit a house haunted by a husband’s violent killing spree, enter the high-stakes world of Las Vegas gambling, watch the line between reality and dream blur, travel with a bored salesman driven to crime, and much more. Encompassing all aspects of the genre, this year’s selections are sure to quicken pulses, send chills down the spine, and keep readers continually guessing.

This volume brings together the genre’s finest from the past year. With stories from mystery veterans and newly discovered talents, this thrilling collection is sure to appeal to crime fiction fans of all tastes.