Sonia needed help and Bill was just the guy for a lady in distress. Then came the boomerang...

In his first book in almost nine years, Mickey Spillane proves conclusively that he is still the unequalled master of the style he invented. The Deep has all the elements that made Spillane the bestselling mystery writer of all time: dramatic scenes, splashed with color; a masterful new protagonist; a beautiful and desirable girl; and all the action and violence Spillane’s most ardent fan could ask.Deep was back in town after a twenty-five year exile — to inherit an empire and avenge a death. He and Bennett had made the inheritance pact when they were kids — blood brothers in crime. They had known then that even New York was too small for them both to share, and so they had tossed a coin to determine who would stay and who would build his organization in another town. Deep had lost and gone.But now Bennett has lost — been murdered in his own home — and Deep is ready to prove lie is strong enough to take over. Deep wants Bennett’s killer; the others want Bennett’s job. And all too many of them — including the beautiful Irish — want Deep dead.The Deep is the mastermind in one of the most exciting stories Spillane has ever written — a breathtaking tale of violence in action.

In an intense, emotional mystery that spans a decade in the life of a small town, bestselling author Brian Freeman brings us an unforgettable heroine who discovers that the dead may sometimes be easier to rescue than the living.

Deputy Shelby Lake was abandoned as a baby, saved by a stranger who found her in the freezing cold. Now, years later, a young boy is missing — and Shelby is the one who must rescue a child.

The only evidence of what happened to ten-year-old Jeremiah Sloan is a bicycle left behind on a lonely road. After a desperate search fails to locate him, the close bonds of Shelby’s hometown begin to fray under the weight of accusations and suspicion. Everyone around her is keeping secrets. Her adoptive father, her best friend, her best friend’s young daughter — they all have something to hide. Even Shelby is concealing a mistake that could jeopardize her career and her future.

Unearthing the lies of the people in Jeremiah’s life doesn’t get the police and the FBI any closer to finding him. As time passes and the case grows cold, Shelby worries that the mystery will stay buried forever under the deep, deep snow. But even the deepest snow melts in the spring.

When a tantalizing clue finally comes to light, Shelby must confront the darkest lie of all. Exposing the truth about Jeremiah will leave no one’s life untouched — including her own.

Yasuko Hanaoka, a divorced single mother, thought she had finally escaped her abusive ex-husband. But when he shows up one day, threatening both her and her teenaged daughter, Misato, the situation quickly escalates and he ends up dead on her apartment floor. Without hesitation, her enigmatic neighbor, Ishigami, a brilliant math teacher whose devotion to Yasuko runs deep, offers to calculate the perfect alibi. His one condition is that the two women must follow his instructions to the letter.Detective Kusanagi of the Tokyo Police, faced with a brutal murder and evidence that doesn’t add up, seeks the advice of his college friend Dr. Manabu Yukawa, a brilliant physicist nicknamed “Detective Galileo.” Yukawa knows the math genius from his past, and what ensues is a fierce battle of wits, one mastermind against another, one using all his skill and wits to uncover the truth, the other risking everything, proving the depths of his devotion.Tightly plotted, with one surprising plot twist after another, and sharply written, with characters that will stay in the reader’s mind long after the last page is turned, The Devotion of Suspect X shows why Keigo Higashino is the best-loved writer in Japan today.

The job seems simple enough: retrieve the valuable painting — “The Double” — Grace Kinkaid’s ex-boyfriend stole from her. It’s the sort of thing Spero Lucas specializes in: finding what’s missing, and doing it quietly. But Grace wants more. She wants Lucas to find the man who humiliated her — a violent career criminal with a small gang of brutal thugs at his beck and call.

Lucas is a man who knows how to get what he wants, whether it’s a thief on the run — or a married woman. In the midst of a steamy, passionate love affair that he knows can’t last, in pursuit of a dangerous man who will stop at nothing to get what he wants, Lucas is forced to decide what kind of man he is — and how far he’ll go to get what he wants.

In The Emerald Lie, the latest terror to be visited upon the dark Galway streets arrives in a most unusual form: an Eton and Cambridge graduate who becomes murderous over split infinitives, dangling modifiers, and any other sign of bad grammar. Meanwhile, Jack is approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter’s brutal rape and murder. Though hesitant to get involved, Jack agrees to get a read on the likely perpetrators. But Jack is soon derailed by the reappearance of Emily (previous alias: Emerald), the chameleon-like young woman who joined forces with Jack to take down her pedophile father in Bruen’s Green Hell and who remains passionate, clever, and utterly homicidal. She is ready to use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed “the Grammarian,” but her most destructive obsession just might be Jack himself.

The End of the Night is a journey into a world of fear and violence carried to their logical extreme — murder.

Not the kind of murder that society understands, the murder that comes from passion, or hatred, or love, but the murder that shakes the very foundations of our civilization — the pointless, gratuitous, casual act of killing.

This is the grim and powerful story of the “Wolf Pack” murders: a group of three young men and a beautiful girl, who roam the country, killing without any apparent motive. They are caught; they are tried; they are executed.

But who were they, really? Why did they do it? And who were their victims?

With the skill of the master storyteller that he is, Mr. MacDonald leads us into the little hell where four people, from very different backgrounds, take refuge from the world that they do not understand, that has no meaning for them. Sander Golden, the leader of the group, is a displaced intellectual, intelligent but without real talent. Kirby Stone is a college boy, a young man from a “good” family who has been thrown into the world of adult passions before he is able to cope with them. Hernandez is a simple brute, held in check by his admiration for Golden. And Nan Koslov is the catalyst. the smoldering spark of sexual desire that ignites their brutality.

Theirs is a private, dangerous world, a world of sex, narcotics. jealousy and envy — but it is theirs. Together, linked by their common frustrations, they move back and forth on the endless roads, from cheap motel to cheap motel, in a succession of stolen cars, spreading violence and death.

The End of the Night is a novel of suspense and passion. It is also a remarkable attempt to probe the motives that lie behind this senseless and shocking outburst of violence. Mr. MacDonald examines the past of the young killers, looking for the cause of their revolt. He analyzes the processes of the law, right up to the moment when the State exacts the supreme penalty. And he shows how circumstances provide the victims, as accidentally as the roulette wheel chooses a number.

It is a book the reader will no be able to put down until the very end; and it is one he will not forget quickly.

Dogeron Kelly, a walking bomb of a man, and Sharon Cass, a bright and beautiful girl old enough to know her own mind — and that mind is set on saving her precious gifts for the right man — are the star-crossed lovers of this new blockbuster by one of the world’s most popular writers.

All the rest is sex, violence, intrigue. A baronial old-family manor, high-level international illegal traffic, paid mobsters, café society, the rich and the beautiful, the vicious and the criminal, all are part of the fast-moving plot of the best Spillane ever.

This is gripping entertainment if ever there was: colorful, expert, impossible to put down. It is the first major Spillane novel that isn’t a Mike Hammer detective story, but the Spillane fan will recognize the touch of the master.

My life was ordinary until three years ago when I was thrown out of a downtown hotel window. My name is Robbie Brownlaw, and I am a homicide detective for the city of San Diego. I am twenty-nine years old.

I now have synesthesia, a neurological condition where your senses get mixed up. Sometimes when people talk to me, I see their voices as colored shapes provoked by the emotions of the speakers, not by the words themselves. I have what amounts to a primitive lie detector. After three years, I don’t pay a whole lot of attention to the colors and shapes of other people’s feelings, unless they don’t match up with their words.

When Garrett Asplundh’s body is found under a San Diego bridge, Robbie Brownlaw and his partner, McKenzie Cortez, are called on to the case. After the tragic death of his child and the dissolution of his marriage, Garrett — regarded as an honest, straight-arrow officer — left the SDPD to become an ethics investigator, looking into the activities of his former colleagues. At first his death, which takes place on the eve of a reconciliation with his ex, looks like suicide, but the clues Brownlaw and Cortez find just don’t add up. With pressure mounting from the police and the city’s politicians, Brownlaw fights to find the truth, all the while trying to hold on to his own crumbling marriage. Was Garrett’s death an “execution” or a crime of passion, a personal vendetta or the final step in an elaborate cover-up? Amid rampant corruption and tightening city purse strings, whatever conclusion Brownlaw comes to, the city of San Diego — and Brownlaw’s life — hangs in the balance.