A Man Lay Dead (Roderick Alleyn[1])
Some distinguished guests at Sir Hubert Handesley’s country estate decide to play exotic games. But when a corpse turns out to be it, the game gets vicious.In steps the renowned Inspector Alleyn, who moves coolly through this world of butlers and Bentleys to unravel a coil of scandal, conspiracy, and murder most foul…
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Enter A Murderer (Roderick Alleyn[2])
The second book from Chief-Detective Inspector Roderick Alleyn series.
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The Nursing Home Murder (Roderick Alleyn[3])
Inspector Alleyn had so many suspects for the murder of the Home Secretary, that, for once, he was at a loss. Except for one detail — one grisly little detail — that only the likes of Roderick Alleyn would ever notice…
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Vintage Murder (Roderick Alleyn[5])
On vacation in New Zealand, Inspector Alleyn meets a theater troupe engaged in a real-life drama more killing than anything they’ve ever staged. When the producer is struck down at a celebration party with a jeroboam of champagne. Inspector Alleyn moves quickly behind the scenes. There he encounters a malevolent Maori idol, a peculiar will, and an unknown thespian whose role is pure murder…
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Artists in Crime (Roderick Alleyn[6])
A model murder… where a famous painter Agatha Troy, R.A., makes her appearance.
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Death in a White Tie (Roderick Alleyn[7])
A murder in aristocratic circles. The seventh mystery in Chief Detective-Inspector Alleyn series.
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Overture to Death (Roderick Alleyn[8])
Everyone in town disliked the rich, nasty spinster who delighted in stirring up jealousies and exposing well-kept secrets — the doctor’s wild affair, the old squire’s escapades, the young squire’s revels. But when the lady was shot at the piano while playing the overture for an amateur theatrical, Inspector Alleyn knew he was faced with a killer who was very much a professional.
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Death At The Bar (Roderick Alleyn[9])
Among the guests at the Plume of Feathers on the memorable evening of the murder were a West End matinée idol, a successful portrait painter, an Oxford-educated farmer’s daughter, a radical organizer and assorted rustics and villagers. Each of them had an opportunity to place the deadly poison on the dart that seemingly had been the instrument of murder. But no one admitted seeing any suspicious movement on the part of anyone else. And what exactly had been the method of the killer? This was the problem Inspector Alleyn had to solve — and he does so with all of his accustomed verve and brilliance.
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Death of a Peer (Roderick Alleyn[10])
With a “sidekick” named Shakespeare, Inspector Alleyn singles out a killer from a glittering array of suspects…
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Death And The Dancing Footman (Roderick Alleyn[11])
A footman should not be dancing when on duty. But suppose he does — what will be the consequences for the solving of a murder puzzle?
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Color Scheme (Roderick Alleyn[12])
New Zealand, Maoris, murder… Who is better qualified to write about them than Ngaio Marsh?
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Final Curtain (Roderick Alleyn[14])
Sir Henry Ancred, the celebrated Shakespearian actor, wishes to have his portrait painted in the role of Macbeth by Agatha Troy, the famous artist. Amid a welter of practical jokes, Sir Henry dies and Chief Inspector Alleyn is called in to investigate.
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A Wreath for Rivera (Roderick Alleyn[15])
When Lord Pasern Bagott takes up with the hot music of Breezy Bellair and his Boys, his disapproving wife Cecile has more than usual to be unhappy about. The band's devastatingly handsome but roguish accordionist, Carlos Rivera, has taken a rather intense and mutual interest in her precious daughter Félicité. So when a bit of stage business goes awry and actually kills him, it's lucky that Inspector Rodrerick Alleyn is in the audience. Now Alleyn must follow a confusing score that features a chorus of family and friends desperate to hide the truth and perhaps shelter a murder in their midst.
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Night at the Vulcan (Roderick Alleyn[16])
“Gas!” Parry Percival said under his breath. Martyn, who thought the Doctor was doing well, glanced indignantly at Parry and was astonished to see that he looked frightened. “ ‘—therefore,’ ” the Doctor was saying arrogantly, “ ‘to beg will not become me—’ ”“Gas!” said an imperative voice off-stage and someone else ran noisily round the back of the set.And then Martyn smelled it. Gas…
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Scales of Justice (Roderick Alleyn[18])
A cry of mourning, intolerably loud, rose from beyond the willows and hung on the night air. A thrush whirred out of the thicket close to her face, and the cry broke and wavered again. It was the howl of a dog. She pushed through the thicket into an opening by the river, and found the body of Colonel Carterette with his spaniel beside it, mourning him.
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Death of a Fool (Roderick Alleyn[19])
When the Sword Dancer's mock beheading becomes horribly real, it is Superintendent Roderick Alleyn who must discover who had the best motive for murder.
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Singing in the Shrouds (Roderick Alleyn[20])
Hyacinths… mad singing… Scattered pearls… and a strangled beauty every ten days… Inspector Alleyn believed the killer was on a sleek cruiser bound for South Africa. It was now the tenth day out, and everyone, including the famed Alleyn, felt the horror closing in…
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False Scent (Roderick Alleyn[21])
The guests ranged themselves at both sides of the door, like the chorus in a grand opera, A figure appeared in the entrance. It was not Mary Bellamy, but Florence. As if to keep the scene relentlessly theatrical, she began to cry out in a small, shrill voice: “A doctor! A doctor! Is there a doctor in the house!”
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Hand in Glove (Roderick Alleyn[22])
Suspicion runs rampant among the gentry of an English village, as Inspector Alleyn tries to find a method in murder — before a crafty killer can strike again!
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Dead Water (Roderick Alleyn[23])
“The body” was discovered by Inspector Roderick Alleyn himself, old friend of the deceased, eighty-three-year-old Miss Emily Pride. Miss Pride had been looking for trouble: the sole inheritor of a tiny island, site of a miraculous spring, she didn’t approve of the sudden flood of visitors in search of miracles. So she threatened to close the spring. And that brought her what she’d been looking for…
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