In her critically acclaimed debut story collection, Elisa Albert boldly illuminates an original cross section of disaffected young Jews. With wit, compassion, and a decidedly iconoclastic twenty-first-century attitude, in prose that is by turns hilarious and harrowing, Albert has created characters searching for acceptance, a happier view of the past, and above all the possibility of a future.Holidays, family gatherings, and rites of passage provide the backdrop for these ten provocative stories. From the death of a friendship in "So Long" to a sexually frustrated young mother's regression to bat mitzvah — aged antics in "Everything But," and culminating with the powerful and uproariously apropos finale of "Etta or Bessie or Dora or Rose," How This Night Is Different will excite, charm, and profoundly resonate with anyone who's ever felt ambivalent about his or her faith, culture, or place in the world.

Passionate, strong-minded nonfiction from the National Book Award-winning author of The CorrectionsJonathan Franzen’s The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as “The Harper’s Essay,” Franzen’s controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen’s writing: the erosion of civic life and private dignity and the hidden persistence of loneliness in postmodern, imperial America. Recent pieces include a moving essay on his father’s stuggle with Alzheimer’s disease (which has already been reprinted around the world) and a rueful account of Franzen’s brief tenure as an Oprah Winfrey author.As a collection, these essays record what Franzen calls “a movement away from an angry and frightened isolation toward an acceptance — even a celebration — of being a reader and a writer.” At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of our sharpest, toughest, and most entertaining social critics.

Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion — and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice.How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real — and all life’s givens get given a second chance.A NOTE TO THE READER:Who says stories reach everybody in the same order?This novel can be read in two ways and this book provides you with both.In half of all printed editions of the novel the narrative EYES comes before CAMERA.In the other half of printed editions the narrative CAMERA precedes EYES.The narratives are exactly the same in both versions, just in a different order.The books are intentionally printed in two different ways, so that readers can randomly have different experiences reading the same text. So, depending on which edition you happen to receive, the book will be: EYES, CAMERA, or CAMERA, EYES. Enjoy the adventure.

She has just two weeks. Two weeks to teach him how to fall in love – with his own life.Adam Basil and Christine Rose are thrown together late one night, when Christine is crossing the Halfpenny Bridge in Dublin. Adam is there, poised, threatening to jump. Adam is desperate – but Christine makes a crazy deal with him. His 35th birthday is looming and she bets him she can show him that life is worth living before then. Despite her determination, Christine knows what a dangerous promise she’s made. Against the ticking of the clock, the two of them embark on wild escapades, grand romantic gestures and some unlikely late-night outings. Slowly, Christine thinks Adam is starting to fall back in love with his life. But has she done enough to change his mind for good? And is that all that’s starting to happen?

Funny and sad, satirical and humane, this novel tells the interlinked stories of three unforgettable men whose trajectories cross in Denmark: the flamboyant Ravi, the fundamentalist Karim, and the unnamed and pragmatic Pakistani narrator.As the unnamed narrator copes with his divorce, and Ravi—despite his exterior of skeptical flamboyance—falls deeply in love with a beautiful woman who is incapable of responding in kind, Karim, their landlord, goes on with his job as a taxi driver and his regular Friday Qur’an sessions. But is he going on with something else? Who is Karim? And why does he disappear suddenly at times or receive mysterious phone calls? When a “terrorist attack” takes place in town, all three men find themselves embroiled in doubt, suspicion, and, perhaps, danger.An acerbic commentary on the times, How to Fight Islamist Terror from the Missionary Position is also a bitter-sweet, spell-binding novel about love and life today.

From the internationally bestselling author of The Reluctant Fundamentalist, the boldly imagined tale of a poor boy’s quest for wealth and love.His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. *How to Get Filthy Rich in Rising Asia* meets that reputation and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else: on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

How To Get Into the Twin Palms is the story of Anya, a young woman living in a Russian neighborhood in Los Angeles, who struggles between retaining her parents' Polish culture and trying to assimilate into her adopted community. She lusts after Lev, a Russian man who frequents the Twin Palms nightclub down the block from Anya's apartment. It is Anya's wish to gain entrance to this seemingly exclusive club.How To Get Into the Twin Palms is a really funny and often moving book that provides a unique twist on the immigrant story, and provides a credible portrait of the city of Los Angeles, literally burning to the ground.

It’s hard being a single-dad raising a son — especially if your kid is also a 1971 Volkswagen Beetle.There’s nothing more troubling than having your child break down on the side of the road, leaking oil, overheating, and asking tough questions like, “What is death?” and “Why did Mom leave?”But stay calm!Because How To Keep Your Volkswagen Alive is not only a dizzyingly beautiful novel, it’s also a handy manual with useful chapters on “Tools and Spare Parts,” “Valve Adjustment,” “How To Read This Novel,” and, most important of all, “How Works a Heart.”Welcome to Christopher Boucher’s zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?

From Starred ReviewIn a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce ChristensenReview“This charming biography shuffles incidents from Montaigne’s life and essays into twenty thematic chapters… Bakewell clearly relishes the anthropological anecdotes that enliven Montaigne’s work, but she handles equally well both his philosophical influences and the readers and interpreters who have guided the reception of the essays.”—The New Yorker“Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves… It is hard to imagine a better introduction — or reintroduction — to Montaigne than Bakewell’s book.”—Lorin Stein, Harper’s Magazine“Ms. Bakewell’s new book, How to Live, is a biography, but in the form of a delightful conversation across the centuries.”—The New York Times“So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.”—The New York Times Book Review“Extraordinary… a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.”—Boston Globe“Well, How to Live is a superb book, original, engaging, thorough, ambitious, and wise.”—Nick Hornby, in the November/December 2010 issue of The Believer“In How to Live, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant — a 16th-century blogger, as she would have it — and so must be read, quite simply, ‘in order to live’… Bakewell is a wry and intelligent guide.”—The Daily Beast“Witty, unorthodox… How to Live is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty — Bakewell is a stickler for what we can’t know… How to Live is a delight…”—The Plain Dealer“This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing. How to Live is a great companion to Montaigne’s essays, and even a great stand-alone.”—San Francisco Book Review“A bright, genial, and generous introduction to the master’s methods.”—Kirkus Reviews“[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.”—Publisher’s Weekly (starred)“As described by Sarah Bakewell in her suavely enlightening How to Live, or A Life of Montaigne in One Question and Twenty Attempts at an Answer Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.”—Laura Miller, Salon.com“Lively and fascinating… How To Live takes its place as the most enjoyable introduction to Montaigne in the English language.”—The Times Literary Supplement“Splendidly conceived and exquisitely written… enormously absorbing.”—Sunday Times“How to Live will delight and illuminate.”—The Independent“It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.”—The Observer“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.”—Phillip Lopate, author of The Art of the Personal Essay“An intellectually lively treatment of a Renaissance giant and his world.”—Saturday Telegraph“Like recent books on Proust, Joyce, and Austen, How to Live skillfully plucks a life-guide from the incessant flux of Montaigne’s prose… A superb, spirited introduction to the master.”—The GuardianIn a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers. -Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010 In a wide-ranging intellectual career, Michel de Montaigne found no knowledge so hard to acquire as the knowledge of how to live this life well. By casting her biography of the writer as 20 chapters, each focused on a different answer to the question How to live? Bakewell limns Montaigne’s ceaseless pursuit of this most elusive knowledge. Embedded in the 20 life-knowledge responses, readers will find essential facts — when and where Montaigne was born, how and whom he married, how he became mayor of Bordeaux, how he managed a public life in a time of lethal religious and political passions. But Bakewell keeps the focus on the inner evolution of the acute mind informing Montaigne’s charmingly digressive and tolerantly skeptical essays. Flexible and curious, this was a mind at home contemplating the morality of cannibals, the meaning of his own near-death experience, and the puzzlingly human behavior of animals. And though Montaigne has identified his own personality as his overarching topic, Bakewell marvels at the way Montaigne’s prose has enchanted diverse readers — Hazlitt and Sterne, Woolf and Gide — with their own reflections. Because Montaigne’s capacious mirror still captivates many, this insightful life study will win high praise from both scholars and general readers.—Bryce Christensen Named one of Library Journal’s Top Ten Best Books of 2010

Brilliant and tense, Dany Laferrière's first novel, How to Make Love to a Negro Without Getting Tired, is as fresh and relevant today as when it was first published in Canada in 1985. With ribald humor and a working-class intellectualism on par with Charles Bukowski's or Henry Miller's, Laferrière's narrator wanders the streets and slums of Montreal, has sex with white women, and writes a book to save his life. With this novel, Laferrière began a series of internationally acclaimed social and political novels about the love of the world, and the world of sex, including Heading South and I Am a Japanese Writer. It launched Laferrière as one of the literary world's finest provocateurs and continues to draw strong comparisons to the writings of James Baldwin, Henry Miller, Charles Bukowski, and Jack Kerouac.

Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership.He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs — with attention to cadence, consistency of tone, sentence transitions, and paragraph length.In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting — and just plain better.

The lives of four individuals — a dying painter, a blind girl, a landscape artist, and an art curator — intertwine across nearly five decades in this luminous and searching novel of extraordinary power. With How to Paint a Dead Man, Sarah Hall, "one of the most significant and exciting of Britain's young novelists" (The Guardian), delivers "a maddeningly enticing read... an amazing feat of literary engineering" (The Independent on Sunday).

From the prizewinning international literary star: the searing and powerful story of one man's search for redemption.Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story — real or invented — that holds the possibility of reconciliation and redemption.

Bobby Clark is just sixteen when he drops out of school to follow his big brother, Jim, into the jewelry business. Bobby idolizes Jim and is in awe of Jim’s girlfriend, Lisa, the best saleswoman at the Fort Worth Deluxe Diamond Exchange.What follows is the story of a young man’s education in two of the oldest human passions, love and money. Through a dark, sharp lens, Clancy Martin captures the luxury business in all its exquisite vulgarity and outrageous fraud, finding in the diamond-and-watch trade a metaphor for the American soul at work.

The highly acclaimed author of A Cure for Suicide now gives us a singular, blistering novel about a teenage girl who has lost everything—and will burn anything.Lucia's father is dead; her mother is in a mental institute; she's living in a garage-turned-bedroom with her aunt. And now she's been kicked out of school—again. Making her way through the world with only a book, a zippo lighter, a pocket full of stolen licorice, a biting wit, and striking intelligence she tries to hide, she spends her days riding the bus to visit her mother and following the only rule that makes any sense to her: Don't do things you aren't proud of. But when she discovers that her new school has a secret Arson Club, she's willing to do anything to be a part of it, and her life is suddenly lit up. And as her fascination with the Arson Club grows, her story becomes one of misguided friendship and, ultimately, destruction.

How We Are Hungry is a gripping, lyrical and soulful collection of stories from the acclaimed author of A Heartbreaking Work of Staggering Genius. Ranging from a doomed Irish setter’s tales of running and jumping (“After I Was Thrown in the River and Before I Drowned”) to a bitterly comic meditation on suicide and friendship (“Climbing to the Window, Pretending to Dance”), and from the Egyptian desert to the asphalt of Interstate 5, these stories are Eggers at his finest. By turns devastating, clear-eyed and funn — incredibly funny — this collection is a marvel.

Inspirándose en estas anotaciones, la escritora Carmen Posadas (Uruguay 1953) y su hermano Gervasio (1962), nos relatan las idas y venidas como hijos de diplomáticos que vivieron de niños a través de recuerdos familiares llenos de sentido del humor y de curiosas recetas que inventaba su madre, Bimba Mane.

Winner of the 2006 Man Booker Prize and the National Book Critics Circle Award for Fiction for her second novel The Inheritance of Loss, Kiran Desai is one of the most talented writers of her generation. Now available for the first time as a Grove Press paperback, Hullabaloo in the Guava Orchard—Desai’s dazzling debut novel — is a wryly hilarious and poignant story that simultaneously captures the vivid culture of the Indian subcontinent and the universal intricacies of human experience. Sampath Chawla was born in a time of drought into a family not quite like other families, in a town not quite like other towns. After years of failure at school, failure at work, of spending his days dreaming in tea stalls, it does not seem as if Sampath is going to amount to much — until one day he climbs a guava tree in search of peaceful contemplation and becomes unexpectedly famous as a holy man, sending his tiny town into turmoil. A syndicate of larcenous, alcoholic monkeys terrorize the pilgrims who cluster around Sampath’s tree, spies and profiteers descend on the town, and none of Desai’s outrageous characters goes unaffected as events spin increasingly out of control.

Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma.Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.