An irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America.I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.Percival Everett’s hilarious new novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: “What’s your name?” a kid would ask. “Not Sidney,” I would say. “Okay, then what is it?”

Chosen by Glamour magazine as a Woman of the Year in 2008, Nujood of Yemen has become an international hero for her astonishingly brave resistance to child marriage. Sold off by her impoverished family at the age of 10, continually raped by her husband before she even reached puberty, Nujood found the courage to run away, and with the help of an activist lawyer, sympathetic judges, and the international press, she divorced her husband and returned home. Her clear, first-person narrative, translated from the French and written with Minoui, is spellbinding: the horror of her parents’ betrayal and her mother-in-law’s connivance, the “grown-ups” who send the child from classroom and toys to nightmare abuse. She never denies the poverty that drives her parents and oppresses her brothers, even as she reveals their cruelty. Unlike her passive mother, she is an activist, thrilled to return to school, determined to save others, including her little sister. True to the child’s viewpoint, the “grown-up” cruelty is devastating. Readers will find it incredible that such unbelievable abuse and such courageous resistance are happening now.

The moment just before Radar Radmanovic is born, all of the hospital’s electricity mysteriously fails. The delivery takes place in total darkness. Lights back on, the staff sees a healthy baby boy — with pitch-black skin — born to the stunned white parents. No one understands the uncanny electrical event or the unexpected skin color. “A childbirth is an explosion,” the ancient physician says by way of explanation. “Some shrapnel is inevitable, isn’t it?”I Am Radar begins with Radar’s perplexing birth but rapidly explodes outward, carrying readers across the globe and throughout history, as well as to unknown regions where radio waves and subatomic particles dance to their own design, where a century of conflict and art unite in a mesmerizing narrative whole.Deep in arctic Norway, a cadre of Norwegian schoolteachers is imprisoned during the Second World War. Founding a radical secret society that will hover on the margins of recorded history for decades to come, these schoolteachers steal radioactive material from a hidden Nazi nuclear reactor and use it to stage a surreal art performance on a frozen coastline. This strange society appears again in the aftermath of Cambodia’s murderous Khmer Rouge regime, when another secret performance takes place but goes horrifically wrong. Echoes of this disaster can be heard during the Yugoslavian wars, when an avant-garde puppeteer finds himself trapped inside Belgrade while his brother serves in the genocidal militia that attacks Srebrenica. Decades later, in the war-torn Congo, a disfigured literature professor assembles the largest library in the world even as the country around him collapses. All of these stories are linked by Radar — now a gifted radio operator living in the New Jersey Meadowlands — who struggles with love, a set of hapless parents,and a terrible medical affliction that he has only just begun to comprehend.

Twenty-year-old Taguchi Hiro has spent the last two years of his life living as a hikikomori — a shut-in who never leaves his room and has no human interaction — in his parents' home in Tokyo. As Hiro tentatively decides to reenter the world, he spends his days observing life around him from a park bench. Gradually he makes friends with Ohara Tetsu, a middle-aged salaryman who has lost his job but can't bring himself to tell his wife, and shows up every day in a suit and tie to pass the time on a nearby bench. As Hiro and Tetsu cautiously open up to each other, they discover in their sadness a common bond. Regrets and disappointments, as well as hopes and dreams, come to the surface until both find the strength to somehow give a new start to their lives. This beautiful novel is moving, unforgettable, and full of surprises. The reader turns the last page feeling that a small triumph has occurred.I Called Him Necktie won the 2012 Austrian Alpha Literature Prize.

A deeply moving debut novel set amid the perilous world of Nigerian email scams, I Do Not Come to You by Chance tells the story of one young man and the family who loves him.Being the opera of the family, Kingsley Ibe is entitled to certain privileges-a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"-someone who knows someone who can help him-his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking.Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface-aka Cash Daddy-is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu?

Sospesi tra storia e invenzione in un Medioevo che sembra vero, sono qui raccolti in un unico volume tre romanzi di Laura Mancinelli, in cui l'autrice approda a una visione fantastica e affettuosamente ironica della tradizione e della società medioevale: "I dodici abati di Challant", dove, in una cornice di ironia mondana e gaudente, dodici monaci ricevono l'incarico di sorvegliare un feudatario che eredita un castello con la clausola di mantener fede a un maligno obbligo di castità; "Il miracolo di Santa Odilia", immagine della vita che si afferma in chiave religiosa, ma non trascendente, attraverso la storia di due Odilie: la prima devota e pia, la seconda giovane e bella; e infine, conclusione ideale di questa metafora ideale, "Gli occhi dell'imperatore", dove una contessa piemontese, un cavaliere-musico-poeta e l'imperatore Federico II, ormai prossimo alla morte, partecipano a un affascinante percorso di avventure e sentimenti, che è anche un intreccio di entusiasmo, rassegnazione e senso del destino.

A victim of time famine, thirty-five-year-old Kate counts seconds like other women count calories. As she runs between appointments, through her head spools the crazy tape-loop of every high-flying mother's life: client reports, bouncy castles, Bob The Builder, transatlantic phone calls, dental appointments, pelvic floor exercises, flights to New York, sex (too knackered), and stress-busting massages she always has to cancel (too busy). Factor in a controlling nanny, a chauvinist Australian boss, a long-suffering husband, two demanding children and an e-mail lover, and you have a woman juggling so many balls that some day soon something's going to hit the ground. Pearson brings her sharp wit and compassionate intelligence to this hilarious and, at times, piercingly sad study of the human cost of trying to Have It All. Women everywhere are already talking about the Kate Reddy column which appears weekly in the "Daily Telegraph", and recommending it to their sisters, mothers, friends and even their bewildered partners.This fictional debut by one of Britain's most gifted journalists is the subject of a movie deal with Miramax rumoured to be for almost $ 1 million and has sold around the world, sparking bidding wars in Spain, Germany and Japan. Everyone is getting Reddy for Kate.

Long ago, when they were all a lot younger, Zenia stole a man from each of them. Then she died. Now she’s come back. Or has she? There’s a lot more than one kind of ghost.Margaret Atwood revisits her classic characters from The Robber Bride. This story first appeared in the July/August 2012 issue of The Walrus magazine.

What if you told the truth and the whole world heard you? What if you lived in a country swamped with Internet outrage? What if you were a woman in a society that hated women?Set in the San Francisco of 2013, I Hate the Internet offers a hilarious and obscene portrayal of life amongst the victims of the digital boom. As billions of tweets fuel the city’s gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable.In this, his first full-length novel, Jarett Kobek tackles the pressing questions of our moment. Why do we applaud the enrichment of CEOs at the expense of the weak and the powerless? Why are we giving away our intellectual property? Why is activism in the 21st Century nothing more than a series of morality lectures typed into devices built by slaves?Here, at last, comes an explanation of the Internet in the crudest possible terms.

As with many of us, the life of acclaimed novelist Howard Norman has had its share of incidents of “arresting strangeness.” Yet few of us connect these moments, as Norman has done in this spellbinding memoir, to show how life tangles with the psyche to become art. Norman’s story begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother’s girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales — including the story of a soapstone carver turned into a goose whose migration-time lament is “I hate to leave this beautiful place”—and in his beloved Point Reyes, California, as a student of birds. In the Arctic, he receives news over the radio that “John Lennon was murdered tonight in the city of New York in the USA.” And years later, in Washington, D.C., another act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. Norman’s story is also stitched together with moments of uncanny solace. Of life in his Vermont farmhouse Norman writes, “Everything I love most happens most every day.”In the hands of Howard Norman, author of The Bird Artist and What Is Left the Daughter, life’s arresting strangeness is made into a profound, creative, and redemptive memoir.

William Gay established himself as "the big new name to include in the storied annals of Southern Lit" (Esquire) with his debut novel, The Long Home, and his highly acclaimed follow-up, Provinces of Night. Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn — awakened in the night by a search party after a body is discovered in his back woods.William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

Крис, художница-неудачница на пороге сорокалетия, проводит вечер с известным теоретиком культуры по имени Дик. Безумно и необъяснимо влюбившись, Крис начинает писать ему письма, вовлекая в этот процесс мужа. Когда Дик отказывается включаться в игру, Крис продолжает писать, исследуя преобразующую силу повествования от первого лица.

Впервые опубликованный в 1997 году, роман I Love Dick пережил несколько волн переиздания, достигнув широкой аудитории читателей в 2015-м. Размывая границы между художественной и мемуарной прозой, арт-критикой и тревелогом, Крис Краус поднимает историю одержимости до философского уровня.

In I Love Dick, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tears away the veil that separates fiction from reality and privacy from self-expression. It’s no wonder that upon its publication in 1997, I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married failed independent filmmaker who is about to turn forty falls in love with a well-known art and culture theorist named Dick and endeavors to seduce him with the help of her husband, a defiantly unconventional French academic with whom she hasn’t had sex in a very long time. But when the theorist refuses to answer her letters, husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first-person narrative. I Love Dick is a manifesto for a new kind of feminist who isn’t afraid to burn through her own narcissism in order to assume responsibility for herself and for the injustice in the world, and it’s a book you won’t put down until the author’s final, heroic acts of self-revelation and transformation.

«I love New York» повесть о 14-летней американской школьнице, делающей страшное открытие в небольшой церквушке на Манхеттене.

An emotional thriller by novelist Bruce Wagner, I Met Someone is the story of a fictional Hollywood marriage on the precipice of disaster — and an enthralling meditation on the world in which we live.Bruce Wagner’s I Met Someone is the story of Oscar award-winning actress Dusty Wilding, her wife Allegra, a long-lost daughter, and the unspeakable secret hidden beneath the glamor of their lavish, carefully calibrated, celebrity life. After Allegra suffers a miscarriage, Dusty embarks on a search for the daughter she lost at age sixteen and uncovers the answer to a question that has haunted for decades. With riveting suspense, Wagner moves between the perspectives of his characters, revealing their individual trauma and the uncanny connections to each other's past lives. I Met Someone sends the reader down a rabbit hole of the human psyche, with Wagner’s remarkable insights into our collective obsession with great wealth and fame, and surprises with unimaginable plot turns and unexpected fate. Alternately tender, shocking, and poetic, I Met Someone is Wagner’s most captivating and affecting novel yet.

The stunning new novel by the author of Sway is another "brilliant portrayal of life as a legend" (Margot Livesey).In 1972, the American gangster Meyer Lansky petitions the Israeli government for citizenship. His request is denied, and he is returned to the U.S. to stand trial. He leaves behind a mistress in Tel Aviv, a Holocaust survivor named Gila Konig.In 2009, American journalist Hannah Groff travels to Israel to investigate the killing of an Israeli writer. She soon finds herself inside a web of violence that takes in the American and Israeli Mafias, the Biblical figure of King David, and the modern state of Israel. As she connects the dots between the murdered writer, Lansky, Gila, and her own father, Hannah becomes increasingly obsessed with the dark side of her heritage. Part crime story, part spiritual quest, I Pity the Poor Immigrant is also a novelistic consideration of Jewish identity.

Tommy. How long have we been friends.’‘All of our lives,’ Tommy said.‘I can’t remember us ever not being friends. When would that have been.’ Jim said. ‘I think it could last the rest of our lives,’ he said carefully, in a low voice. ‘Don’t you think.’‘It will last if we want it to. It depends on us. We can be friends for as long as we want to.’Tommy’s mother has gone. She walked out into the snow one night, leaving him and his sisters with their violent father. Without his best friend Jim, Tommy would be in trouble. But Jim has challenges of his own which will disrupt their precious friendship.

Following his renowned The Coast of Chicago and Childhood, story writer Stuart Dybek returns with eleven masterful and masterfully linked stories about Chicago's fabled and harrowing South Side. United, they comprise the story of Perry Katzek and his widening, endearing clan. Through these streets walk butchers, hitmen, mothers and factory workers, boys turned men and men turned to urban myth. I Sailed With Magellan solidifies Dybek's standing as one of our finest chroniclers of urban America.

The event that changed all of their lives happened on a Saturday afternoon in June, just minutes after Michael Turner — thinking the Nelsons' house was empty — stepped through their back door.After the sudden loss of his wife, Michael Turner moves to London and quickly develops a close friendship with the Nelson family next door. Josh, Samantha and their two young daughters seem to represent everything Michael fears he may now never have: intimacy, children, stability and a family home. Despite this, the new friendship at first seems to offer the prospect of healing, but then a catastrophic event changes everything. Michael is left bearing a burden of grief and a secret he must keep, but the truth can only be kept at bay for so long.Moving from London and New York to the deserts of Nevada, I Saw a Man is a brilliant exploration of violence, guilt and attempted redemption, written with the pace and grip of a thriller. Owen Sheers takes the reader from close observation of the domestic sphere to some of the most important questions and dilemmas of the contemporary world.

A community theater's production of Special Yearnings triggers a string of underground nuclear explosions from St. Louis to Worcester, Massachusetts. A man frantically swats at the blaze that his girlfriend has ignited in his trousers, while her family tries to figure out whether his agonized sign language means "Under the Volcano" or "No Time for Sergeants." Charo, Marianne Faithfull, and Napoleon's sister swap glittering witticisms and pornographic come-ons with languid aesthetes and unhinged suburbanites.Such scenarios are just par for the course in this gloriously disorienting volume by Mark Leyner, author of My Cousin, My Gastroenterologist and Et Tu, Babe, and a writer who plays the English language the way Jimi Hendrix played the guitar: at blinding speed, dangerous volume, and with a perfect mixture of lyricism and sheer menace.