Haffner is charming, morally suspect, vain, obsessed by the libertine emperors. He is British and Jewish and a widower. But Haffner’s attachments to his nation, his race, his marriage, have always been matters of conjecture. They have always been subjects of debate.There are many stories of Haffner — but this, the most secret, is the greatest of them all. The Escape opens in a spa town snug in the unfashionable eastern Alps, where Haffner has come to claim his wife’s inheritance: a villa expropriated in darker times. After weeks of ignoring his task in order to conduct two affairs — one with a capricious young yoga instructor, the other with a hungrily passionate married woman — he discovers gradually that he wants this villa, very much. Squabbling with bureaucrats and their shadows means a fight, and Haffner wants anything he has to fight for.How can you ever escape your past, your family, your history? That is the problem of Haffner’s story in The Escape. That has always been the problem of Haffner — and his lifetime of metamorphoses and disappearances. How might Haffner ever become unattached?Through the improvised digressions of his comic couplings and uncouplings emerge the stories of Haffner’s century: the chaos of World War II, the heyday of jazz, the postwar diaspora, the uncertain triumph of capitalism, and the inescapability of memory.

What’s your drink of choice? Is it a small pumpkin spice latte? Then you’re lots of fun and a bit sassy. Or a medium americano? You prefer simplicity in life. Or perhaps it’s a small decaf soy sugar-free hazelnut caffe latte? Some might call you a yuppie. Seventeen-year-old barista Jane Turner has this theory that you can tell a lot about a person by their regular coffee drink. She scribbles it all down in a notebook and calls it Espressology. So it’s not a totally crazy idea when Jane starts hooking up some of her friends based on their coffee orders. Like her best friend, Em, a medium hot chocolate, and Cam, a toffee nut latte. But when her boss, Derek, gets wind of Jane’s Espressology, he makes it an in-store holiday promotion, promising customers their perfect matches for the price of their favorite coffee. Things are going better than Derek could ever have hoped, so why is Jane so freaked out? Does it have anything to do with Em dating Cam? She’s the one who set them up! She should be happy for them, right?With overtones of Jane Austen’s Emma and brimming with humor and heart, this sweet, frothy debut will be savored by readers.

A recently discovered novel written by Pearl S. Buck at the end of her life in 1973, The Eternal Wonder tells the coming-of-age story of Randolph Colfax (Rann for short), an extraordinarily gifted young man whose search for meaning and purpose leads him to New York, England, Paris, on a mission patrolling the DMZ in Korea that will change his life forever—and, ultimately, to love.Rann falls for the beautiful and equally brilliant Stephanie Kung, who lives in Paris with her Chinese father and has not seen her American mother since she abandoned the family when Stephanie was six years old. Both Rann and Stephanie yearn for a sense of genuine identity. Rann feels plagued by his voracious intellectual curiosity and strives to integrate his life of the mind with his experience in the world. Stephanie struggles to reconcile the Chinese part of herself with her American and French selves. Separated for long periods of time, their final reunion leads to a conclusion that even Rann, in all his hard-earned wisdom, could never have imagined.A moving and mesmerizing fictional exploration of the themes that meant so much to Pearl S. Buck in her life, this final work is perhaps her most personal and passionate, and will no doubt appeal to the millions of readers who have treasured her novels for generations.

Your grandfather was a coward.

That is the angry recollection with which a former Zero fighter pilot greets two Japanese siblings who, typically, despite being educated, know next to nothing about a defining war in the Pacific that took place within living memory. The testimony rattles and confuses aspiring lawyer Kentaro and newly minted journalist Keiko since virtually the only fact they’ve grown up hearing about Kyuzo Miyabe is that he died a kamikaze. When the young pair digs deeper into the man’s past, other surviving comrades only seem to confirm the verdict, but its very import begins to shift in surprising ways.

In addition to providing a window into the experiences of the losing side’s flyboys and a frank look at contemporary Japan’s amnesia regarding the war, this novel also undertakes a blistering critique of the folly and inhumanity of the Imperial Navy and Army and a nuanced exploration of the differences between kamikaze pilots and today’s suicide bombers. At its core, however, it is a mystery of sorts about a long-dead man’s actions and intentions and a reconfiguration of the meaning of wartime loyalty and sacrifice.

A debut novel that was published when the author was fifty, The Eternal Zero has become Japan’s all-time top-selling mass-market paperback and the basis of a blockbuster film of the same name.

Our supreme fabulist of the ordinary now turns his attention on a 9-year-old American girl and produces a novel as enchantingly idiosyncratic as any he has written. Nory Winslow wants to be a dentist or a designer of pop-up books. She likes telling stories and inventing dolls. She has nightmares about teeth, which may explain her career choice. She is going to school in England, where she is mocked for her accent and her friendship with an unpopular girl, and she has made it through the year without crying.Nicholson Baker follows Nory as she interacts with her parents and peers, thinks about God and death-watch beetles, and dreams of cows with pointed teeth. In this precocious child he gives us a heroine as canny and as whimsical as Lewis Carroll's Alice and evokes childhood in all its luminous weirdness.

Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys — and most affecting love stories — in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore goes beyond satire by showing us not what it means, but what it feels like be human — to love and lose, learn, aspire, grasp, and, in the end, to fail.

Four women work at the Danish Centre for Genocide Information. When two of them start receiving death threats, they suspect they are being stalked by Mirko Zigic, a Serbian torturer and war criminal. But perhaps he is not the person behind the threats — it could be someone in their very midst.

“A female, funny Henry James in Asia, Janice Y. K. Lee is vividly good on the subject of Americans abroad.” —The New York Times Book Review“Sex and the City meets Lost in Translation.” —The SkimmJanice Y. K. Lee’s New York Times bestselling debut, The Piano Teacher, was called “immensely satisfying” by People, “intensely readable” by O, The Oprah Magazine, and “a rare and exquisite story” by Elizabeth Gilbert. Now, in her long-awaited new novel, Lee explores with devastating poignancy the emotions, identities, and relationships of three very different American women living in the same small expat community in Hong Kong.Mercy, a young Korean American and recent Columbia graduate, is adrift, undone by a terrible incident in her recent past. Hilary, a wealthy housewife, is haunted by her struggle to have a child, something she believes could save her foundering marriage. Meanwhile, Margaret, once a happily married mother of three, questions her maternal identity in the wake of a shattering loss. As each woman struggles with her own demons, their lives collide in ways that have irreversible consequences for them all. Atmospheric, moving, and utterly compelling, The Expatriates confirms Lee as an exceptional talent and one of our keenest observers of women’s inner lives.

Learning to survive in the harsh interior of Southern Africa, a former slave seeks shelter in the hollow of a baobab tree. For the first time since she was a young girl her time is her own, her body is her own, her thoughts are her own. In solitude, she is finally able to reflect on her own existence and its meaning, bringing her a semblance of inner peace. Scenes from her former life shuttle through her mind: how owner after owner assaulted her, and how each of her babies were taken away as soon as they were weaned, their futures left to her imagination. We are the sole witnesses to her history: her capture as a child, her tortured days in a harbor city on the eastern coast as a servant, her journey with her last owner and protector, her flight, and the kaleidoscopic world of her baobab tree. Wilma Stockenström's profound work of narrative fiction, translated by Nobel Prize winner J.M. Coetzee, is a rare, haunting exploration of enslavement and freedom.

There is nothing inherently threatening about Melissa, a young evangelist hoping to write the definitive paper on intelligent design. But when she implores Andy Waite, a biology professor and a hardcore evolutionist, to direct her independent study, she becomes the catalyst for the collapsing house of cards surrounding him. As he works with Melissa, Andy finds that everything about his world is starting to add up differently. Suddenly there is the possibility of faith. But with it come responsibility and guilt—the very things that Andy has sidestepped for years.Professor Waite is nearing the moment when his life might settle down a bit: tenure is in sight, his daughters are starting to grow up, and he’s slowly but surely healing from the sudden loss of his wife. His life is starting to make sense again—until the scientific stance that has defined his life(and his work) is challenged by this charismatic student.In a bravura performance, Lauren Grodstein dissects the permeable line between faith and doubt to create a fiercely intelligent story about the lies we tell ourselves, the deceptions we sustain with others, and how violated boundaries—between students and teachers, believers and nonbelievers—can have devastating consequences.

“Strange, original, and utterly brilliant — Laird Hunt is one of the most talented young writers on the American scene today.”—Paul AusterHenry, a New Yorker left destitute by circumstance and obsession, is plucked from vagrancy by a shadowy outfit whose primary business is arranging for staged murders of anxiety-ridden clients unhinged by the “events downtown” and seeking to — experience — and live through — their own carefully executed assassinations. When Henry joins this nefarious crew, which includes a beautiful blonde tattooist named Tulip, contortionist twins, and a woman referred to only as “the knockout,” he becomes inextricably linked to its ringleader, the mysterious herring connoisseur Mr. Kindt, whose identity can be traced through twists and turns all the way back to the corpse depicted in Rembrandt’s The Anatomy Lesson.Mirrored by a concurrently running story set in a hospital where Henry and Mr. Kindt are patients attended to by a certain Dr. Tulp, the mysteries surrounding Mr. Kindt’s past, Henry’s fate, and murders both staged and real begin to unravel in the most extraordinary ways. Substantive, stylish, and darkly comic, The Exquisite is a skillful dissection of reality, human connection, and the very nature of existence.

From Israel’s highly acclaimed author, a novel about a musician who returns home and finds the rhythm of her life interrupted and forever changed

.Noga, forty-two and a divorcee, is a harpist with an orchestra in the Netherlands. Upon the sudden death of her father, she is summoned home to Jerusalem by her brother to help make decisions in urgent family and personal matters — including hanging on to a rent-controlled apartment even as they place their reluctant mother in an assisted-living facility. Returning to Israel also means facing the former husband who left her when she refused him children, but whose passion for her remains even though he is remarried and the father of two.For her imposed three-month residence in Jerusalem, the brother finds her work — playing roles as an extra in movies, television, opera. These new identities undermine the firm boundaries of behavior heretofore protected by the music she plays, and Noga, always an extra in someone else’s story, takes charge of the plot.The Extra is Yehoshua at his liveliest storytelling best — a bravura performance.

Hans Olofson is the son of a Swedish lumberjack. His childhood was unsettled: an alcoholic father, and a mother disappeared, only alive in old photographs. His adolescence was no easier as he lost both his best friend and his lover tragically. Alone and adrift, as a young man his only desire is to fulfil his lover’s dream and visit the grave of a legendary missionary who survived alone in the remote hills of Northern Zambia.

On reaching Africa, Olofson is struck by its beauty and mystery. After fulfilling his initial quest, an opportunity of employment in the region tempts him to stay. Time passes quickly. Though dismayed by the attitude of the white population to their adopted country, which is compounded by their vulnerability to alcohol and malaria, he is interested enough to take up sole responsibility for the farm he manages. For almost two decades Hans Olofson battles with a hostile environment and a placid, but resistant workforce.

Set in the 1970s and 1980s, The Eye of the Jeopard explores the relationship between the white farmers and their native workers. Through Olofson’s descent into near mental collapse it becomes clear that many years spent in a foreign land do not necessarily breed an understanding of its people: a handful of generations of white settlers cannot change a continent underpinned by myth and superstition. The Eye of Leopard is a first-rate and original psychological thriller delving deep into the mind of a man lost in an unknown world.

In White’s 1973 classic, terrifying matriarch Elizabeth Hunter is facing death while her impatient children — Sir Basil, the celebrated actor, and Princess de Lascabane, an adoptive French aristocrat — wait. It is the dying mother who will command attention, and who in the midst of disaster will look into the eye of the storm. “An antipodean King Lear writ gentle and tragicomic, almost Chekhovian. . The Eye of the Storm [is] an intensely dramatic masterpiece” (The Australian).

California, 1993: Neil Collins and Adam Tayler, two young British men on the cusp of adulthood, meet at a hostel in San Diego. They strike up a friendship that, while platonic, feels as intoxicating as a romance; they travel up the coast together, harmlessly competitive, innocently collusive, wrapped up in each other. On a camping trip to Yosemite they lead each other to behave in ways that, years later, they will desperately regret.The story of a friendship built on a shared guilt and a secret betrayal, THE FAITHFUL COUPLE follows Neil and Adam across two decades, through girlfriends and wives, success and failure, children and bereavements, as power and remorse ebb between them. Their bifurcating fates offer an oblique portrait of London in the boom-to-bust era of the nineties and noughties, with its instant fortunes and thwarted idealism. California binds them together, until — when the full truth of what happened emerges, bringing recriminations and revenge — it threatens to drive them apart.THE FAITHFUL COUPLE confirms Miller as one of the most exciting and sophisticated novelists in the UK — someone who can tell a great story, with a sense of serious moral complexity. This is that rare bird: a literary novel with mass appeal as well as the potential to win prizes.

"Teige Foley was only a boy when his mother vanished angrily into the Irish mist and the family's great adventure began. His father, Francis, a man of thwarted dreams, dared to steal a valuable telescope from the manor house where he worked. More than a spyglass, it was his passage to the stars, to places he could not otherwise go. And its theft forced Francis Foley and his four sons to flee the narrow life of poverty that imprisoned them." But Ireland was a country "wilder than it is now." Torn apart by the violent countryside, the young boys would lose sight of their father, and each would have to find his own path…Tomas, the eldest, weak for the pleasures of the flesh…Finan, who would chase his longings across the globe…Finbar, Finan's twin, surrendering to other people's magic…and Teige, the youngest, the one who has a way with horses, the only one to truly return home. From boarding house to gypsy caravans, from the sere fields where potatoes wither on their stalks to fertile new lands on the other side of the earth, apart and adrift, reunited and reborn, they would learn about the callings of God, the power of love, and the meaning of family in a place where stars look down — and men look up.

It is 1943, and the Second World War is ravaging Europe. Mussolini decides to pull out of his alliance with the Nazis, and withdraws the Italian troops occupying Albania. Soon after, Nazi forces invade Albania from occupied Greece. The first settlement in their path is the ancient stone city of Gjirokastër, an Albanian stronghold since the fourteenth century. The townsfolk have no choice but to surrender to the Nazis, but are confused when they see that one of the town’s residents, a certain Dr. Gurameto, seems to be showing the invading Nazi Colonel great hospitality. That evening, strains of Schubert from the doctor’s gramophone waft out into the cobbled streets of the city, and the sounds of a dinner party are heard. The sudden disappearance of the Nazis the next morning leaves the town wondering if they might have dreamt the events of the previous night. But as Albania moves into a period of occupation by the Nazis, and then is taken over by the communists, Dr. Gurameto is forced to answer for what happened on the evening of the Nazi’s invasion, and finally explain the events of that long, strange night.Dealing with themes of resistance in a dictatorship, and steeped in Albanian folklore and legend, The Fall of the Stone City shows Kadare at the height of his powers.

Hood, a renegade American diplomat, envisions a new urban order through the opium fog of his room. His sometimes bedmate, Mayo, has stolen a Flemish painting and is negotiating for publicity with "The Times". Murf the bomb-maker leaves his mark in red whilst his girlfriend Brodie bombs Euston.

Winner of the 1991 Booker Prize, this phantasmagorical novel is set in the ghetto of an African city during British colonial rule, and follows the story of Azaro-a "spirit-child" who has reneged on a pact with the spirit world-and the travails of his impoverished, beleaguered family.

The gauze of James Pate’s nightmare, critical & cinematic beauty keeps rising & falling on a “crimson couch,” “a scarlet curtain” & a “crisp red light”—like Homer’s rosy-fingered dawn. & like Homer the language is measured, simple & deliberate. Noble. But detonates in “torturous rampaging music”—in the “the lemon of the pig. The glory and run-off of the pig.” The nightmare is inside. & the nightmare is outside. & the critic is a man. & the critic is a woman. & the Fassbinder film just keeps on playing—“in a haze of pink dust.”— Rauan Klassnik, author of The Moon’s JawRaised in the urban ruins of Memphis Tennessee, in the wake of riots and assassinations, James Pate’s fantasies and visions draws on the occult atmosphere of devil-blues, underground trash and gothic pageantry. His work inhabits a saturated zone of violence and artifice, hate and love. For the past 15 years he has been one of my favorite writers and closest collaborators.— Johannes Goransson, author of Haute SurveillanceJames Pate draws the veins together with this pulpy ode to Fassbinder. It’s burnt with shades of Klassnik & Kitchell, Evenson & Glenum, but it’s also its own night raid — these poems read like the transcript of a documentary about two sexless artists as they run loops of long-dead film stock through a haunted Arriflex, dying to record blood-slicked mannequins lit by meat locker fluorescents. Pate gets it.— Ken Baumann, author of Solip