The Fourth Hand asks an interesting question: “How can anyone identify a dream of the future?” The answer: “Destiny is not imaginable, except in dreams or to those in love.”While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband's left hand-that is, after her husband dies. But the husband is alive, relatively young, and healthy.This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, The Fourth Hand is as realistic and emotionally moving as any of Mr. Irving’s previous novels-including The World According to Garp,A Prayer for Owen Meany, and A Widow for One Year—or his Oscar-winning screenplay of The Cider House Rules.The Fourth Hand is characteristic of John Irving’s seamless storytelling and further explores some of the author’s recurring themes—loss, grief, love as redemption. But this novel also breaks new ground; it offers a penetrating look at the power of second chances and the will to change.

An early masterpiece from the winner of the Nobel Prize hailed as the laureate of life under totalitarianism.Romania — the last months of the Ceausescu regime. Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara’s lover. But one of them works for the secret police and is reporting on all of the group.One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it’s the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police — the fox was ever the hunter.Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it’s hard to tell victim from perpetrator.In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose" — as the Swedish Academy noted upon awarding her the Nobel Prize — to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.

Ben Flesh is one of the men "who made America look like America, who made America famous." He collects franchises, traveling from state to state, acquiring the brand-name establishments that shape the American landscape. But both the nation and Ben are running out of energy. As blackouts roll through the West, Ben struggles with the onset of multiple sclerosis, and the growing realization that his lifetime quest to buy a name for himself has ultimately failed.

Summer, 1978. Brezhnev sits like a stone in the Kremlin, Israel and Egypt are inching towards peace, and in the bustling, polyglot streets of Rome, strange new creatures have appeared: Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family — three generations of Russian Jews.There is Samuil, an old Communist and Red Army veteran, who reluctantly leaves the country to which he has dedicated himself body and soul; Karl, his elder son, a man eager to embrace the opportunities emigration affords; Alec, his younger son, a carefree playboy for whom life has always been a game; and Polina, Alec's new wife, who has risked the most by breaking with her old family to join this new one. Together, they will spend six months in Rome — their way station and purgatory. They will immerse themselves in the carnival of emigration, in an Italy rife with love affairs and ruthless hustles, with dislocation and nostalgia, with the promise and peril of a new life. Through the unforgettable Krasnansky family, David Bezmozgis has created an intimate portrait of a tumultuous era.Written in precise, musical prose, The Free World is a stunning debut novel, a heartfelt multigenerational saga of great historical scope and even greater human debth. Enlarging on the themes of aspiration and exile that infused his critically acclaimed first collection, Natasha and Other Stories, The Free World establishes Bezmozgis as one of our most mature and accomplished storytellers.

Ishmael Reed's electrifying first novel zooms readers off to the crazy, ominous kingdom of HARRY SAM a miserable and dangerous place ruled for thirty years by Harry Sam, a former used car salesman who wields his power from his bathroom throne. In a land of a thousand contradictions peopled by cops and beatniks, black nationalists and white liberals, the crusading Bukka Doopeyduk leads a rebellion against the corrupt Sam in a wildly uproarious and scathing satire, earning the author the right to be dubbed the brightest contributor to American satire since Mark Twain (The Nation).

A moving story of love, friendship, grief, healing, and the magical bond between a woman and her dog.

When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building.

While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them.

Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties — to her dead husband, to her rescuer, to her own and to her adoptive class.

Translated into English for the first time, a gripping short novel about an affair gone wrong, from the author of the Sea of Fertility tetralogy.

Set in rural Japan shortly after World War II, The Frolic of the Beasts tells the story of a strange and utterly absorbing love triangle between a former university student, Kōji; his would-be mentor, the eminent literary critic Ippei Kusakudo; and Ippei’s beautiful, enigmatic wife, Yūko. When brought face-to-face with one of Ippei’s many marital indiscretions, Kōji finds his growing desire for Yūko compels him to action in a way that changes all three of their lives profoundly. Originally published in 1961 and now available in English for the first time, The Frolic of the Beasts is a haunting examination of the various guises we assume throughout our lives, and a tale of psychological self-entrapment, seduction, and crime.

From National Book Award finalist Christopher Sorrentino, a bracing, kaleidoscopic look at love and obsession, loyalty and betrayal, race and identity, compulsion and free will…Sandy Mulligan is in trouble. To escape his turbulent private life and the scandal that’s maimed his public reputation, he’s retreated from Brooklyn to the quiet Michigan town where he hopes to finish his long-overdue novel. There, he becomes fascinated by John Salteau, a native Ojibway storyteller who regularly appears at the local library.But Salteau is not what he appears to be — a fact suspected by Kat Danhoff, an ambitious Chicago reporter of elusive ethnic origins who arrives to investigate a theft from a nearby Indian-run casino. Salteau’s possible role in the crime could be the key to the biggest story of her stalled career. Bored, emotionally careless, and sexually reckless, Kat’s sudden appearance in town immediately attracts a restive Sandy.As the novel weaves among these characters uncovering the conflicts and contradictions between their stories, we learn that all three are fugitives of one kind or another, harboring secrets that threaten to overturn their invented lives and the stories they tell to spin them into being. In their growing involvement, each becomes a pawn in the others’ games — all of them just one mistake from losing everything.The signature Sorrentino touches that captivated readers of Trance are all here: sparkling dialogue, narrative urgency, mordant wit, and inventive, crystalline prose — but it is the deeply imagined interior lives of its characters that set this novel apart. Moving, funny, tense, and mysterious, The Fugitives is at once a love story, a ghost story, and a crime thriller. It is also a cautionary tale of twenty-first century American life — a meditation on the meaning of identity, on the role storytelling plays in our understanding of ourselves and each other, and on the difficulty of making genuine connections in a world that’s connected in almost every way.Exuberantly satirical, darkly enigmatic, and completely unforgettable, The Fugitives is an event that reaffirms Sorrentino’s position as an American writer of the first rank.

A hilarious collection of stories from the writer The New York Times called “the novelist of his generation”.Returning to the form in which he began, Sam Lipsyte, author of the New York Times bestseller The Ask, offers up The Fun Parts, a book of bold, hilarious, and deeply felt fiction. A boy eats his way to self-discovery while another must battle the reality-brandishing monster preying on his fantasy realm. Meanwhile, an aerobics instructor, the daughter of a Holocaust survivor, makes the most shocking leap imaginable to save her soul. These are just a few of the stories, some first published in The New Yorker, The Paris Review, or Playboy, that unfold in Lipsyte’s richly imagined world.Other tales feature a grizzled and possibly deranged male birth doula, a doomsday hustler about to face the multi-universal truth of “the real-ass jumbo,” and a tawdry glimpse of the northern New Jersey high school shot-putting circuit, circa 1986. Combining both the tragicomic dazzle of his beloved novels and the compressed vitality of his classic debut collection, The Fun Parts is Lipsyte at his best — an exploration of new voices and vistas from a writer Time magazine has said “everyone should read.”

"Michael Seidlinger is a homegrown Calvino, a humanist, and wise and darkly whimsical. His invisible cities are the spires of the sea where we all sail our coffins in search of our stories."-Steve Erickson, author of ZerovilleTwo lovers are adrift in a coffin on an endless sea. Who are they? They are him and her. They are you and me. They are rowing to salvage what remains of themselves. They are rowing to remember the fun we've had.

A comedy on the world of comics featuring Tim Mix, a struggling artist. Opportunity knocks when Mix's father dies and Mix is offered to take over the father's successful, syndicated cartoon. Question is will the son match his father's sense of humor, part of the cartoon's popularity being that it pokes fun at the oddball Mix family. By the author of The Light of Falling Stars.

Rory Connor was a gambling man and he had a gambler’s luck. From the day he was born, his mother had known that Rory would be the one to make something of his life. At seven years old he was earning money from odd jobs and by fourteen, he was in full-time work. By the time he was nineteen, he had escaped the factory to become a rent-collector.Now, at twenty-three, ambition was in full flow and he was always looking to bigger and better games to play. He feared nothing and nobody, not even the unscrupulous landlord he collected for. For an ordinary working lad, he was doing well – until one day, his luck changed and suddenly, things did not go as smoothly as he was used to . . .

Compared to Kafka and a member of the Surrealists, Richard Weiner is one of European literature’s best-kept secrets. The Game for Real marks the long overdue arrival of his dreamlike, anxiety-ridden fiction into English.The book opens with The Game of Quartering, where an unnamed hero discovers his double. Surely, he reasons, if he has a double, then his double must also have a double too, and so on. . What follows is a grotesquely hilarious, snowballing spree through Paris, where real-life landmarks disintegrate into theaters, puppet shows, and, ultimately, a funeral.Following this, The Game for the Honor of Payback neatly inverts things: instead of a branching, expanding adventure, a man known as “Shame” embarks on a quest that collapses inward. Slapped by someone he despises, he launches a doomed crusade to return the insult. As the stakes grow ever higher, it seems that Shame will stop at nothing — even if he discovers he’s chasing his own tail.Blending metaphysical questions with farcical humor, bizarre twists, and acute psychology, The Game for Real is a riveting exploration of who we are — and why we can’t be so sure we know.

Igor is confident his old Soviet policeman’s uniform will be the best costume at the party. But he hasn’t gone far before he realises something is wrong. The streets are unusually dark and empty, and the only person to emerge from the shadows runs away from him in terror.After a perplexing conversation with the terrified man, who turns out to be a wine smuggler, and on recovering from the resulting hangover, Igor comes to an unbelievable conclusion: he has found his way back to 1957 Kiev. And it isn’t the innocent era his mother and her friends have so sentimentally described.As he travels between centuries, his life becomes more and more complicated. The unusual gardener who lives in his mother’s shed keeps disappearing, his best friend has blackmailed the wrong people, and Igor has fallen in love with a married woman in a time before he was born. With his mother’s disapproval at his absences growing, and his adventures in each time frame starting to catch up with him, Igor has to survive the past if he wants any kind of future.

The narrator of THE GARGOYLE is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide - for he is now a monster in appearance as well as in soul.A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and tells him that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life - and finally in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she only has twenty-seven sculptures left to complete - and her time on earth will be finished.Already an international literary sensation, THE GARGOYLE is an Inferno for our time. It will have you believing in the impossible.

The farmers of Paradise County have been leading a hardscrabble life unchanged for generations. The Communist government has encouraged them to plant garlic, but selling the crop is not as simple as they believed. Warehouses fill up, taxes skyrocket, and government officials maltreat even those who have traveled for days to sell their harvest. A surplus on the garlic market ensues, and the farmers must watch in horror as their crops wither and rot in the fields. Families are destroyed by the random imprisonment of young and old for supposed crimes against the state.The prisoners languish in horrifying conditions in their cells, with only their strength of character and thoughts of their loved ones to save them from madness. Meanwhile, a blind minstrel incites the masses to take the law into their own hands, and a riot of apocalyptic proportions follows with savage and unforgettable consequences. The Garlic Ballads is a powerful vision of life under the heel of an inflexible and uncaring government. It is also a delicate story of love between man and woman, father and child, friend and friend — and the struggle to maintain that love despite overwhelming obstacles.

The Man Booker PrizeOrange Prize for Fiction (nominee)***The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him – although that certainly helped – it was what happened to him as a boy in his grandmother's house, in the winter of 1968. His sister, Veronica was there then, as she is now: keeping the dead man company, just for another little while. The "Gathering" is a family epic, condensed and clarified through the remarkable lens of Anne Enright's unblinking eye. It is also a sexual history: tracing the line of hurt and redemption through three generations – starting with the grandmother, Ada Merriman – showing how memories warp and family secrets fester. This is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars. The "Gathering" sends fresh blood through the Irish literary tradition, combining the lyricism of the old with the shock of the new. As in all Anne Enright's work, fiction and non-fiction, this is a book of daring, wit and insight: her distinctive intelligence twisting the world a fraction, and giving it back to us in a new and unforgettable light.

A funny, fantastically entertaining debut novel, in the spirit of Wodehouse and Monty Python, about a famous poet who inadvertently sells his wife to the devil-then recruits a band of adventurers to rescue her.When Lionel Savage, a popular poet in Victorian London, learns from his butler that they're broke, he marries the beautiful Vivien Lancaster for her money, only to find that his muse has abandoned him.Distraught and contemplating suicide, Savage accidentally conjures the Devil — the polite "Gentleman" of the title — who appears at one of the society parties Savage abhors. The two hit it off: the Devil talks about his home, where he employs Dante as a gardener; Savage lends him a volume of Tennyson. But when the party's over and Vivien has disappeared, the poet concludes in horror that he must have inadvertently sold his wife to the dark lord.Newly in love with Vivian, Savage plans a rescue mission to Hell that includes Simmons, the butler; Tompkins, the bookseller; Ashley Lancaster, swashbuckling Buddhist; Will Kensington, inventor of a flying machine; and Savage's spirited kid sister, Lizzie, freshly booted from boarding school for a "dalliance." Throughout, his cousin's quibbling footnotes to the text push the story into comedy nirvana.Lionel and his friends encounter trapdoors, duels, anarchist-fearing bobbies, the social pressure of not knowing enough about art history, and the poisonous wit of his poetical archenemy. Fresh, action-packed and very, very funny, The Gentleman is a giddy farce that recalls the masterful confections of P.G. Wodehouse and Hergé's beautifully detailed Tintin adventures.