Brad Watson's first novel has been eagerly awaited since his breathtaking, award-winning debut collection of short stories, Last Days of the Dog-Men. Here, he fulfills that literary promise with a humorous and jaundiced eye. Finus Bates has loved Birdie Wells since the day he saw her do a naked cartwheel in the woods in 1916. Later he won her at poker, lost her, then nearly won her again after the mysterious poisoning of her womanizing husband. Does Vish, the old medicine woman down in the ravine, hold the key to Birdie's elusive character? Or does Parnell, the town undertaker, whose unspeakable desires bring lust for life and death together? Or does the secret lie with some other colorful old-timer in Mercury, Mississippi, not such a small town anymore? With "graceful, patient, insightful and hilarious" prose (USA Today), Brad Watson chronicles Finus's steadfast devotion and Mercury's evolution from a sleepy backwater to a small city. With this "tragicomic story of missed opportunities and unjust necessities" (Fred Chappell), "Southern storytelling is alive and well in Watson's capable hands" (Kirkus Reviews starred review). "His work may remind readers of William Faulkner, Toni Morrison, or Flannery O'Connor, but has a power — and a charm — all its own, more pellucid than the first, gentler than the second, and kinder than the third" (Baltimore Sun).

From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors.It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

Enter a vanished world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren’t trusted not to steal the silver . . .There’s Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son’s tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared.Skeeter, Aibileen and Minny. No one would believe they’d be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.Each is in search of a truth. And together they have an extraordinary story to tell . . .

In Lisbon in 1904, a young man named Tomás discovers an old journal. It hints at the existence of an extraordinary artifact that — if he can find it — would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure.Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest.Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion.The High Mountains of Portugal—part quest, part ghost story, part contemporary fable — offers an exploration of love and loss.

What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six.So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O'Connor called "mystery and manners." The collection dissects the feelings-longing, contempt, love, fear-that animate our existence and hints at a reality beyond the smallness of our lives.Salon's Laura Miller called McFarlane's The Night Guest "a novel of uncanny emotional penetration. . How could anyone so young portray so persuasively what it feels like to look back on a lot more life than you can see in front of you?" The High Places is further evidence of McFarlane's preternatural talent, a debut collection that reads like the selected works of a literary great.

"Sensuous prose and indelible imagery." — New York TimesThree stories in which history and imagination intertwine to re-create the world of Jerusalem during the last days of the British Mandate. Refugees drawn to Jerusalem in search of safety are confronted by activists relentlessly preparing for an uprising, oblivious to the risks. Meanwhile, a wife abandons her husband, and a dying man longs for his departed lover. Among these characters lives a boy named Uri, a friend and confidant of several conspirators who love and humor him as he weaves in and out of all three stories. The Hill of Evil Counsel is "as complex, vivid, and uncompromising as Jerusalem itself" (Nation).

Hailed as "The Great Israeli Novel" (Time Out Tel Aviv) and winner of the prestigious Bernstein Prize, The Hilltop is a monumental and daring work about life in a West Bank settlement from one of Israel's most acclaimed young novelists.On a rocky, beautiful hilltop stands Ma'aleh Hermesh C, a fledgling community flying under the radar. According to the government it doesn't exist; according to the military it must be defended. On this contested land, Othniel Assis — under the wary gaze of the neighboring Palestinian village — plants asparagus, arugula, and cherry tomatoes, and he installs goats — and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root.One of the settlement's steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi's new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi's door, penniless. To the settlement's dismay, Roni soon hatches a plan to sell the "artisanal" olive oil from the Palestinian village to Tel Aviv yuppies. When a curious Washington Post correspondent stumbles into their midst, Ma'aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet.By turns serious and satirical, The Hilltop brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today's settlements and the kibbutz movement of Gabi and Roni's youth. Rich with humor and insight, Assaf Gavron's novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.Hailed as "The Great Israeli Novel" (Time Out Tel Aviv) and winner of the prestigious Bernstein Prize, The Hilltop is a monumental and daring work about life in a West Bank settlement from one of Israel's most acclaimed young novelists.On a rocky, beautiful hilltop stands Ma'aleh Hermesh C, a fledgling community flying under the radar. According to the government it doesn't exist; according to the military it must be defended. On this contested land, Othniel Assis — under the wary gaze of the neighboring Palestinian village — plants asparagus, arugula, and cherry tomatoes, and he installs goats — and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root.One of the settlement's steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi's new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi's door, penniless. To the settlement's dismay, Roni soon hatches a plan to sell the "artisanal" olive oil from the Palestinian village to Tel Aviv yuppies. When a curious Washington Post correspondent stumbles into their midst, Ma'aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet.By turns serious and satirical, The Hilltop brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today's settlements and the kibbutz movement of Gabi and Roni's youth. Rich with humor and insight, Assaf Gavron's novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.

The new novel from the winner of the Commonwealth Writer’s Prize, The Hired Man is a taut, powerful novel of a small town and its dark wartime secrets, unwittingly brought into the light by a family of outsiders.Aminatta Forna has established herself as one of our most perceptive and uncompromising chroniclers of war and the way it reverberates, sometimes imperceptibly, in the daily lives of those touched by it. With The Hired Man, she has delivered a tale of a Croatian village after the War of Independence, and a family of newcomers who expose its secrets.Duro is off on a morning’s hunt when he sees something one rarely does in Gost: a strange car. Later that day, he overhears its occupants, a British woman, Laura, and her two children, who have taken up residence in a house Duro knows well. He offers his assistance getting their water working again, and soon he is at the house every day, helping get it ready as their summer cottage, and serving as Laura’s trusted confidant.But the other residents of Gost are not as pleased to have the interlopers, and as Duro and Laura’s daughter Grace uncover and begin to restore a mosaic in the front that has been plastered over, Duro must be increasingly creative to shield the family from the town’s hostility, and his own past with the house’s former occupants. As the inhabitants of Gost go about their days, working, striving to better themselves and their town, and arguing, the town’s volatile truths whisper ever louder.A masterpiece of storytelling haunted by lost love and a restrained menace, this novel recalls Disgrace by J.M. Coetzee and Anil’s Ghost by Michael Ondaatje. The Hired Man confirms Aminatta Forna as one of our most important writers.

A witty and irresistible story of a mother and daughter regarding each other through the looking glass of time, grief, and forgiveness.In two beautifully counterpoised narratives, two women — mother and daughter — try to make sense of their own lives by revisiting what they know about each other. The History of Great Things tells the entwined stories of Lois, a daughter of the Depression Midwest who came to New York to transform herself into an opera star, and her daughter, Elizabeth, an aspiring writer who came of age in the 1970s and ’80s in the forbidding shadow of her often-absent, always larger-than-life mother. In a tour de force of storytelling and human empathy, Elizabeth chronicles the events of her mother’s life, and in turn Lois recounts her daughter’s story — pulling back the curtain on lifelong secrets, challenging and interrupting each other, defending their own behavior, brandishing or swallowing their pride, and, ultimately, coming to understand each other in a way that feels both extraordinary and universal.The History of Great Things is a novel about a mother and daughter who are intimately connected and not connected enough; it will make readers laugh and cry and wonder how we become the adults we always knew we should — even if we’re not always adults our parents understand.

In this “ingenious” novel (New York Times) by “one of Europe’s most original and remarkable writers” (Los Angeles Times), a proofreader’s deliberate slip opens the door to romance-and confounds the facts of Portugal’s past.

With some 66 hits under his belt, Tomislav Bokšić, or Toxic, has a flawless record as hitman for the Croatian mafia in New York. That is, until he kills the wrong guy and is forced to flee the States, leaving behind the life he knows and loves. Suddenly, he finds himself on a plane hurtling toward Reykjavik, Iceland, borrowing the identity of an American televangelist named Father Friendly. With no means of escape from this island devoid of gun shops and contract killing, tragicomic hilarity ensues as he is forced to come to terms with his bloody past and reevaluate his future.

A classic of Mexican literature in the twentieth century, The Hole is a dazzlingly devastating novella

Set in a Mexican prison in the late 1960s, The Hole follows three inmates as they plot to sneak in drugs under the noses of their ape-like guards. The inmates desperately need to secure their next fix, and hatch a plan that involves convincing one of their mothers to bring the drugs into the prison, inside her person. But everything about their plan is doomed from the beginning, doomed to end in violence…

Unfolding in a single paragraph, The Hole is a verbal torrent, a prison inside a prison, and an ominous parable about how deformed and wretched institutions create even more deformed and wretched individuals.

At the center of The Hooligan’s Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea’s book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the twentieth century and of the emergence afterward of a global, competitive, and sometimes cynical modern society. Both a harrowing memoir and an ambitious epic project, The Hooligan’s Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.

A figure skating prodigy, sixteen-year old Alivopro Doyle is one of a few "hopefuls" racing against nature's clock to try and jump and spin their way into the Olympics. But when a disastrous fall fractures two vertebrae, leaving Ali addicted to painkillers and ultimately institutionalized, it's not just her dreams of glory that get torn asunder, but the very fabric that holds her fragile family together.

When Beth arrives in Washington, D.C., she hates everything about it: the confusing traffic circles, the ubiquitous Ann Taylor suits, the humidity that descends each summer. At dinner parties, guests compare their security clearance levels. They leave their BlackBerrys on the table. They speak in acronyms. And once they realize Beth doesn't work in politics, they smile blandly and turn away. Soon Beth and her husband, Matt, meet a charismatic White House staffer named Jimmy and his wife, Ashleigh, and the four become inseparable, coordinating brunch, birthdays, and long weekends away. But as Jimmy's star rises higher and higher, their friendship-and Beth's relationship with Matt-is threatened by jealousy, competition and rumors.

In upstate New York, a 13-year-old girl and her horse are hit by a 40-ton truck. They both survive, but suffer horrible injuries. When the girl's mother hears about a man said to have the gift of healing troubled horses, they set off for distant Montana, where their lives are changed for ever.

In The Hot Country, Christopher Marlowe Cobb (“Kit”), the swashbuckling early 20th century American newspaper war correspondent travels to Mexico in April and May of 1914, during that country’s civil war, the American invasion of Vera Cruz and the controversial presidency of Victoriano Huerta, El Chacal (The Jackal). Covering the war in enemy territory and sweltering heat, Cobb falls in love with Luisa, a young Mexican laundress, who is not as innocent as she seems.The intrepid war reporter soon witnesses a priest being shot. The bullet rebounds on the cross the holly man wears around his neck and leaves him unharmed. Cobb employs a young pickpocket to help him find out the identity of the sniper and, more importantly, why important German officials are coming into the city in the middle of the night from ammunition ships docked in the port.An exciting tale of intrigue and espionage, Butler’s powerful crime-fiction debut is a thriller not to be missed.