This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.***Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

In 1939, on the campus of Indiana University, a revolution has begun. The stir is caused by Alfred Kinsey, a zoologist who is determined to take sex out of the bedroom. John Milk, a freshman, is enthralled by the professor's daring lectures and over the next two decades becomes Kinsey's right hand man. But Kinsey teaches Milk more than the art of objective enquiry. Behind closed doors, he is a sexual enthusiast of the highest order and as a member of his ‘inner circle' of researchers, Milk is called on to participate in experiments that become increasingly uninhibited…

Professor Lloyd Palmer loves a good biography. His fantasy is to start an institute to teach young scholars the biographical arts, and it will take old money to make his dreams come true. Around Washington, the oldest money is found not in the District, but in Delaware, a land of wealth so astonishing that even the Du Ponts are considered nouveau riche. But when the professor goes to Wilmington, he comes away not with old money, but young trouble. Her name is Hortense Garrett.She is his benefactor’s wife, a twenty-something beauty trapped in an unhappy marriage, whose good looks conceal the most cunning mind this side of the Potomac. She needs a ride to Washington, and Lloyd offers to give her a lift. They’ve barely left Delaware before he falls for her. By the time they hit the Beltway, his biography will be in her hands.

Beginning with a chance encounter with the beautiful Eliza June Watermark and ending, four days and 900 pages later, with the Events of November 17, this is the story of Gurion Maccabee, age ten: a lover, a fighter, a scholar, and a truly spectacular talker. Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.The Instructions is an absolutely singular work of fiction by an important new talent. Combining the crackling voice of Philip Roth with the encyclopedic mind of David Foster Wallace, Adam Levin has shaped a world driven equally by moral fervor and slapstick comedy—a novel that is muscular and exuberant, troubling and empathetic, monumental, breakneck, romantic, and unforgettable.

As Pankaj Mishra remarked in The Nation, one of the remarkable qualities of Bolano's short stories is that they can do the "work of a novel." The Insufferable Gaucho contains tales bent on returning to haunt you. Unpredictable and daring, highly controlled yet somehow haywire, a Bolano story might concern an elusive plagiarist or an elderly lawyer giving up city life for an improbable return to the family estate, now gone to wrack and ruin. Bolano's stories have been applauded as "bleakly luminous and perfectly calibrated" (Publishers Weekly) and" complex and provocative" (International Herald Tribune), and as Francine Prose said in The New York Times Book Review, "something extraordinarily beautiful and (at least to me) entirely new." Two fascinating essays are also included.

It is a Thursday evening. After work Martin Blom drives to the supermarket to buy some groceries. As he walks back to his car, a shot rings out. When he wakes up he is blind. His neurosurgeon, Bruno Visser, tells him that his loss of sight is permanent and that he must expect to experience shock, depression, self-pity, even suicidal thoughts before his rehabilitation is complete. But it doesn't work out quite like that. One spring evening, while Martin is practising in the clinic gardens with his new white cane, something miraculous happens…

After the acclaimed New Finnish Grammar and The Last of the Vostyachs, The Interpreter is the third in a trilogy of novels on the theme of language and identity.The Interpreter is both a quest, a thriller, and at times a comic picaresque caper around Europe, while also exploring profound issues of existence.Günther Stauber, head of Translation and Interpreting at a major international organisation in Geneva, seems to be suffering from a mysterious illness when his translations become unintelligible and resemble no known language. He insists he is not ill and that he is on the verge of discovering the primordial language once spoken by all living creatures. His boss, the novel’s narrator, Felix Bellamy, decides Günther has to go.In turn, Felix starts speaking the same gibberish as the missing interpreter. And then his wife disappears, perhaps in search of Günther. He seeks help in a sanatorium in Munich where he is prescribed an intensive course in Romanian and forbidden from speaking French. He realises that he must talk to his missing colleague to understand what has happened to him and to have any hope of a cure. As he undergoes profound changes — speaking the language of dolphins, of whistles and squeaks — he is forced to confront the deep mysteries of life.Essential reading for fans of Diego Marani, and for anyone interested in language.

Are you happy? Do we need galoshes? Are bluebirds perfect? Do you know the distinctions, empirical or theoretical, between moss and lichen? Is it clear to you why I am asking you all these questions? Should I go away? Leave you alone? Should I bother but myself with the interrogative mood?The acclaimed writer Padgett Powell is fascinated by what it feels like to walk through everyday life, to hear the swing and snap of American talk, to be both electrified and overwhelmed by the mad cacophony — the "muchness" — of America. The Interrogative Mood is Powell's playful and profound response, a bebop solo of a book in which every sentence is a question.Perhaps only Powell — a writer who was once touted as the best of his generation by Saul Bellow and "among the top five writers of fiction in the country" by Barry Hannah — could pull off such a remarkable stylistic feat. Is it a novel? Whatever it is, The Interrogative Mood is one of the most audacious literary high-wire acts since Nicholson Baker's The Mezzanine. Powell's unnamed narrator forces us to consider our core beliefs, our most cherished memories, our views on life, liberty, and the pursuit of happiness. In fiction as in life, there may be no easy answers — but The Interrogative Mood is an exuberant book that leaves the reader feeling a little more alive.

A middle-aged man (our hero) is traveling to the heart of the Scottish Highlands to be with his young mistress (our heroine), who is twenty years his junior. Some people would call this madness, a mistake, as his visit is not entirely welcome — her boyfriend will arrive in a few days’ time. But our hero will not be swayed from his mission to seduce and win over his love. This is after all a physical desire, one he could never fight. His current state presents all the expected symptoms of love: painful impatience, shortness of breath, constricted chest, complete loss of appetite. Their rendezvous has been arranged on a main road, where the A32 crosses the S70, beside a road sign. Despite suspecting an icy reception, our hero hopes for the best.In The Intervention of a Good Man, a comedy of mishaps and disappointments reveal, with great energy and a keen sense of derision, the oldest story in the world — one of amorous fantasy and its denial.

Verticality, architectural and social, is the lofty idea at the heart of Colson Whitehead's odd, sly, and ultimately irresistible first novel. The setting is an unnamed though obviously New Yorkish high-rise city, the time less convincingly future than deliciously other, as it combines 21st-century engineering feats with 19th-century pork-barrel politics and smoky working-class pubs. Elevators are the technological expression of the vertical idea, and Lila Mae Watson, the city's first black female elevator inspector, is its embattled token of upward mobility.Lila Mae's good ol' boy colleagues in the Department of Elevator Inspectors are understandably jealous of the flawless record that her natural intelligence and diligence have earned, and understandably delighted when Number Eleven in the newly completed Fanny Briggs Memorial Building goes into deadly free fall just hours after Lila Mae has signed off on it, using the controversial "Intuitionist" method of ascertaining elevator safety. It is, after all, an election year in the Elevator Guild, and the Empiricists would do most anything to discredit the Intuitionist faction. Everyone on both sides assumes that Number Eleven was sabotaged and Lila Mae set up to take the fall. "So complete is Number Eleven's ruin," writes Whitehead, "that there's nothing left but the sound of the crash, rising in the shaft, a fall in opposite: a soul." Lila Mae's doom seems equally irreversible.Whitehead evokes a world so utterly involving to its own denizens that outside reality does not impinge on its perfect solipsism. We the readers are taken hostage as Lila Mae strives to exonerate herself in this urgent adventure full of government spies, underworld hit men, and seductive double agents. Behind the action, always, is the Idea. Lila Mae's quest reveals the existence of heretofore lost writings by James Fulton, father of Intuitionism, a giant of vertical thought, whose fate is mysteriously entwined with her own. If she is able to find and reveal his plan for the Black Box, the perfect, next-generation elevator, the city as it now exists will instantly be obsolescent. The social and economic implications are huge and the denouement is elegantly philosophical. Most impressive of all is the integrity of Whitehead's prose. Eschewing mere cleverness, resisting showoff word play, he somehow manages to strike a tone that's always funny, always fierce, and always entirely respectful of his characters and their world. May the god of second novels smile as broadly on him as did the god of firsts. -Joyce Thompson

Over the course of a summer in a wealthy Connecticut community, a forty-something woman and her college-age stepson’s lives fall apart in a series of violent shocks.Cheryl has never been the right kind of country-club wife. She's always felt like an outsider, and now, in her mid-forties — facing the harsh realities of aging while her marriage disintegrates and her troubled stepson, Teddy, is kicked out of college — she feels cast adrift by the sparkling seaside community of Little Neck Cove, Connecticut. So when Teddy shows up at home just as a storm brewing off the coast threatens to destroy the precarious safe haven of the cove, she joins him in an epic downward spiral.The Invaders, a searing follow-up to Karolina Waclawiak’s critically acclaimed debut novel, How to Get Into the Twin Palms, casts a harsh light on the glossy sheen of even the most “perfect” lives in America's exclusive beach communities. With sharp wit and dark humor, The Invaders exposes the lies and insecurities that run like faultlines through our culture, threatening to pitch bored housewives, pill-popping children, and suspicious neighbors headlong into the suburban abyss.

A wild, Kafka-esque romp through a dystopian landscape, probing thedarkly comic nature of the human condition.The Investigator is a man quite like any other. He is balding, of medium build, dresses conservatively — in short, he is unremarkable in every way. He has been assigned to conduct an Investigation of a series of suicides (twenty-two in the past eighteen months) that have taken place at the Enterprise, a huge, sprawling complex located in an unnamed Town. The Investigator's train is delayed, and when he finally arrives, there's no one to pick him up at the station. It is alternating rain and snow, it's getting late, and there are no taxis to be seen. Off sets the Investigator, alone, into the night, unsure quite how to proceed.So begins the Investigator's series of increasingly frustrating attempts to fulfill his task. In the course of hours of wandering looking for the entrance to The Enterprise, he bumps into a stranger hurrying past and spills open his luggage, soaking his clothes. When he finally reaches the Enterprise, he is told he does not posses the proper authorization documents to enter after regular hours. Asking for directions to a hotel, he is informed "We're not the Tourist Office," and must set off to find one himself. Time and time again, regulations hamstring him, street layouts befuddle him, and all the while he senses someone watching him, recording his every movement.In a highly original work that is both absorbing and fascinating, Claudel undertakes a sweeping critique of the contemporary world through a variety of modes. Like Kafka, Beckett, and Huxley, he has crafted a dark fable that evokes the absurdity and alienation of existence with piercing intelligence and considerable humor.

Fukuoka Prison, 1944. Beyond the prison walls the war rages; inside a man is found brutally murdered. Watanabe, a young guard with a passion for reading, is tasked with finding the killer. The victim, Sugiyama — also a guard — was feared and despised throughout the prison and investigations have barely begun when a powerful inmate confesses. But Watanabe is unconvinced; and as he interrogates both the suspect and Yun Dong-ju, a talented Korean poet, he begins to realise that the fearsome guard was not all he appeared to be. As Watanabe unravels Sugiyama’s final months, he begins to discover what is really going on inside this dark and violent institution, which few inmates survive: a man who will stop at nothing to dig his way to freedom; a governor whose greed knows no limits; a little girl whose kite finds her an unlikely friend. And Yun Dong-ju — the poet whose works hold such beauty they can break the hardest of hearts. As the war moves towards its devastating close and bombs rain down upon the prison, Watanabe realises that he must find a way to protect Yun Dong-ju, no matter what it takes. His This decision will lead the young guard back to the investigation — where he will discover a devastating truth…

Julie Orringer's astonishing first novel – eagerly awaited since the publication of her heralded best-selling short-story collection, How to Breathe Underwater ('Fiercely beautiful' – The New York Times) – is a grand love story and an epic tale of three brothers whose lives are torn apart by war.Paris, 1937. Andras Lévi, a Hungarian Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he has promised to deliver to C. Morgenstern on the rue de Sévigné. As he becomes involved with the letter's recipient, his elder brother takes up medical studies in Modena, their younger brother leaves school for the stage – and Europe 's unfolding tragedy sends each of their lives into terrifying uncertainty. From the Hungarian village of Konyár to the grand opera houses of Budapest and Paris, from the lonely chill of Andras's garret to the enduring passion he discovers on the rue de Sévigné, from the despair of a Carpathian winter to an unimaginable life in forced labor camps and beyond, The Invisible Bridge tells the unforgettable story of brothers bound by history and love, of a marriage tested by disaster, of a Jewish family's struggle against annihilation, and of the dangerous power of art in a time of war.

A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror…A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims…Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war…From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal with the all-too-real. Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor — a new kind of story-telling, forged in the crucible of war, and just as shocking.

Birdie Cousins has thrown herself into the details of her daughter Chess's lavish wedding, from the floating dance floor in her Connecticut back yard to the color of the cocktail napkins. Like any mother of a bride-to-be, she is weathering the storms of excitement and chaos, tears and joy. But Birdie, a woman who prides herself on preparing for every possibility, could never have predicted the late-night phone call from Chess, abruptly announcing that she's cancelled her engagement.It's only the first hint of what will be a summer of upheavals and revelations. Before the dust has even begun to settle, far worse news arrives, sending Chess into a tailspin of despair. Reluctantly taking a break from the first new romance she's embarked on since the recent end of her 30-year marriage, Birdie circles the wagons and enlists the help of her younger daughter Tate and her own sister India. Soon all four are headed for beautiful, rustic Tuckernuck Island, off the coast of Nantucket, where their family has summered for generations. No phones, no television, no grocery store – a place without distractions where they can escape their troubles.But throw sisters, daughters, ex-lovers, and long-kept secrets onto a remote island, and what might sound like a peaceful getaway becomes much more. Before summer has ended, dramatic truths are uncovered, old loves are rekindled, and new loves make themselves known. It's a summertime story only Elin Hilderbrand can tell, filled with the heartache, laughter, and surprises that have made her page-turning, bestselling novels as much a part of summer as a long afternoon on a sunny beach.

A rich, magical new book on belonging and identity, love and trauma, nature and renewal, from the Booker shortlisted author of 10 Minutes 38 Seconds in This Strange World.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he’s searching for lost love.

Years later, a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited - her only connection to her family’s troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world.

A moving, beautifully written and delicately constructed story of love, division, transcendence, history and eco-consciousness, The Island of Missing Trees is Elif Shafak’s best work yet.

Available for the first time in English, The Island of Second Sight is a masterpiece of world literature, first published in Germany in 1953 and hailed by Thomas Mann as “one of the greatest books of the twentieth century.” Set on Mallorca in the 1930s in the years leading up to World War II, it is the fictionalized account of the time spent there by author-writing as Vigoleis, his alter-ego — and his wife, Beatrice, lured to the island by Beatrice’s dying brother, who, as it turns out not dying at all but broke and ensnared by the local prostitute.Pursued by both the Nazis and Spanish Francoists, Vigoleis and Beatrice embark on a series of the most unpredictable and surreal adventures in order to survive. Low on money, the couple seeks shelter in a brothel for the military, serves as tour guides to groups of German tourists, and befriends such literary figures Robert Graves and Harry Kessler, as well as the local community of smugglers, aristocrats, and exiled German Jews. Vigoleis with his inventor hat on even creates a self-inflating brassiere. Then the Spanish Civil War erupts, presenting new challenges to their escape plan. Throughout, Vigoleis is an irresistibly engaging narrator; by turns amusing, erudite, naughty, and always utterly entertaining.Drawing comparisons to Don Quixote and The Man Without Qualities, The Island of Second Sight is a novel of astonishing and singular richness of language and purpose; the story is picaresque, the voice ironic, the detail often hilarious, yet it is a work of profound seriousness, with an anti-war, anti-fascist, humanistic attitude at its core. With a style ranging from the philosophical to the grotesque, the colloquial to the arcane, The Island of Second Sight is a literary tour de force.From BooklistStarred Review On this balcony, Cervantes wrote Don Quixote. With a bit of mischievously mendacious literary history, Vigo — the narrator-protagonist of this brilliant novel — gulls credulous German tourists. Based on the five difficult years that author Thelen and his wife, Beatrice, spent on Mallorca in the 1930s, this novel delivers the gritty texture of lived experience. But as Vigo recounts his (mis)adventures, readers realize that, like Cervantes’ visionary knight, Vigo sees things others do not. While living in a dirty Mallorcan bordello, Vigo transforms himself into a chivalric champion defending his beloved against threatening dragon-rats. Like Quixote assaulting windmill-giants, Vigo declares war against his Nazified German homeland — by buying an American typewriter rather than a German one. But Vigo’s quixotic crusade takes on a dangerously real edge when he uses his typewriter to denounce the führer. Yet, like Quixote escaping from a perilously enchanted castle, Vigo and his wife escape from an island descending into the maelstrom of civil war. To be sure, this modern Quixote wields a sardonic sense of humor quite lacking in his literary predecessor. But that humor finally becomes Vigo’s own imaginative weapon against an all-too-ugly reality. Readers will thank a gifted translator for finally making this masterpiece — acclaimed by Thomas Mann — available to English speakers.Bryce ChristensenReview“A genuine work of art.”— Paul Celan“A masterpiece.”— Times Literary Supplement“Worthy of a place alongside On the Marble Cliffs, Berlin Alexanderplatz, The Death of Virgil and other modernist German masterworks; a superb, sometimes troubling work of postwar fiction, deserving the widest possible audience.”— Kirkus Reviews“A charming if exhausting blend of cultural self-examination and picaresque adventure… Even when the author-narrator’s observations prove overwhelming, his cultural insights, historical laments, literary references, and abundant wit make this first English translation (by Amherst professor White) and the book itself a literary achievement.”— Publishers Weekly“[A] brilliant novel…Readers will thank a gifted translator for finally making this masterpiece-acclaimed by Thomas Mann-available to English-speakers.”— Booklist, starred review