ALEKSANDRS PUŠKINSGRAFS NUĻINSAtdzejojis Vladimirs KaijaksNoskannējis grāmatu un FB2 failu izveidojis Imants Ločmelis

Aleksandrs PuškinsGrāfs NuļinsAtdzejojis Vladimirs KaijaksNoskannējis grāmatu un FB2 failu izveidojis Imants Ločmelis

The Tragedy of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Gertrude, Hamlet's mother. The play vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption.

The collection of verses

There are few modern poems of any country so perfect in their kind as the Hermann and Dorothea of Goethe. In clearness of characterization, in unity of tone, in the adjustment of background and foreground, in the conduct of the narrative, it conforms admirably to the strict canons of art; yet it preserves a freshness and spontaneity in its emotional appeal that are rare in works of so classical a perfection in form.

"Hermann und Dorothea", 1796/97 entstanden und 1798 publiziert, ist eine «idyllisch-epische» Dichtung in Hexametern, deren neun Gesänge nach den Musen benannt sind. Die Handlung spielt in einem rechtsrheinischen Städtchen und schildert einen Flüchtlingszug aus Frankreich im Gefolge der Revolutionswirren. Ideologisch setzt sich Goethe darin mit der Französischen Revolution auseinander. Die Handlung spielt unter den Honoratioren des Ortes — dem begüterten Wirtsehepaar zum Goldenen Löwen, dem Apotheker und Pfarrer — und hat zum Mittelpunkt die Brautwahl. Hermann, der Sohn der Wirtsleute, und das Flüchtlingsmädchen, die ebenso schöne wie tüchtige und mutige Dorothea, werden ein Paar. Im 19. Jahrhundert wurde die Dichtung überaus hoch geschätzt, weil sie bürgerliche Lebensvorstellungen und Geschlechterstereotypien, nicht ohne Ironie von Seiten des Erzählers, in klassischer Form gestaltet.

Hofiz ijodidan namunalarni o‘zbek tiliga Xurshid, Muinzoda, Chustiy, Vasfiy, Sh. Shomuhamedov, J. Jabborov, E. Vohidov, M. Kenjabek, O. Bo‘riyev kabi fors-tojik adabiyotining bilimdonlari tarjima qilganlar.

У зборнік народнага паэта Беларусі Ніла Гілевіча «І чую я голас...» увайшлі вершы, паяднаныя адной, глыбока ўнутранай, магістральнай тэмай, адным вельмі характэрным, можна сказаць вызначальным для ягонага светаўспрымання, настроем. Усе гэтыя вершы друкаваліся ў часопісах i газетах, змяшчаліся ў чарговых кнігах паэзіі, у тамах «Выбранага» і Збору твораў.

If You Were a Dinosaur, My Love won the 2013 Nebula Award for Best Short Story, and was nominated for the 2014 Hugo Award for Best Short Story.As a paleontologist lies in a coma, his fiancée tells him how things would be different if he were a Tyrannosaurus rex.

Lucia Perillo’s hard-edged yet vulnerable poems attempt to reconcile the comic impulse — the humorous deflection of anxiety — with the complications and tragedies of living in a mortal, fragile “meat cage.” Perillo’s surgical honesty — and biting, nourishing humor — chronicle human failings, sexuality, and the collision of nature with the manufactured world. Whether recalling her former career as a naturalist experimenting on white rats or watching birds from her wheelchair, she draws the reader into unforgettable places rich in image and story.Lucia Perillo is the author of four books of poetry that have won the Norma Farber First Book Award, the Kate Tufts Prize, the Balcones Prize, and the Kingsley Tufts Award. Her critically acclaimed memoir, I’ve Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature, was published in 2007.

“The greatest Afrikaner poet of this generation. … No one elevated the Boer language to such pure beauty and wielded it so devastatingly against the apartheid regime.”—The New YorkerThis eclectic and generous work full of wisdom and wit is addressed to a young writer. Breyten Breytenbach’s candid and provocative reflections on reading and writing guide without guiding, open mental channels, surprise, and inspire. A stirring glimpse into the mind of an artist.An outspoken human rights activist, Breyten Breytenbach is a poet, novelist, playwright, memoirist, and painter. He received the Alan Paton Prize in 1994 and the prestigious Hertzog Prize for his collection of poetry Windcatcher in 2008.

In King Thaos’s kingdom, Iphigenia is the priestess of Artemis who takes the lives of strangers in sacrifice for the gods. Until the day two special strangers are brought to her – strangers who she recognizes: Orestes, her brother, and Pylades, their cousin. To keep the king from sacrificing her family, the three begin to devise a plan of escape. But when the fateful day comes, will they manage to escape or will their plans be discovered resulting in the forfeiture of all their lives?

Johann Wolfgang Goethe schrieb im Jahr 1786 sein Bühnenstück Iphigenie auf Tauris nach der Vorlage von Euripides’ Iphigenie bei den Taurern. Das zunächst in Prosa angelegte Werk wurde von ihm dann in Verse umgeformt.

A mythological masterpiece about dedication and the disintegration of romantic affection.In this magnificent epic poem, John Gardner renders his interpretation of the ancient story of Jason and Medeia. Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tryrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon’s beautiful daughter, Glauce. An ancient myth fraught with devotion and betrayal, deception and ambition, Jason and Medeia is one of the greatest classical legends, and Gardner’s masterful retelling is yet another achievement for this highly acclaimed author.

Je voudrais pas crever, poème d’un homme jeune qui se sait bientôt condamné, donne son titre à un recueil de vingt-trois poèmes publiés après la mort de Boris Vian (1920–1959), et dont l’annonce de 1962 a marqué, avec quelques romans et nouvelles, le début de sa gloire posthume. N’était-ce point d’ailleurs une sorte de « chanson du néant » ?Lorsque Noël Arnaud offrit à son tour l'édition de 1972, il y joignit quelques lettres de Vian au Collège de Pataphysique, l'institution pour laquelle celui-ci s'enthousiasma, passion qui venait après tant d'autres et qui avaient brûlé sa vie, telles que l'amour et l'amitié, le jazz, l'écriture, la liberté…